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Comparison Nikon D850 body vs Nikon D4S body

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Nikon D850  body
Nikon D4S  body
Nikon D850 bodyNikon D4S body
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Main
Wide dynamic range. 4K video recording from the entire area of \u200b\u200bthe matrix. Touch rotary display. Key backlight. Dust and water protection.
Camera typedigital mirrordigital mirror
DxOMark rating10089
Sensor
Sensor
CMOS (CMOS) /expeed 5 processor/
CMOS (CMOS) /expeed 4 processor/
Sensor sizefull frame
full frame /36x23.9 mm/
Total MP4716.6
Effective MP number4616.2
Maximum image size8256x5504 px4928x3280 px
Light sensitivity (ISO)
32-102400 /hardware expansion of the ISO range up to 32-51200 is possible/
100 - 25600 /possible ISO extension up to 50 – 409600/
Sensor cleaning
RAW format recording
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
No AA filter
Lens
Mount (bayonet)
Nikon F /1x crop factor/
Nikon F /1x crop factor/
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Frames per series (JPEG)86 шт
Frames per series (RAW)44 шт
Frames per series (JPEG RAW)29 шт
HDR
 /jPEG only/
White balance measuring
 /12 presets + 6 manual settings, WB bracketing/
 /+ 12 presets and 4 saved/
Exposure compensation± 5 EV, in 1/2, 1/3 or 1 EV steps± 5 EV, in 1/2, 1/3 or 1 EV steps
Auto bracketing
 /± 5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 120 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps
File recording formatsMPEG4, H.264MPEG4, H.264
Manual video focus
Maximum video length
 
time limit /10 minutes/
Connection ports
HDMI v 1.4
 
microphone Jack
HDMI
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points153 шт51 шт
Touch focus
Front / back adjustment
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.75 x0.7 x
Frame coverage100 %100 %
Shutter speed
30 - 1/8000 с /resource 200,000 frames/
30 - 1/8000 с
Continuous shooting9 fps11 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''3.2 ''
Screen resolution1229 thousand pixels921 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards typesSD, SDHC, SDXC, XQDCompactFlash, XQD
Communications
Wi-Fi 4 (802.11n)
NFC
 
 
Flash
Built-in flash
External flash connect
 /compatible with Nikon SpeedLights and i-TTL Creative Lighting System/
Power source
Power source
battery
battery
Battery modelEN-EL15aEN-EL18a
Battery capacity1840 mAh3900 mAh
Shots per charge3020 шт
General
Charger modelMH-25
Underwater box modelWP-S10
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)146х124х79 mm160х157х91 mm
Weight1005 g1350 g
Color
Added to E-Catalogaugust 2017february 2014

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

No AA filter

No AA filter in camera design.

The AA filter is responsible for "anti-aliasing" — the elimination of the moiré effect. This effect can occur when shooting objects with a lot of thin horizontal or near-horizontal lines (for example, a brick wall at a great distance, or a suit made of a certain type of fabric). It leads to the appearance of a characteristic pattern in the picture, which, usually, is inappropriate; to eliminate this phenomenon, an AA filter is provided. At the same time, this feature is said to reduce the overall sharpness of the image; therefore, it may not be available in some cameras. These are mainly professional models: the absence of an AA filter gives the photographer additional features, but puts forward increased requirements for shooting skills.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.
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