AKG Perception 420
 | Outdated Product Microphone: studio; Operating principle: condenser; unidirectional; bidirectional; omnidirectional; Directional pattern: cardioid; Rated resistance (Ohm): 200; Frequency range (Hz): 20 – 20000; Sensitivity (dB): -31; Sound pressure (dB): 155; Signal to noise ratio (dB): 78; Power source: phantom |
We recommend products in stockMicrophones AKG →
studio, stereo, for iPhone, condenser, unidirectional, bidirectional, omnidirectional, DN: cardioid, 20 – 20000 Hz, connection: USB-C, for iPhone
AKG Perception 420 | ||||||||||||||||||||||||||||||||||||||||||||||||||
|
| |||||||||||||||||||||||||||||||||||||||||||||||||
The information in the model description is for reference purposes.
Always clarify the specifications and configuration of the product with the online store manager before purchasing.
Catalog AKG 2026 - new arrivals, bestsellers, and the most relevant models AKG.
Always clarify the specifications and configuration of the product with the online store manager before purchasing.
Catalog AKG 2026 - new arrivals, bestsellers, and the most relevant models AKG.
Series AKG CondenserCompare using chart →
studio, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -33 dB, connection: XLR, Roll-off, attenuator
computer, stereo, for streaming and broadcasting, condenser, unidirectional, bidirectional, omnidirectional, 20 – 20000 Hz, connection: USB-A
studio, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -39 dB, connection: XLR
studio, condenser, unidirectional, bidirectional, omnidirectional, DN: cardioid, hypercardioid, 20 – 20000 Hz, 200 Ohm, -33 dB, connection: XLR, Roll-off, attenuator
instrumental, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -37 dB, connection: XLR, attenuator
studio, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -34 dB, connection: XLR, Roll-off, attenuator
instrumental, condenser, unidirectional, DN: cardioid, 60 – 20000 Hz, 200 Ohm, -46 dB, connection: mini-XLR, Roll-off, gooseneck
head, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -28 dB, connection: mini-XLR
studio, condenser, unidirectional, bidirectional, omnidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -31 dB, connection: XLR, Roll-off, attenuator
studio, condenser, unidirectional, DN: cardioid, hypercardioid, 50 – 20000 Hz, 200 Ohm, -44 dB, connection: XLR, Roll-off, attenuator
instrumental, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -41 dB, connection: XLR, Roll-off, attenuator
studio, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -32 dB, connection: XLR, Roll-off, attenuator
vocal, condenser, unidirectional, DN: supercardioid, 20 – 20000 Hz, 600 Ohm, -48 dB, connection: XLR
studio, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -34 dB, connection: XLR, Roll-off, attenuator
studio, in box 2 pcs, condenser, unidirectional, bidirectional, omnidirectional, DN: cardioid, hypercardioid, 20 – 20000 Hz, 200 Ohm, -33 dB, connection: XLR, Roll-off, attenuator
vocal, condenser, unidirectional, DN: cardioid, 65 – 20000 Hz, 200 Ohm, -48 dB, connection: XLR
studio, in box 2 pcs, condenser, unidirectional, DN: cardioid, 20 – 20000 Hz, 200 Ohm, -34 dB, connection: XLR, Roll-off, attenuator
instrumental, condenser, unidirectional, DN: cardioid, 60 – 20000 Hz, 200 Ohm, -46 dB, connection: mini-XLR, gooseneck
instrumental, condenser, unidirectional, DN: cardioid, 60 – 20000 Hz, 200 Ohm, -46 dB, connection: XLR, mini-XLR, Roll-off, gooseneck
The mid frequencies fall a little, as if the microphone was created for recording choirs, pianos, and sounding halls. When writing vocals, you need to adjust them to the performer. The sensitivity is very high, even prohibitive! The switches on the microphone are real, they actually measure the parameters. The characteristics of high and low frequencies are excellent. On the mixing console, however, you have to raise the middle ones to get a fuller sound. The mid frequencies fall a little, as if the microphone was created for recording choirs, pianos, and sounding halls. When writing vocals, you need to adjust them to the performer. use AKG Perception 420 month or more |
Add Review