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Comparison Nikon D7500 kit 18-140 vs Nikon D7200 kit 18-140

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Nikon D7500  kit 18-140
Nikon D7200  kit 18-140
Nikon D7500 kit 18-140Nikon D7200 kit 18-140
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Main
You can programmatically increase ISO up to 1640000 (pulled from ISO 51200). New Nikon EXPEED 5 processor.
Wireless modules Wi-Fi and NFC. There is no anti-moire filter. 2 SD slots.
Camera typedigital mirrordigital mirror
DxOMark rating8687
Sensor
Sensor
CMOS (CMOS) /expeed 5 processor/
CMOS (CMOS) /expeed 4 processor/
Sensor size
APS-C (23x15.5 mm) /23.5х15.7/
APS-C (23x15.5 mm) /23.5х15.6/
Total MP21.5124.72
Effective MP number20.924.2
Maximum image size5568x3712 px6000x4000 px
Light sensitivity (ISO)
100-51200 /ISO 51200 is only available in M mode, ISO extension up to 1640000 is possible in software/
100-25600 /hardware possible to increase ISO up to 102400 (only black and white shooting)/
Sensor cleaning
RAW format recording
 /14 bit/
 /14 bit/
No AA filter
Lens
Mount (bayonet)
Nikon F /1.5x crop factor/
Nikon F /1.5x crop factor/
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18 - 140 mm18 - 140 mm
Optical zoom7.77.7
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Number of scene programs1723
Frames per series (JPEG)100 шт100 шт
Frames per series (RAW)50 шт27 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV steps± 5 EV, in 1/2 or 1/3 EV steps
Auto bracketing
 /± 5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, EV 1, 2 steps EV)/
 /± 5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 steps)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 px 60 fps1920x1080 px 60 fps
Ultra HD (4K)3840x2160 px 30 fps
File recording formats
MOV, MP4 /h.264/MPEG-4 compression (Audio Linear PCM, AAC)/
MPEG-4, H.264
Manual video focus
Connection ports
mini HDMI v 1.4
headphone Jack
microphone Jack
HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points51 шт51 шт
Touch focus
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.94 x0.94 x
Frame coverage100 %100 %
Shutter speed30 - 1/8000 с30 - 1/8000 с
Continuous shooting8 fps6 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''
3.2 '' /viewing angle up to 170 degrees/
Screen resolution922 thousand pixels1229 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots?
Memory cards types
SD, SDHC, SDXC /+ UHS-I interface/
SD, SDHC, SDXC
Communications
Wi-Fi
Bluetooth
NFC
smartphone control
Wi-Fi 4 (802.11n)
 
NFC
smartphone control
Flash
Built-in flash
Guide number1212
External flash connect
flash X-sync1/250 с
Power source
Power source
battery
battery
Battery modelEN-EL15a, RU-EL15aEN-EL15, MB-D15, MK-D7100
Shots per charge950 шт1110 шт
General
Case/case modelCF-DC3
Charger modelMH-25aMH-25
Underwater box modelWP-S5, WP-S10
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)136х104х73 mm136х107х76 mm
Weight1130 g
1165 g /with battery and memory card/
Color
Added to E-Catalogapril 2017january 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Sensor cleaning

The presence in the camera of a special mechanism for cleaning the matrix from dust and other contaminants.

This function is found only in models with interchangeable lenses — "reflex cameras" and MILC (see "Camera type"). When replacing the lens in such cameras, the sensor turns out to be open, and the probability of its contamination is quite high; and extraneous particles on the matrix, at best, lead to the appearance of extraneous artifacts, at worst, to damage to the sensor. To avoid this, cleaning systems are provided. They usually work on the principle of ultrasound: high-frequency vibration "resets" debris from the surface of the sensor.

Note that no cleaning system is perfect — in particular, such systems are “too tough” for condensate, salt deposits and other similar contaminants. So the matrix may still need manual cleaning (ideally, in a service centre). Nevertheless, this function allows you to effectively deal with at least dust, which greatly simplifies the life of the user.

No AA filter

No AA filter in camera design.

The AA filter is responsible for "anti-aliasing" — the elimination of the moiré effect. This effect can occur when shooting objects with a lot of thin horizontal or near-horizontal lines (for example, a brick wall at a great distance, or a suit made of a certain type of fabric). It leads to the appearance of a characteristic pattern in the picture, which, usually, is inappropriate; to eliminate this phenomenon, an AA filter is provided. At the same time, this feature is said to reduce the overall sharpness of the image; therefore, it may not be available in some cameras. These are mainly professional models: the absence of an AA filter gives the photographer additional features, but puts forward increased requirements for shooting skills.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).
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