Comparison Sony NW-A45 vs Sony NWZ-E584 8Gb

- Audio. MP3 players in the original, most traditional sense are devices designed to play music and other audio. There are models without a display, but many of the audio players are equipped with screens and can work with auxiliary file formats - like TXT for displaying song lyrics or JPG for viewing album covers or even photos. But the player in them is designed to work only with sound and does not allow video playback.

- Media player. This type includes all players that can play video. The specific characteristics of such models may vary significantly - from portable gadgets with 1.5" - 2" displays and support for specific formats to large 4 - 5" devices capable of working with unconverted files. But in any case, if you need a pocket player with the ability not only listen to music, but also watch videos - it’s worth choosing from similar models.

— Hi-Fi player. A specific type of audio player (see above), created with the expectation of maximum quality of reproduced sound. Uses high-quality components and advanced signal processing circuits; Because of this, such devices are an order of magnitude more expensive than conventional audio players, but in terms of sound quality they are comparable to stationary Hi-Fi class systems. It is almost mandatory for such models to support at least one lossless format like FLAC or A...PE; also only in such devices is it possible to work in DAC mode (see “Functions/capabilities”). In addition, the design may provide specialized interfaces - for example, balanced or optical (see “Outputs”). Thanks to all this, devices of this type can be useful both to demanding audiophiles and to those who work professionally with sound.

The amount of built-in memory installed in the player.

This parameter directly determines how much music and other content can be stored in the device without resorting to memory cards (especially since some models do not support such cards at all). For comparison: the size of one MP3 file usually does not exceed 20 MB, the same composition in lossless format has 3-4 times more volume, a film in standard quality takes on average from 700 MB to 2.5 GB, in HD 720p — up to 5 – 6 GB. Thus, in terms of data storage, the more internal memory, the better. On the other hand, the price of the player directly depends on the storage capacity. Thus, some models are available in several modifications, differing in the amount of memory and price.

When choosing, note that part of the memory will inevitably be occupied by software firmware and pre-installed applications; sometimes this part turns out to be quite significant — for example, in models with an OS on board (see above), several gigabytes can be occupied. Also note that memory cards in terms of gigabytes of volume are cheaper than built-in drives, and from the practical point of view, in most cases they are not inferior to them. So it makes sense to specifically look for a player with a large amount of internal memory, first of all, if this model does not work with memory cards.

Now there are players on the market with such a memory capacity: up to 8 GB, 16 GB, 32 GB, 64 GB and more. However, there are also models without built-in memory, designed for use only with memory cards.

Type of memory cards supported by the player.

Memory cards perform two main functions. First of all, they increase the total amount of the player's memory; at the same time, such memory in terms of gigabytes is much cheaper than built-in drives. Secondly, a memory card allows you to exchange data with another device that has a card reader; for example, it can be used to copy music to the player from a laptop.

Modern players usually use SD or microSD cards of one version or another. SD cards have dimensions of 32x24 mm and are used in relatively large devices, miniature microSD (15x11 mm), respectively, in compact models. Versions can be:

— SD. This marking means that the device is capable of working with at least original SD cards (not related to later versions of SDHC or SDXC). Such cards can have up to 4 GB capacity, their capabilities are quite enough for most tasks related to content playback.

— SD/SDHC. Models compatible with both the original SD (see above) and the newer SDHC format. This format allows you to create removable media up to 32 GB.

— SD/SDHC/SDXC. Support for all major SD formats used today. About SD and SDHC, see above, and SDXC provides card capacity up to 2 TB and increased speed.

— microSD. Players guaranteed to work with original microSD cards. Technically, such cards are similar to the SD cards described above and differ from them only in size. At the s...ame time, it is worth noting that a device with such a marking may actually be compatible with more advanced media (like microSDHC or even microSDXC), just the manufacturer, for one reason or another, did not go into such details. You can clarify this point by evaluating the maximum supported card volume (see below)

— microSD/SDHC Players that support both the original microSD and the later microSDHC standard (see "SD/SDHC").

— microSD/SDHC/SDXC. Players with this marking are compatible with all modern versions of microSD cards — both the newest microSDXC (see "SD / SDHC / SDXC"), and previous standards (see above for them).

Players are produced that have two slots for memory cards at once — usually microSD. Basically, these are Hi-Fi devices (see "Type"), and this feature is provided for an additional increase in available memory volumes: Hi-Fi content has a significant amount and requires appropriate storage.

The range of audio frequencies that the player is capable of reproducing. The wider this range — the more complete the picture of the sound, the less likely that the device will "cut off" part of the sound spectrum. At the same time, when choosing this parameter, several points should be taken into account.

First, the average human ear is capable of hearing sounds from approximately 16 Hz to 20 kHz; deviations from these figures are small, and with age the range narrows even more. In fact, this means that for normal hearing, it is enough just to cover this gap. And the wider boundaries indicated in the characteristics of the player will be more of a marketing ploy than a really significant moment. Secondly, do not forget that the sound quality is determined not only by the range, but also by a number of other characteristics of the player — signal-to-noise ratio, frequency response, etc.; therefore, a wide range by itself does not guarantee a pleasing sound. And thirdly, the features of the audible sound also largely depend on the headphones used and their frequency range: all the advantages of a player with a wide frequency range can come to naught if the frequencies are “cut off” by the headphones.

The higher the power, the louder the sound you can get on the headphones, all other things being equal. In addition, higher power allows you to connect "ears" with higher impedance to the device (although there is no hard correlation here, and models with the same output power may have different headphone impedance limits). However, in the case of ordinary (non-Hi-Fi) players, this parameter is more of a reference than practically significant: usually, the power of the amplifier in such models is quite enough to “rock” most consumer-grade headphones. But for Hi-Fi devices (see "Type") models, output power is of key importance: it determines compatibility with high-resistance studio-class "ears". Detailed help on this issue can be found in special sources.

Audio file formats that the player is able to work with.

— MP3. The most famous of modern digital audio formats; supported by almost all compact players, the name MP3 has even become a household name for them. Provides so-called. lossy compression, where some of the audio frequencies are lost. However, during compression, the sound is processed in such a way that it "disappears" mainly frequencies, the loss of which is imperceptible to the human ear. As a result, the sound quality can be quite high, and you can clearly distinguish high-quality MP3 from lossless format only on Hi-Fi equipment.

— WAV. Another popular audio standard, originally developed for storing sound on a PC. It can technically be used to store audio in a variety of formats, but is most commonly used for uncompressed audio. Due to this, the sound quality can be quite high, and its processing does not require special computing power. The downside of this is the large volume of audio files — many times more than MP3s.

— WMA. An audio format, at one time specially created for the Windows operating system. By default, it uses lossy compression (although there is also a lossless version of the WMA codec). WMA is particularly suitable for low bitrates, under such conditions it provides better quality than MP3 and takes up less space. On the other hand, this format is much less popular in high-quality digital audio.

...— AAC. A format developed as a potential successor to MP3. Also provides lossy compression (see above), but allows you to achieve better quality with the same file size; this difference is especially noticeable at low bitrates. Actively promoted by Apple in iPod players; nevertheless, it is noticeably inferior to MP3 in terms of prevalence, although it is supported by a considerable number of players.

— OGG. A lossy compressed digital audio format is one potential alternative to MP3. One of the key features of OGG is that as audio is encoded, the bitrate is constantly changing; at the same time, on fragments where there is no sound, the bitrate drops to almost zero (unlike MP3, where the data stream is constant, including in sections of complete silence). This makes it possible to achieve small file sizes while maintaining sound quality. Also note that the OGG format is open and not limited by patents.

— FLAC. One of the formats that uses lossless audio compression. With this compression, all the details of the original sound are preserved, so lossless formats are especially appreciated by sophisticated music lovers and audiophiles. The reverse side of this quality is large volumes of files. Specifically, FLAC is perhaps the most common of today's lossless formats. This is largely due to the fact that this standard is not particularly demanding on the processing power of the player. Thanks to this, its support can be implemented even in relatively simple and inexpensive players (unlike another popular format — APE, see below). On the other hand, FLAC files are larger than APE files.

— A.P.E. One of the popular lossless audio compression formats. Compared to another common standard — FLAC (see above) — APE allows you to achieve smaller file sizes with the same quality. On the other hand, to play such files, electronics with a fairly high processing power are required, so APE compatibility is relatively rare in compact players.

— DSD. A specific digital audio format using the so-called. sigma-delta modulation (as opposed to pulse code used in most other formats). Such modulation provides a very high sampling rate — 2822.4 kHz; however, it cannot be compared with the usual sampling rate (see above): in this case we are talking about a specific signal format. Its properties are such that DSD support can be provided even if the player's DAC formally has a much lower sampling rate. In general, this format is considered professional, its support is found mainly in Hi-Fi models (see "Type").

— DXD. Professional audio format originally created for editing DSD files (see above) — For technical reasons, original DSD is not well suited for editing. DXD uses a bit depth of 24 bits (8 bits higher than Audio CD format) and a sampling rate of 352.8 kHz (8 times higher than Audio CD). Like the original DSD, it is found mainly in Hi-Fi players.

— AIFF. Audio format developed by Apple for Macs and Macbooks; a kind of "apple" analogue of the WAV described above, also in most cases used for uncompressed audio.

— Audible. Proprietary file format used by the online audiobook store of the same name. One of the features of this format is that file playback is available only if you enter a login and password for the Audible online store; thus, supporting this standard usually means having a client programme to access the store.

This list is not exhaustive, modern players (especially the top category) may support other types of audio files.

Non-audio file formats that the player can handle.

— AVI. One of the most popular video file formats nowadays, it is used both in portable devices and in stationary video equipment. Technically, it is a container, that is, it can contain data processed by different codecs; playback requires that the device supports not only the AVI format, but also the corresponding codec.

— MP4. Video files using the MPEG-4 container. MP4 was once one of the most popular formats for portable players, and it is this format that is usually meant when people talk about "converted video" for a media player or smartphone.

— MPEG-4. Another name for the above MP4.

— MKV. A video container created as an open source alternative to the above described AVI and similar standards. Very handy when creating video files with multiple embedded video, audio and/or subtitle streams, which is why it is widely used and continues to evolve.

— MOV. Video file (container) format originally developed by Apple for QuickTime software players

— ASF. Microsoft's proprietary format, specifically designed to work with streaming content.

— SWF. A format in which animation clips are recorded based on flash technology.

— jpegs. One of the most popular modern image file formats, it is the standard for digital photography. Note that graphics support, including JPEG, can be pro...vided even in players with very miniature screens — to display album art.

— PNG. Popular graphic file format. In particular, it is widespread on the Internet due to the ability to achieve good quality with small file sizes.

— GIF. Another popular graphic file format. Notable for the ability to create animated pictures.

— BMP. One of the most common graphic formats. However, due to the rather large volumes of files, it is less common than the above standards.

— txt. Text-only files, no formatting (except paragraphs). Support for this format can be provided even in players with very small screens — to view lyrics.

This list is not exhaustive, other file formats may be supported in modern compact players.

— CUE support. The player's ability to recognize and use .cue files. Initially, such files were used as track lists on Audio CDs, they recorded the sequence of tracks, their duration and title; nowadays, albums and compilations are often accompanied by a .cue file, recorded according to the principle “all tracks in a row in one audio file”. If the player supports CUE, then such an audio file can be listened to on it as a set of separate tracks, switching between them as desired — the player will take data from the .cue file about the start point of each track and automatically skip playback. In other words, the listening format will be the same as when playing music in the "one file per track" format.

— Lossless formats. Player support for audio formats that use lossless compression. Unlike lossy compression (in the same MP3), with this compression, the sound is not cut, all its details are preserved as much as possible. There are several lossless formats these days, the most popular being FLAC and APE (see "Supports audio formats"); the specific set of standards that the player is compatible with should be clarified separately. However, anyway, this function will be useful to those who appreciate the most complete and reliable sound. In this case, it is worth considering two nuances. Firstly, lossless files have a fairly...large volume — one album can take several hundred megabytes. Secondly, in order to fully appreciate such sound, you will need high-quality headphones, and ideally a Hi-Fi level player (see "Type").

— Formats without compression (uncompressed). Support by the player for audio formats that do not provide data compression. Most of these standards are professional, they provide very high quality and reliability of sound, but they also take up a lot of space. Examples of uncompressed formats include DSD and DXD (see Supports Audio).

— Work in DAC mode. The ability of the player to work in the digital-to-analogue converter (DAC) mode — when the device receives a digital audio signal from an external source (usually a computer USB port) and outputs analogue sound. This function is found mainly in Hi-Fi models (see "Type"). It will be useful primarily when outputting sound from PCs, laptops or portable gadgets: own sound cards in such models are often quite “weak”, and when using an external DAC, you can achieve much better sound quality.

— Equalizer.This function allows you to adjust the volume of the sound of individual frequency bands, thus changing the overall colour of the sound. Equalizers in modern players can have a different number of bands — from 2 (low and high frequencies) in the simplest models to 8 – 10 in advanced ones. Anyway, such a setting can be useful both for adjusting the sound to your own preferences, and for compensating for the shortcomings of the connected headphones or speakers — if they "fail" certain frequency bands. In addition, many players have a set of equalizer presets (presets), usually designed for different styles of music — Classic, Rock, Pop, etc.

— Support for aptX. Feature found exclusively on Bluetooth models (see the relevant paragraph). aptX technology is designed to improve the quality of the audio signal transmitted over Bluetooth. With a normal connection, without aptX, the data stream is highly compressed and cut off at individual frequencies; this will noticeably degrade the sound quality and may ruin your music listening experience. This feature eliminates this drawback: when using aptX, the data stream is transmitted almost without compression, while maintaining the original quality. Of course, for this, aptX must be supported not only by the player, but also by the device to which the sound is broadcast (headphones, speakers, etc.)

— FM receiver. Built-in tuner for receiving radio broadcasts in the FM band. It is this range that the vast majority of modern music radio stations use, since it allows you to broadcast sound in stereo. However, some player models also support other standards — for example, AM, in which stations of the "conversational" genre are widely represented. To listen to the radio, you usually need to connect headphones — their wire acts as an antenna.

— Recording from FM-receiver. Ability to record radio programs received by the player's own tuner (see above). This feature is useful if you want to "save for history" some event from the broadcast — an interesting talk show, a live performance of your favorite band in the studio of a radio station, a live call, etc.

— Dictaphone. Ability to work the player in voice recorder mode — to record sound. Usually, the built-in microphone is used. The general functionality of such a recording is noticeably more modest than in specialized voice recorders, but for simple tasks it may well come in handy.

— Built-in speaker. Own built-in speaker allows you to listen to music without connecting headphones or speakers. In some situations — for example, when watching a movie together from the player screen — this function can be very useful. However note that the capabilities of the built-in speaker are usually quite modest, as a result, the volume and sound quality are low.

— Digital camera. Own digital camera that allows you to use the player to shoot photos and videos. The quality of filming in most cases is not high, but there are exceptions — some models of players in this indicator are not inferior to middle-class smartphones. In addition, the cameras in this case are designed not so much for highly artistic shooting, but for “fixing the moment”. It is also worth noting that the location of the camera may be different. Most often, it is installed on the back side, but there are also players with front cameras that allow you to take selfies and use video calls. And the most advanced players (usually models with OS, see above) can have a pair of cameras — the main one and the front one.

The player supports Bluetooth technology.

This technology was developed for direct wireless communication between various devices. The ways in which it can be used can vary; in the case of players, the most common option, which is almost mandatory for any model with Bluetooth, is to broadcast sound to wireless headphones, speakers or other similar devices (aptX is highly desirable, see “Functions/capabilities”). In addition, other methods of using Bluetooth may be envisaged - in particular, exchanging files with other devices and remote control (player or from the player); the specific set of additional functions should be specified separately. And Bluetooth versions (the latest of which at the end of summer 2021 is Bluetooth 5.0) indicate the advancedness of the device and its increased capabilities.