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Comparison Gudsen MOZA AirCross S vs Gudsen MOZA AirCross

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Gudsen MOZA AirCross S
Gudsen MOZA AirCross
Gudsen MOZA AirCross SGudsen MOZA AirCross
from £252.72 
Outdated Product
from £480.09 
Outdated Product
TOP sellers
Main
USB C connector for control. L-shaped bracket for mounting up to three devices at the same time or a camera with accessories (light, etc.)
Stabilization quality. Simplicity in management. Manfrotto 501PL adapter included.
Type
for smartphone
for camera
for action camera
 
for camera
 
Display
In box
quick release plate
tripod stand
quick release plate
tripod stand
Gimbal specifications
Max. load1.8 kg1.8 kg
Rotation angle360°360°
Tilt angle330°-175° +135°
Bank angle330°360°
Max. phone width88 mm
Battery
Battery model3x26350
Capacity1000 mAh6000 mAh
Battery life12 h12 h
Removable battery
Shooting features
Camera controljoystickjoystick
Functions
camera position fixing
axis lock
control wheel
camera position fixing
axis lock
 
Shooting modes
Time lapse
 
 
tracking mode
 
Time lapse
sports mode
autopanorama
 
inversion mode
General
Connection
Bluetooth
Bluetooth
Folding
Mechanical axis lock
Dimensions (folded)315x163x75 mm378x175x193 mm
Weight750 g896 g
Added to E-Catalogaugust 2023february 2018

Type

For smartphone. Mount for using a smartphone as a camera. Most often it is a kind of clamp, in which the body of the device is tightly clamped. Such clamps usually have a fairly wide range of adjustment for the width of the phone, which allows you to use this type of stabiliser with most modern smartphones, regardless of the diagonal. And some models can even work with compact digital cameras.

For camera. Attachments designed for use with full-size cameras — SLR and mirrorless (MILC). Such cameras are quite large and have a thread mount for a tripod. All these features are taken into account in the design of the stabiliser.

For action cameras. Stabilisers designed for action cameras — compact cameras used mainly for shooting dynamic scenes like sports, skiing, cycling, etc. Such devices, by definition, are designed for use in rather extreme activities, including surfing, skiing, paragliding, etc. However, the specific features of different stabilisers may be different, so before buying it's ok to clarify this matter separately. Note that instead of the general name “for action camera”, the stabiliser specifications may contain the names of specific models of action cameras for which the device is designed.

With camera. Stabilizers equipped with their own cameras. These are integrated directly int...o the stabilizer's construction, eliminating the need for external devices for filming. Moreover, such models are inherently optimized for working with the built-in camera — at the very least, the user doesn't have to deal with balancing the load on the stabilizer's head. Note that the ability to remove and replace the camera with another is usually not provided, although there are occasional exceptions to this rule.

Display

The presence of a display in the stabiliser design makes the operation of the device more comfortable and visual. Depending on the specific modification of the stabiliser, the screen can perform many functions. Usually, the display shows basic information about the operating modes used, the date and time, as well as the battery level. The most advanced stabilisers can display the image from the camera, which allows you to use it as a viewfinder with LiveView mode. At the same time, the screen size on professional steadicams can reach 3″ or more, but the vast majority of models are still equipped with a 0.5″ screen.

Tilt angle

The range of forward-backwards tilt angles relative to the vertical position supported by the stabiliser.

It can be written in different ways.

The simplest option is when one angle value is indicated in the characteristics. This may mean that the camera can deviate from the neutral position in both directions by the same angle, which is half the range.

Another option is used when the angles of tilt forward and backward are not the same. In such cases, the horizontal position of the camera on a vertical steadicam is taken as zero, the “-” sign indicates the maximum angle of camera deflection back, lens up, and the “+” sign — forward, lens down.

Bank angle

The range of roll angles (to the side) supported by the stabiliser.

Can be recorded in two ways (See "Tilt angle")

Max. phone width

The maximum size of the phone that can be installed in the stabiliser mount.

Battery model

Model of the battery used in the stabiliser. This information is not very important when choosing: if you wish, knowing the battery model, you can find detailed information about it. However, the key characteristics of the battery are usually given in general information about the stabiliser. Nevertheless, model information can be useful if you plan to purchase an additional battery, or if you already have a battery and you need to evaluate its compatibility with the device.

Capacity

The capacity of the battery used in the stabiliser.

In theory, a higher capacity allows you to work longer without recharging, but the battery life of the stabiliser also depends on its power consumption. So, only models with similar performance characteristics can be compared with each other according to this indicator; and when choosing, it is better to focus not on the capacity, but on the directly claimed battery life.

Removable battery

The presence of a removable battery in the design of the stabiliser allows, if necessary, to replace the used one with a spare one and thus to record longer without interruption.

Functions

Time lapse. The ability to use a stabiliser for shooting video in time-lapse mode. In this mode, shooting is carried out at a very low frame rate (one frame every few seconds, or even minutes), due to which the effect of fast movement is achieved in the finished video (for example, a day from sunrise to sunset can fit in several minutes). However, this is the general principle of time lapse; but the specific ways of its implementation may be different.

Selfie shooting. The presence of a separate mode for shooting selfies.

Sports mode. It allows you to use the stabiliser when shooting in extreme conditions, on the go and even while running. If you turn on the sport mode, the stabilizer begins to compensate for even deep and sharp frame deviations. Of course, an increase in the potential of the stabilizer affects the charge of the battery pack — the sport mode significantly speeds up the process of discharging the battery.

Panorama. The presence of the mode of automatic shooting of panoramas in the design of the stabiliser. In this mode, the camera attached to the device automatically rotates, taking a series of shots, from which the finished panoramic image is then “glued together”. Most often, this function involves the creation of horizontal panoramas, but it can also provide the movement of th...e camera vertically.

Fixing camera position. The ability to fix the position of the camera mounted on the stabiliser. Fixation means such a mode of operation in which the camera remains constantly directed in the same direction, regardless of the position of the stabiliser itself.

Axis lock. The presence of an axis lock in the design of the stabiliser — in such a way that when turning along this axis, the camera will follow the movement of the stand. Such an opportunity is necessary in cases where there is a need for precise and operational control over the movement of the camera.

Tracking mode. The presence of an automatic tracking mode in the stabiliser. By the name, in this mode the device automatically follows a certain object, turning the camera so that this object is constantly in the centre of the image, or at least in the frame. In this case, the subject for tracking can be set by the operator himself.

Inversion mode. The presence of the inversion mode in the design of the stabiliser. This function, as the name suggests, allows you to turn the device upside down, keeping all its functions and the position of the camera.

The control wheel allows you to speed up and simplify the setting of the stabiliser operating modes. The wheel is designed to complement the keypad, but in some cases, it can replace the buttons completely. Typically, the control wheel is used to adjust the sensitivity of the gimbal, as well as rotate and lock the camera mounting pad. If the optics are fully compatible with the stabiliser, then the control wheel can be used to adjust both focus with zoom and many other filming parameters.
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