United Kingdom
Catalog   /   Photo   /   Digital Cameras

Comparison Canon EOS 80D kit 18-135 vs Canon EOS 7D Mark II kit 18-135

Add to comparison
Canon EOS 80D  kit 18-135
Canon EOS 7D Mark II  kit 18-135
Canon EOS 80D kit 18-135Canon EOS 7D Mark II kit 18-135
from $1,190.00 up to $2,038.42
Outdated Product
from $1,405.00 up to $1,931.96
Outdated Product
TOP sellers
Main
Advanced Dual Pixel phase focus that also works when recording video. Remote control from smartphones and tablets. "Long-range" complete lens — 18 – 135 mm.
Camera typedigital mirrordigital mirror
DxOMark rating79
Sensor
Sensor
CMOS (CMOS) /22.5x15 мм/
CMOS (CMOS) /22.3x14.9 мм/
Sensor sizeAPS-C (23x15.5 mm)
APS-C (23x15.5 mm) /2 DIGIC 6 processors/
Total MP2620.9
Effective MP number2420.2
Maximum image size6000x4000 px5472x3648 px
Light sensitivity (ISO)
100-16000 /hardware ISO up to 25600/
100-16000 /hardware expansion of ISO up to 51200 is possible/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18 - 135 mm18 - 135 mm
Optical zoom7.57.5
Manual focus
Image stabilizationis absentis absent
Photo shooting
Number of scene programs5
Frames per series (JPEG)110 шт
Frames per series (RAW)19 шт20 шт
Frames per series (JPEG RAW)29 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV increments± 5 EV, in 1/2 or 1/3 EV increments
Auto bracketing
 /3 levels/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 60 fps1920x1080 pix 60 fps
File recording formatsMPEG-4, H.264MPEG-4
Manual video focus
Maximum video length
 
memory limit
Connection ports
HDMI v 1.4
headphone Jack
microphone Jack
mini HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points45 шт65 шт
Touch focus
Front / back adjustment?
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.95 x1 x
Frame coverage100 %100 %
Shutter speed30-1/8000 sec30 - 1/8000 sec
Continuous shooting7 fps10 fps
Shutter typemechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards typesSD, SDHC, SDXCCompactFlash, SD, SDHC, SDXC
Communications
Wi-Fi 4 (802.11n)
NFC
smartphone control
 
 
 
Flash
Built-in flash
Guide number12
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E6NLP-E6N, LP-E6, DLCE6, MK-7D, HL-E6, BG-E7
Shots per charge960 шт670 шт
General
Charger modelLC-E6LC-E6
Console/synchronizer modelST-E2
Material
aluminium/plastic /aluminium and polycarbonate polymer with fibreglass/
magnesium alloy
Protectiondustproof, waterproof
Dimensions (WxHxD)139х105х79 mm149х112х78 mm
Weight935 g1390 g
Color
Added to E-Catalogfebruary 2016january 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

Frames per series (RAW)

The highest number of shots the camera can capture “in one shot” when shooting in RAW format continuously (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be transferred to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may be more than stated in the specifications.

RAW images take up more space and require more processing power than "finished" JPEGs. Therefore, the number of frames in a series of this format is usually lower than that of JPEG. However, there are exceptions — usually these are cameras that have two separate buffers (for RAW and JPEG).

Frames per series (JPEG RAW)

The highest number of frames a camera can capture “in one go” in continuous shooting mode, where the same frame is saved in both JPEG and RAW format at the same time (see “Recording in RAW Format”).

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

Shooting JPEG and RAW at the same time requires a lot of resources, and the materials themselves take up a lot of space. Therefore, the possibility of such shooting itself is available mainly in premium cameras, and the number of frames in a JPEG RAW series is usually less (at best, the same) than in any of these formats separately.

File recording formats

File formats in which the camera can record video. Given that the footage is designed to be viewed on an external screen, you should make sure that the playback device (DVD player, media centre, etc.) is able to work with the appropriate formats. At the same time, many camera models themselves can play the role of a player by connecting to a TV via an audio / video output or HDMI (see the corresponding paragraphs of the glossary). And if the video materials are to be viewed on a computer, you should not pay special attention to this parameter at all: problems with format incompatibility in such cases rarely occur, but are usually solved by installing the appropriate codec.
Canon EOS 80D often compared