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Comparison Nikon D810 kit 24-120 vs Nikon D750 kit 24-120

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Nikon D810  kit 24-120
Nikon D750  kit 24-120
Nikon D810 kit 24-120Nikon D750 kit 24-120
from $2,730.00 up to $2,926.40
Outdated Product
from £1,639.99 
Expecting restock
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Camera typedigital mirrordigital mirror
DxOMark rating9793
Sensor
Sensor
CMOS (CMOS) /expeed 4 processor/
CMOS (CMOS) /expeed 4 processor/
Sensor sizefull framefull frame
Total MP37.0924.93
Effective MP number36.3
24.3 /FX format/
Maximum image size7360х4912 px6016х4016 px
Light sensitivity (ISO)
64-12800 /hardware expansion of the ISO range up to 32-51200 is possible/
100-12800 /in 1/3 or 1/2 increments and software expansion up to 50-25600 ISO/
Sensor cleaning
RAW format recording
 /NEF, 12 or 14 bit (RAW uncompressed, compressed or lossless)/
No AA filter
Lens
Mount (bayonet)
Nikon F /1x crop factor/
Nikon F /1x crop factor/
Kit lens?
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length24 - 120 mm24 - 120 mm
Optical zoom55
Manual focus
Image stabilizationis absentis absent
AF drive (screw driven)
Photo shooting
Number of scene programs6
Frames per series (JPEG)20 шт43 шт
Frames per series (RAW)9 шт12 шт
Frames per series (JPEG RAW)8 шт
HDR
White balance measuring
 /12 presets + 6 manual settings, WB bracketing/
Exposure compensation± 5 EV, in steps of 1/2, 1/3 or 1 EV± 5 EV, in 1/2 or 1/3 EV increments
Auto bracketing
 /2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV increments/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 60 fps1920x1080 pix 60 fps
File recording formatsMPEG4, H.264MPEG4, H.264
Manual video focus
Maximum video length
 
 
time limit /30 minutes/
memory limit
Connection ports
mini HDMI v 1.4
 
microphone Jack
HDMI v 1.4
headphone Jack
microphone Jack
Focus
Autofocus modes
one shot
AI focus
tracking
in face
one shot
AI focus
tracking
in face
Focus points51 шт51 шт
Front / back adjustment
Viewfinder and shutter
Viewfinderoptical (pentaprism)optical (pentaprism)
Viewfinder crop0.7 x0.7 x
Frame coverage100 %100 %
Shutter speed
30 - 1/8000 sec /resource 200,000 frames/
30 - 1/4000 sec
Continuous shooting
5 fps /in DX format up to 7 fps/
6.5 fps
Shutter typemechanicalmechanical
Screen
Screen size3.2 ''3.2 ''
Screen resolution1229 thousand pixels1229 thousand pixels
Rotary display
Additional screen
Memory and communications
2 card slots
Memory cards typesSD, SDHC, SDXC, CompactFlash
SD, SDHC, SDXC /uHS-I support/
Communications
 
 
Wi-Fi 4 (802.11n)
smartphone control
Flash
Built-in flash
Guide number12
12 /при ISO 100/
Application range12 m12 m
External flash connect
 /compatible with Nikon SpeedLights and i-TTL Creative Lighting System/
Power source
Power source
battery
battery
Battery modelEN-EL15EN-EL15
Shots per charge900 шт
General
Charger modelMH-25MH-25
Underwater box modelWP-S10
Materialmagnesium alloymagnesium alloy
Protectiondustproof, waterproofdustproof, waterproof
Dimensions (WxHxD)146х123х82 mm141х113х78 mm
Weight1690 g
1460 g /with battery and memory card/
Color
Added to E-Catalogjanuary 2016january 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Total MP

The total number of individual light sensitive dots (pixels) provided in the camera's sensor. Denoted in megapixels - millions of pixels.

The total number of MPs, as a rule, is greater than the number of megapixels from which the frame is directly built (for more details, see "Effective number of MPs"). This is due to the presence of service areas on the matrix. In general, this parameter is more of a reference than practically significant: a larger total number of MPs with the same size and effective resolution means a slightly smaller size of each pixel, and, accordingly, an increased likelihood of noise (especially at high ISO values).

Effective MP number

The number of pixels (megapixels) of the matrix directly involved in the construction of the image, in fact — the number of points from which the captured image is built. Some manufacturers, in addition to this parameter, also indicate the total number of MPs, taking into account the service areas of the matrix. However, it is the effective number of MPs that is considered the main indicator — it is this that directly affects the maximum resolution of the resulting image (see “Maximum image size”).

A megapixel is 1 million pixels. Numerous megapixels ensures high resolution of the captured photos, but is not a guarantee of high-quality images — much also depends on the size of the sensor, its light sensitivity (see the relevant glossary items), as well as hardware and software image processing tools used in the camera. Note that for small matrices, high resolution can sometimes be more of an evil than a blessing — such sensors are very prone to the appearance of noise in the image.

Maximum image size

The maximum size of photos taken by the camera in normal (non-panoramic) mode. In fact, this paragraph indicates the highest resolution of photography — in pixels vertically and horizontally, for example, 3000x4000. This indicator directly depends on the resolution of the matrix: the number of dots in the image cannot exceed the effective number of megapixels (see above). For example, for the same 3000x4000, the matrix must have an effective resolution of at least 3000*4000 = 12 million dots, that is, 12 MP.

Theoretically, the larger the size of the photo, the more detailed the image, the more small details can be conveyed on it. At the same time, the overall image quality (including the visibility of fine details) depends not only on resolution, but also on a number of other technical and software factors; see "Effective MP number" for more details.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

No AA filter

No AA filter in camera design.

The AA filter is responsible for "anti-aliasing" — the elimination of the moiré effect. This effect can occur when shooting objects with a lot of thin horizontal or near-horizontal lines (for example, a brick wall at a great distance, or a suit made of a certain type of fabric). It leads to the appearance of a characteristic pattern in the picture, which, usually, is inappropriate; to eliminate this phenomenon, an AA filter is provided. At the same time, this feature is said to reduce the overall sharpness of the image; therefore, it may not be available in some cameras. These are mainly professional models: the absence of an AA filter gives the photographer additional features, but puts forward increased requirements for shooting skills.

Kit lens

A lens supplied with the camera in a serial (kit) configuration. With it, the camera is ready to work literally “out of the box” - everything needed for shooting is already available, and there is no need to buy a lens separately (as is the case with the “naked body” of the body camera). The vast majority of these are optics with a universal set of medium focal lengths and a relatively low variable aperture ratio. Often, kit lenses have rather modest characteristics, and they are intended mainly for novice users, learning the basics of photography and simple everyday shooting. But there are also other options for whale lenses - top camera models can be equipped with fairly advanced optics. It wouldn’t hurt to clarify this point separately. We also note that the same camera can be supplied with different options for complete optics.

Number of scene programs

The number of scene programs provided in the camera design.

Scene programs are preset settings for some of the most common shooting scenes - for example, Portrait, Landscape, Sports, Sunset, etc. In addition to these presets, this list may include special effects and creative tools (such as color swap or fisheye), as well as exposure modes (see below). The presence of scene programs is especially useful for beginners and non-professional photographers, as it eliminates the need to tinker with each setting separately - just select the most suitable program, and all the necessary settings will be set automatically. The more scene programs the camera design provides, the wider its automatic adjustment capabilities.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.
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