Comparison Sony ZS-PS50 vs LG SB-36

Radio ranges received by the tuner of the music center. Today, the most common ranges supported are:

— FM. Part of the ultra-short-wave (VHF) range from 87.5 MHz to 108 MHz. Uses frequency modulation, which allows you to broadcast music in stereo with fairly high sound quality, as well as transmit RDS signals (see RDS). At the moment, most music radio stations in the CIS broadcast in this range, as a result of which FM is supported in the vast majority of audio systems. The disadvantage of this option is the limited reception area - a maximum of several dozen kilometers from the transmitter - so FM broadcasts can usually be listened to within one city and its surrounding areas.

— AM (from English amplitude modulation) — radio broadcasting using amplitude modulation. Usually, this term refers to broadcasting on medium waves in the range of 520–1610 kHz; most consumer AM receivers are designed for these same frequencies. The range of AM stations can be hundreds of kilometers, but the sound quality is lower than on FM, so this format is mainly used for talk and news radio stations.

— DAB+. DAB is an abbreviation for Digital Audio Broadcasting, i.e. “digital radio broadcasting”; and “+” means an improved version of this standard. Formally, DAB+ is not only a range, but also a signal transmission format: unlike all the options described above, it is, as the name suggests, digital. This provides a number of advantages over traditional transmitter...s — in particular, a greater range at lower power and high quality of the transmitted sound. In addition, this sound is practically not subject to distortion: weak interference does not affect its quality, and with a critical decrease in transmitter power, the signal is not distorted, but disappears completely. The latter, however, can be written down as a disadvantage; but the only truly significant disadvantage of this option is its low prevalence (so far) in the CIS countries. Technically, such broadcasting can be carried out in any range above 30 MHz, but in practice, several options are used (depending on the country), related to the VHF range. Please note that DAB+ tuners are capable of receiving original DAB radio broadcasts, but not vice versa.

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

The number of distinct frequency ranges (bands) into which sound is divided when played through the acoustics of an audio system. For each such band, a separate speaker is provided, and sometimes several.

The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).

Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.

Bass boost function for powerful and rich bass. Often implemented as a single button, with which you can actually "turn the bass on and off." This is more convenient than adjusting the low frequencies using the equalizer; in addition, various special technologies can be used to enhance the bass.

Type of independent power sourceused in the audio system. Such power is usually not the only option — it only complements the ability to work from the network.

— AA batteries. Replaceable elements of a standard size, colloquially known as "finger". Available in a variety of options, varying in quality and price, available not only as disposable batteries, but also as rechargeable batteries; sold almost everywhere. The main advantage of all replaceable cells is the ability to quickly change dead batteries for fresh ones (of course, if there is a reserve), while the original battery has to be charged — and this takes time and an external power source. As for AA, they have a relatively low power and capacity. These characteristics are sufficient for relatively compact devices; however, for models that need to power mechanical drives (for example, for CDs) and/or provide high sound power, “AA” batteries are poorly suited, and therefore are rarely used in them.

— AAA batteries. Replaceable elements, known as "mini-finger" or "little fingers". In general, they are similar to the AAs described above and differ from them only in small sizes and, as a result, less power. Because of this, such power is used only in the most compact models of audio systems, which do not require high power, but small sizes are crucial.

— Batteries C. Replaceable cells known as "Baby". The features of replaceable cells are generally desc...ribed in AA Batteries above; here we note that C batteries have a cylindrical shape and are similar in length to “finger-type” batteries, but are much thicker, due to which they are distinguished by higher power and can be used in rather “gluttonous” systems.

— D batteries. Replacement cells, the largest variety of standard cylindrical batteries used in modern audio systems. Used in the most powerful models that require a large amount of energy.

— Batteries. This parameter is indicated in our catalog in two cases: if the device uses standard replaceable elements that do not belong to any of the standard sizes described above, or if the battery size is not indicated in the manufacturer's official data.

— Accumulator. Powered by its own original battery, which is not related to standard sizes, and in some models is also non-removable. On the one hand, this option eliminates the need to constantly buy replacement batteries (or significantly spend money once on rechargeable batteries), moreover, the battery is usually supplied as a kit. However, when the charge is exhausted, in most cases the only option is to charge from an external power source — and this requires not only the presence of such a source, but also a fairly large amount of time.

Audio system operating time without connection to an external power source (network or USB port, depending on the capabilities). Note that manufacturers tend to indicate battery life in their specifications under optimal conditions for energy saving: at low volume, without using additional functions, etc. Therefore, in fact, this indicator may be noticeably lower than the claimed one, and speakers with a long operating time will not sound at full volume for the specified hours.