Brightness
The brightness of the image produced by the projector at maximum backlight brightness. Usually, the average brightness of the screen, derived from a special formula, is indicated. The higher it is, the less the image depends on ambient light: a bright projector can provide a clearly visible image even in daylight, but a dim one will require dimming. On the other hand, increasing brightness reduces contrast and accuracy of colour reproduction.
Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.
Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.
Dynamic contrast
The dynamic image contrast provided by the projector.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Throw distance, min
The closest distance to the screen that the projector can be used on. Typically, this is the minimum distance at which the image from the projector remains in focus.
This parameter is especially important if the device is to be placed at a small distance from the screen (for example, in a cramped room). Some modern projectors are able to work normally at a distance of 10 – 20 cm. Also note that the throw distances are determined primarily by the lens, and if the initial range of these distances does not suit you, perhaps the situation can be solved by replacing the optics.
Throw distance, max
The farthest distance from the screen that the projector can be used on. This is the maximum distance at which the image remains in focus and maintains acceptable brightness — at least enough for viewing in a darkened room on a high-quality screen.
It is necessary to choose according to this parameter taking into account the expected operating conditions and the distances to be dealt with. At the same time, it's ok to have a certain margin for the maximum distance — since, as already mentioned, it is usually indicated for an perfect screen and a darkened room, and such conditions are not always available. Also note that although the throw distances depend on the lens, not every projector with an interchangeable lens allows the installation of more "long-range" optics than the standard one — the device may simply not have enough brightness for an increased distance.
Throw ratio
The projector's throw distance is vital in determining what size projection screen to use and how far away it should be from the projector. Most projectors have a variable throw ratio. In the extreme positions, these are wide-angle mode (smallest value) and telephoto lens mode (largest value). Knowing these values, you will be able to determine the range of throw distances within which the projector must be placed in order for the projected image to match the specified dimensions of the projection screen.
According to these values, you need to check or set the optical zoom. We divide the larger value by the smaller value, and we get a figure, for example 1.33-2.16: 1.
If we want to calculate whether this projector is suitable for a certain image size, we do this: 1.33*3 (image width)=the distance at which the projector should hang.
USB 2.0
The number of USB 2.0 ports provided by the projector.
Do not confuse these connectors with USB slave (see "Management ports") — in this case we are talking about
USB ports for various peripherals. Most often, these ports are used for direct playback of content from flash drives and other storages (for example, external HDDs). At the same time, we note that video viewing is not available in some projectors (only photos), in others a very limited set of formats may be supported. However, a direct connection is often more convenient than viewing through a computer or other device. The USB ports can also be used for other purposes, such as updating firmware, transferring files between a flash drive and the projector's built-in storage, or even for keyboards/mouses (in Android devices, see above).
The USB 2.0 standard itself is considered obsolete, but it is quite enough for projectors, and newer peripherals are fully compatible with such connectors. At the same time, you rarely have to connect more than one external device to the projector at a time, so there are few models with more than one USB 2.0.
Number of speakers
The number of built-in speakers provided in the projector.
The
presence of speakers in itself allows user to play sound (for example, accompaniment to the displayed video) without speakers and other additional equipment. However the quality of such sound usually turns out to be low; for a clear sound, you still need external sound system. However, in some cases this is quite enough; in addition, there are projectors with advanced built-in speakers.
The number of speakers can be one or two. In the first case, we are talking only about the playback of monophonic sound, without any surround effect. And two speakers already represent a stereo system. The subwoofer is considered a separate function and does not affect the number of speakers in this paragraph.
Sound power
The nominal power of the sound system installed in the projector.
The higher this power, the louder the sound the device can produce, the better it will be heard in a large room and/or noisy environment. At the same time, it is worth noting two nuances. First, built-in speakers are usually made relatively low-power — otherwise they would take up too much space. Secondly, most modern projectors allow the connection of external sound system (see "Audio connectors"), more powerful than the built-in one. So it makes sense to pay attention to this indicator if you initially plan to use the "native" sound of the projector. Detailed recommendations on the required power for certain conditions can be found in special sources.
HDMI version
HDMI interface version supported by the projector.
About the interface itself, see above, and its different versions differ in maximum resolution and other features:
— v 1.4. The version released back in 2009. Despite this, it has quite decent specifications, due to which it continues to be used in modern video equipment. Specific features of HDMI v1.4 include 3D support, the ability to work with 4K video (4096x2160) at 24 fps and with Full HD at 120 fps. In addition to the original version, there are also improved modifications — v.1.4a and v.1.4b; they differ only in some 3D-related improvements.
– v 2.0. Standard introduced in 2014. Thanks to the increased bandwidth compared to v 1.4, it allows you to transfer 4K video at speeds up to 60 fps, as well as up to 32 channels and up to 4 audio streams simultaneously. In addition, this version was the first to introduce support for the 21:9 ultra-wide format, and the v2.0a update introduced HDR compatibility, with further enhancements to this feature in version 2.0b.
— v 2.1. A version released in 2017 also known as HDMI Ultra High Speed. The data transfer rate has indeed been significantly increased, allowing the support for video up to 10K at 120 frames per second. In addition, some improvements regarding HDR have been made. Note that connecting via HDMI v2.1 requires the use of special cables, although the basic features remain available when working with standard cables.
