Keys
The total number of keys on the keyboard.
The more keys provided in the design, the wider the instrument's own range, the more notes it can play without resorting to octave shift or transposition. On the other hand, this characteristic directly affects the dimensions and cost, and an extensive range is not required so often. Therefore,
88 -key instruments corresponding to a full-size classical piano keyboard are quite rare. But compact models with only
25 keys(2 octaves), on the contrary, are popular: for the purposes for which MIDI keyboards are used, this is often quite enough. Other common options are the
49 -key (4 octave) and
61 -key (5 octave) models; somewhat less common are
32 and
37 keys.
Key size
In this case, the size means the size of the keys in width — the length practically does not affect the game process.
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Full size. Standard-width keys, as on a traditional piano keyboard. Switching to such a keyboard from another instrument with standard keys does not cause any problems; Also note that this particular option is recommended for complex games. On the other hand, a full-size keyboard can take up quite a lot of space.
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Small size. Reduced width keys. It is worth paying attention to this option, first of all, if there is not much space for installing the keyboard and compactness is crucial: small keys allow you to reduce the size of the device. In addition, such keys can be useful for people with small hands. But for complex parties, they are worse than full-sized ones.
Sustain
The presence in the keyboard of its own sustain control — the extension of the extracted note. With sustain on, the note continues to sound (slowly decaying) even after the key has been released—similar to depressing the right pedal on a piano. Note that many keyboards allow the connection of pedals, including to control this function (see "Connected Pedals"), however, here it means its own controller, which allows you to turn sustain on and off using the keyboard itself, without additional equipment.
Transposition
The presence of the transposition function in the keyboard — switching the sound to a different key. When transposing, the pitch of all keys is simultaneously raised or lowered by a certain number of semitones. This function is useful in all cases when a melody learned in one key needs to be played in a different key — for example, if the original melody is too high or too low for the vocalist, if the external accompaniment differs in key, if you need to switch between keys during the song, and etc. In such situations, by transposing the sound, you can play a melody in a new key using the same familiar keys without relearning it.
Keyboard split
The presence in the device of the function of splitting the keyboard.
This function, as the name suggests, allows you to divide the keyboard into two parts, each of which will have a different timbre. Thus, on one device, you can play the part of two instruments at once (for example, add the sound of a string orchestra to the violin) or accompany the part of the instrument with various effects (siren, klaxon, thunder, etc.). Some models allow you to select the position of the border between the keyboard zones.
Pads
The number of
pads provided in the design of the keyboard.
Pads are auxiliary controls in the form of characteristic pads, usually square. The pads respond to touch, each of them can be tied to a specific sound or even a sequence of sounds. One of the most popular ways to use pads is to play drums or other rhythmic instruments.
Faders
The number of
faders provided in the design of the keyboard.
A fader is a slider control. The simplest kind of such controls is the volume setting; if there is one fader in the design, most likely it is responsible for the volume. If there are more controls, other functions can be tied to them, respectively — in particular, changing the settings in the recording programme on the computer to which the keyboard is connected.
Regulators (encoders)
The number
of encoder controlsprovided in the design of the keyboard.
Such a knob looks like a rotary knob, with which you can control various functions of the device to which the keyboard is connected — for example, turn the virtual knobs in the programme for recording and sound processing. At the same time, we note that a full-fledged encoder is capable of rotating 360 ° and turning to any angle in any direction, however, keyboards can also contain knobs with a limited rotation sector — they can also be called encoders. None of these options has a clear advantage: in some cases, an unlimited turning sector is more convenient, in others, a limited one.
MIDI in
Input for receiving MIDI signals from an external device such as an optional keyboard or other controller, sequencer, etc. For MIDI signals, see “MIDI Out”; here we note that such signals received at the
MIDI In input can be mixed with signals from the keyboard and output via MIDI Out or another interface of a similar purpose, or they can be sent unchanged to the MIDI Thru output. It is worth looking for a device with this input if you plan to build a complex from several MIDI signal sources and intend to use the keyboard as an intermediate link in such a system.
