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Comparison Sony RX100 IV vs Sony RX100 III

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Sony RX100 IV
Sony RX100 III
Sony RX100 IVSony RX100 III
from £1,500.00 
Expecting restock
from £494.00 
Expecting restock
TOP sellers
Main
1" format matrix. Lens aperture f/1.8 – f/2.8. Support for manual focus. Minimum shutter speed — 1/32000 s. Electronic viewfinder with a resolution of 2.36 MP. Video recording in 4K (3840x2160). Aluminium case.
Camera typedigital compactdigital compact
DxOMark rating7067
Sensor
Sensor
CMOS BSI /BSI/
CMOS (CMOS) /BSI/
Sensor size1" (13.2x8.8 mm)1" (13.2x8.8 mm)
Effective MP number2020.2
Maximum image size5472x3648 px5472x3648 px
Light sensitivity (ISO)125-12800125-12800
RAW format recording
Lens
Aperturef/1.8 - f/2.8f/1.8 - f/2.8
Focal length24 - 70 mm24 - 70 mm
Optical zoom2.92.9
Manual focus
Image stabilizationopticaloptical
Min. focus distance5 cm5 cm
Macro shooting, from5 cm5 cm
Photo shooting
Number of scene programs14
Frames per series (JPEG)47 шт
Frames per series (JPEG RAW)20 шт
HDR
White balance measuring
Exposure compensation± 3 EV, in 1/3 EV steps± 3 EV, in 1/3 EV steps
Auto bracketing
 /± 3 (3 frames)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 50 fps
File recording formatsMPEG-4, AVCHD, XAVC-SMPEG-4, AVCHD, XAVC-S
Manual video focus
Maximum video length
 
memory limit
Connection ports
HDMI v 1.4
HDMI v 1.4
Focus
Autofocus modes
one shot
tracking
 
one shot
tracking
in face
Focus points25 шт
Viewfinder and shutter
Viewfinder
electronic /magnification 0.59x/
electronic
Viewfinder crop0.59 x
Frame coverage100 %100 %
Shutter speed30 - 1/32000 с30 - 1/2000 с
Continuous shooting16 fps10 fps
Shutter typeelectronicmechanical
Screen
Screen size3 ''3 ''
Screen resolution1228 thousand pixels1228 thousand pixels
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /MemoryStick/
SD, SDHC, SDXC /+ Memory Stick Duo, Pro Duo, Pro-HG Duo/
Communications
Wi-Fi
NFC
 
Wi-Fi 4 (802.11n)
NFC
smartphone control
Flash
Built-in flash
Power source
Power source
battery
battery
Battery modelNP-BX1NP-BX1
Shots per charge280 шт320 шт
General
Case/case modelLCS-ASB1, LCJ-RXFLCS-ASB1, LCJ-RXF
Charger modelACC-TRBXACC-TRBX
Console/synchronizer modelRM-VPR1RM-VPR1
Materialaluminium alloyaluminium alloy
Dimensions (WxHxD)102х58х41 mm102х58х41 mm
Weight290 g290 g
Color
Added to E-Catalogjune 2015may 2014

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Sensor

— CCD (CCD). Abbreviation for Charge-Coupled Device. In such sensors, information is read from the photosensitive element according to the “line at a time” principle — an electronic signal is output to the image processor in the form of separate lines (there is also a “frame at a time” variant). In general, such matrices have good characteristics, but they are more expensive than CMOS. In addition, they are poorly suited for some specific conditions — for example, shooting with point light sources in the frame — which is why you have to use various additional technologies in the camera, which also affect the cost.

— CMOS (CMOS). The main advantages of CMOS matrices are ease of manufacture, low cost and power consumption, more compact dimensions than those of CCDs, and the ability to transfer a number of functions (focus, exposure metering, etc.) directly to the sensor, thus reducing the dimensions of the camera. In addition, the camera processor can read the entire image from such a matrix at once (rather than line by line, as in CCD); this avoids distortion when shooting fast-moving objects. The main disadvantage of CMOS is the increased possibility of noise, especially at high ISO values.

— CMOS (CMOS) BSI. BSI is an abbreviation for the English phrase "Backside Illumination". This is the name of "inverted" CMOS sensors, the light on which does not penetrate from the side of the photodiodes, but from the back of the matrix (from the side of the subst...rate). With this implementation, the photodiodes receive more light, since it is not blocked by other elements of the image sensor. As a result, back-illuminated sensors boast high light sensitivity, which allows you to create images of better quality with less noise when shooting in low light conditions. BSI CMOS sensors require less light to properly expose a photo. In production, back-illuminated sensors are more expensive than traditional CMOS sensors.

— LiveMOS. A variety of matrices made using the technology of metal oxide semiconductors (MOS, MOS — Metal-Oxide Semiconductor). Compared to CMOS sensors, it has a simplified design, which provides less tendency to overheat and, as a result, a lower noise level. It is well suited for the "live" viewing mode (viewing in real time) of the image from the matrix on the screen or in the camera's viewfinder, which is why it received the word "Live" in the title. They also feature high data transfer rates.

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.

HDR

Camera support for HDR.

HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.

Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Manual video focus

The ability to manually focus the camera during video shooting.

This feature is typically found on cameras that support manual focus in photo mode (see "Manual Focus"); however, not all such models are capable of focus manually when shooting video, so this feature is highlighted separately. As in the case of photography, manual focus allows the user to independently choose the object to be focused on, without relying on automation (which quite often does not work the way we would like). This can be useful not only to ensure the overall quality of the material, but also to use original creative techniques.
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Sony RX100 III often compared