Comparison Benro A-200F/BH0 vs Manfrotto 190XB/496RC2

The minimum height relative to the base at which the tripod base can be mounted.

The lower the minimum height, the better the tripod is suitable for macro and product photography; in addition, the range of height adjustment available to the user depends on this indicator. Note that for models with the ability to flip the boom (see below), the minimum height is given for the traditional position of the boom, platform up. And if the claimed minimum is significantly less than the length of the tripod when folded (for example, 15 cm with a length of 50 cm), this means that the legs can “spread” to a horizontal position or close to it, thus lowering the entire structure.

The maximum height from the base on which the tripod base can be mounted.

For desktop use (see "Installation"), a large height is not required, therefore, in most of these models, this figure does not exceed 20 cm — the only exceptions are some specific monopods. Accordingly, the difference in height between different desktop structures in most cases does not matter much. But in the floor models, the most "undersized" have a maximum height of about 40 – 50 cm, and the highest ones are able to open up to 2.5 m and even higher. In such cases, the choice should take into account the specifics of use. So, it makes sense to specifically look for a model at 150 – 160 cm if it is fundamentally important to install the camera at eye level (eye level is usually about 10 cm lower than a person’s height). At the same time, most camcorders and many cameras have swivel screens that allow you to comfortably look at the device from top to bottom; and even in the absence of such a screen, bending down to the level of the camera is not so difficult. And it makes sense to pay attention to tripods with a height of 170 cm and above mainly in those cases when shooting over heads is planned — for example, reports from public events.

The diameter of the centre shaft of a tripod or the main shaft of a monopod (see "Type"). In both cases, thicker rods increase the weight and dimensions of the structure, but have a positive effect on strength. And for classic tripods, a lot of weight can be an advantage — a massive rod has a positive effect on stability, especially in the lowered position.

The ability to turn the central rod of a classic tripod (see "Type") "upside down" — so that the platform is not above the top of the tripod, but below it, between the legs. Thanks to this, you can install the camera at a very small (in many models — almost zero) height, which can be useful, for example, when shooting macro.

Possibility to rotate the centre shaft of a traditional tripod (see "Type") to a horizontal position. This position allows you to point the camera vertically or almost vertically, which is indispensable for macro photography or product photography. In particular, "horizontal" tripods are very useful for professional food photography. At the same time, it should be taken into account that this function significantly affects the cost and complicates the design, and therefore is used mainly in professional tripods.

The presence of a built-in tripod level — a device that allows you to control the horizontal position of the camera.

Spirit levels are most often used — in the form of a sealed flask with liquid and an air spirit: if the spirit is between the marks on the flask, then the camera is on the horizon. The simplest option provides one flask to control the tilt to the right and left in order to avoid a “littered horizon”; however, the design may provide another level that monitors the tilt back and forth, or one common two-axis bulb. And in the model with a horizontal rotation of the rod (see above), an additional level is often set — for the horizontal mode. Anyway, this function greatly facilitates the exposure of the camera "on the horizon".

The maximum camera weight that this tripod can support.

If the tripod is purchased for use with a smartphone or action camera, you can ignore this parameter: the weight of such gadgets usually does not exceed 200 g, any tripod of the corresponding specialization can easily handle such a load (see "By Purpose"). Compact point-and-shoot cameras usually weigh up to 300 g, and amateur video cameras - up to 700 g; but in both cases, there are also more massive models. This should be taken into account when choosing a tabletop tripod (see "Installation") for such equipment - some tabletop models have rather limited weight restrictions; but with floor-standing ones, there are usually no difficulties.

But if a tripod is purchased for professional equipment, special attention should be paid to the permissible weight. Thus, a professional video camera can “pull” 2.5 kg or even more; the average weight of a SLR camera is 600 – 800 g, but this is only the “body”, to which the weight of the optics is added – and in some powerful telephoto lenses it can exceed 2 kg. So such devices may require quite “durable” tripods.

Special hook mounted on the lower end of the rod of a classic tripod (see "Type"). As the name suggests, it is most commonly used to hang a photographer/cameraman's bag, although it can of course be used for other items as well. This not only provides additional convenience, but also improves the stability of the structure: the weight on the hook acts as a ballast, additionally holding the tripod upright.

A carrying case is included with the tripod. The cover provides convenience in storage and transportation: it protects the structure from various contaminants and contacts with foreign objects, and can also have handles, straps and other devices that make it easier to carry. For the same purpose, impromptu packaging can also be used, but a complete case is usually much more convenient and functional.