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Comparison REAL-EL GDX-8000 vs REAL-EL GDX-7700

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REAL-EL GDX-8000
REAL-EL GDX-7700
REAL-EL GDX-8000REAL-EL GDX-7700
from £28.49 
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from £21.99 
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Connection and design
Featuresgaminggaming
Design
overhead, closed
full size Over-Ear
overhead, closed
full size Over-Ear
Connection typewiredwired
Connection
USB A
USB A
Cable supplysingle-sidedsingle-sided
Cable length2.2 m2.2 m
Cable typeround, braidedround, braided
Specs
Sound7.1 (virtual)7.1 (virtual)
Impedance32 Ohm32 Ohm
Frequency range20 – 20000 Hz20 – 22000 Hz
Sensitivity108 dB108 dB
Speaker size50 mm50 mm
Emitter typedynamicdynamic
Microphone specs
Microphoneon shackleon shackle
Frequency range30 – 16000 Hz30 – 16000 Hz
Sensitivity-58 dB-58 dB
Microphone mute
Flexible design
Features
Volume control
General
Backlight
Weight400 g330 g
Added to E-Catalogoctober 2017october 2017

Frequency range

The range of sound frequencies that headphones can reproduce.

The wider this range, the more fully the headphones reproduce the spectrum of sound frequencies, the lower the likelihood that too low or too high frequencies will be inaccessible. However, there are some nuances to consider here. First of all, let us remind you that the perceptual range of the human ear is on average from 16 Hz to 22 kHz, and for the complete picture it is enough for headphones to cover this range. However, modern models can significantly exceed these boundaries: in many devices the lower threshold does not exceed 15 Hz, or even 10 Hz, and the upper limit can reach 25 kHz, 30 kHz and even more. Such wide ranges in themselves do not provide practical advantages, but they usually indicate a high class of headphones, and are sometimes given only for advertising purposes.

The second important point is that a wide frequency range in itself is not a guarantee of good sound: sound quality also depends on a number of parameters, primarily the amplitude-frequency response of the headphones.

Flexible design

This feature usually means that the microphone is attached to the headphones using a special flexible arm. The flexible design gives additional possibilities for moving the microphone relative to the user's mouth and makes it easier to choose the optimal position that provides the best sound quality.

Backlight

The presence of its own illumination in the design of the headphones.

This function does not affect the main functionality, but gives the “ears” an unusual appearance. It will come in handy for those who buy headphones not only as an audio device, but also as a stylish accessory — in particular, gamers-enthusiasts, or music lovers who want to emphasize their hobby.

Weight

The total weight of the headphones; for true wireless models (see "Cable Type"), the weight of each individual earbud is listed.

This parameter is directly related to the design (see above) and some features of the functionality. Thus, the mentioned true wireless devices are very light, their weight does not exceed 25 g. More traditional in-ears and in-ears can be noticeably heavier, up to 50g for in-ears and up to 100g for most in-ears. Overhead models, for the most part, are quite massive: among them there are many models weighing 200 – 250 g, 250 – 300 g and even more than 300 g. It should be noted that a significant weight for false ears is often not a disadvantage, but an advantage: it allows them to stay on the head more securely, creates an impression of solidity and reliability, and most often does not create significant inconvenience.
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