Frame rate
The highest frame rate supported by the TV.
Note that in this case we are talking specifically about the screen’s own frame rate, without additional image processing (see “Index of dynamic scenes”). This frequency must be no lower than the frame rate in the video being played - otherwise there may be jerks, interference and other unpleasant phenomena that degrade the quality of the picture. In addition, the higher the frame rate, the smoother and smoother the movement in the frame will look, and the better the detail of moving objects will be. However, it is worth noting here that playback speed is often limited by the properties of the content, and not by the characteristics of the screen. For example, films are often recorded at a frequency of only 30 fps, or even 24 - 25 fps, while most modern TVs support frequencies of
50 or
60 Hz. This is enough even for viewing high-quality content in HD resolutions (speeds above 60 fps in such video are extremely rare), but there are also “faster” screens on the market:
100 Hz,
120 Hz and
144 Hz. Such speeds, as a rule, indicate a fairly high class of the screen; they also often imply the use of various technologies designed to improve the quality of dynamic scenes.
Brightness / contrast enhancement
TV support for one or another
brightness / contrast enhancement technology.
Usually, in this case, software image processing is implied, in such a way as to improve brightness and/or contrast (if necessary). Specific processing methods may be different — in particular, in some cases we are actually talking about turning standard content into HDR (see above), and some manufacturers do not specify technical details at all. The effectiveness of different technologies can also be different, and besides, it is highly dependent on the specific content: in some cases, the improvement will be obvious, in others it may be almost imperceptible. Also note that this feature is not always useful, so in most models it is turned off.
Outputs
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Coaxial (S/P-DIF). An interface for transmitting audio in digital format, which allows to transmit multi-channel audio via a single cable with an RCA connector (“tulip”). In terms of resistance to interference, this standard is somewhat inferior to the optical one (see below) — this is due to the fundamental differences between these interfaces. On the other hand, electrical cable is more reliable than optical fibre and is not as sensitive to pressure and bending.
—
Optical. An output for transmission of a digital audio signal on a fibre optic cable; allows the transmission of multi-channel audio. Notable for its complete insensitivity to electromagnetic interference. On the other hand, fibre optic cable is quite fragile, it must be protected from bending and strong pressure.
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Mini-Jack (3.5 mm) for headphones. Standard 3.5mm headphone jack. Headphones can come in handy if you need to keep quiet and you can’t use the TV speakers – for example, at a later time of the day; or vice versa, if the environment is noisy and the sound of the TV is hard to hear. Most modern "ears" use a mini-Jack plug, so this connector is the standard headphone output in TVs. And in some models, this output can also be used as a linear output — for example, to connect individual speakers, a sound recording device, etc.
— Subwoofer. A separate output for connectin
...g a subwoofer to a TV is a speaker for reproducing low and ultra-low frequencies. Audio systems without subwoofers usually reproduce these frequencies quite poorly. The use of subwoofer allows you to achieve the most deep and rich sound, which is especially important when watching movies with a lot of special effects or high-quality recordings from concerts. At the same time, it is worth noting that such outputs are quite rare in TVs: it is assumed that a full-format external audio system is more suitable for a demanding listener than a separate subwoofer.
— Line. Standard analogue audio interface; usually, provides the transmission of two-channel stereo. It is used primarily to connect active speakers and other audio equipment (for example, audio receivers or power amplifiers) to TVs. It can use different types of connectors, but most often it provides either a 3.5 mm mini-Jack or a pair of RCA jacks for tulip cables. Note that it is a separate line output that is meant here; in some models, this function can be performed by a 3.5 mm headphone jack (see above), but for them the presence of a line-out is not indicated.Wall mount
Most TVs have a VESA wall mount which may vary in size. The basis for such mount is a rectangular plate with four holes for screws in the corners. The main characteristic of such a mount is the distance between the holes — it is measured along the sides of the rectangle and is expressed in two numbers. The original VESA format is 100x100, these mounts are used for most medium-sized LCD TVs. For small screens, 75x75 mounts are provided, for large ones — 200x200 and more (up to 800x400).
However, there are also models that are equipped with a standard (proprietary) mount from the manufacturer. Mostly these are either ultra-thin TVs or designer lines. Anyway, the mount in the kit is suitable only for the selected model.
Power consumption
The electrical power normally consumed by the TV. This parameter strongly depends on the screen size and sound power (see above), however, it can be determined by other parameters — primarily additional features and technologies implemented in the design. It is worth noting that most modern LCD TVs are quite economical, and most often this parameter does not play a significant role — in most cases, power consumption is about several tens of watts. And even large models with a diagonal of 70 – 90" consume about 200 – 300 W — this can be compared with the system unit of a low-power desktop PC.