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Comparison Canon 70-300mm f/4.0-5.6 EF IS USM II vs Canon 70-300mm f/4.0-5.6 EF IS USM

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Canon 70-300mm f/4.0-5.6 EF IS USM II
Canon 70-300mm f/4.0-5.6 EF IS USM
Canon 70-300mm f/4.0-5.6 EF IS USM IICanon 70-300mm f/4.0-5.6 EF IS USM
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Main
Instant and quiet focus. Excellent sharpness throughout the frame. Effective bokeh. Optical image stabilization. Monochrome display.
Lens typetelephoto lenstelephoto lens
System
Canon
Canon
Mount
Canon EF
Canon EF
Specs
Focal length70 - 300 mm70 - 300 mm
Aperture valuef/4.0 - f/5.6f/4.0 - f/5.6
Viewing angles
29° - 6°50', 19° - 4°35', 34° - 8°15' /horizontally, vertically, diagonally/
Min. diaphragm
32 /32 - 45/
32 /32 - 45/
Minimum focus distance1.2 m1.5 m
Maximum zoom
0.25 /at a distance of 300 mm/
0.26 /at a distance of 300 mm/
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus drive
ultrasonic drive motor /nano/
ultrasonic drive motor
Image stabilization
Design (elements/groups)17 elements in 12 groups15 elements in 10 groups
Number of diaphragm blades98
Screen
Filter diameter67 mm58 mm
Dimensions (diameter/length)80х146 mm76.5x142.8 mm
Weight710 g630 g
Added to E-Catalogseptember 2016november 2005

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Minimum focus distance

Minimum focus distance (m) - the smallest distance from which you can focus on an object and take a photo. Usually it ranges from 20 cm for wide-angle lenses to several metres for telephoto. In the macro mode of the camera or with the help of macro lenses, this distance can be less than 1 centimeter.

Maximum zoom

The degree of magnification of the object being shot when using a lens for macro shooting (that is, shooting small objects at the maximum possible approximation, when the distance to the subject is measured in millimetres). The degree of magnification in this case means the ratio of the size of the image of the object obtained on the matrix of the camera to the actual size of the object being shot. For example, with an object size of 15 mm and a magnification factor of 0.3, the image of this object on the matrix will have a size of 15x0.3=4.5 mm. With the same matrix size, the larger the magnification factor, the larger the image size of the object on the matrix, the more pixels fall on this object, respectively, the clearer the resulting image, the more details it can convey and the better the lens is suitable for macro photography. It is believed that in order to obtain macro shots of relatively acceptable quality, the magnification factor should be at least 0.25 – 0.3.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Number of diaphragm blades

The number of blades provided in the design of the diaphragm (for details, see "Minimum aperture"). In fact, this parameter is important when shooting scenes with pronounced bokeh (blurred background) and a small depth of field: the more petals the aperture has, the smoother the glare from out-of-focus objects will turn out, while with a small number of petals they can look like polygons. The number of aperture blades has almost no effect on other shooting parameters. Modern lenses have an average of 7-9 petals; the smoothing provided by them in most cases is considered quite sufficient.

Screen

The presence on the lens of its own display. Usually this is a small black-and-white screen, which can display various working information — first of all, data about the settings set. It is much more convenient to control the settings in this way than in the classical way, by marking on the swivel rings and other elements of the lens: all the data is collected in one place, and extended information can also be displayed on the screen. On the other hand, the display significantly affects the cost and dimensions of the lens, so it is used extremely rarely — in single models of high-end optics.

Filter diameter

Thread diameter for installation on the filter lens. Light filters are devices for changing the parameters of the light flux entering the lens. They can be used for highlighting individual colours, coloring the entire image in one colour, darkening the image, correcting colour temperature and light balance, shooting in the infrared range, etc. Also, a light filter can play the role of protection against pollution. For successful installation on the lens, the diameter of the filter must match the diameter of the filter specified for this model of optics.
Canon 70-300mm f/4.0-5.6 EF IS USM II often compared
Canon 70-300mm f/4.0-5.6 EF IS USM often compared