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Comparison Canon 70-200mm f/2.8L EF USM vs Canon 70-200mm f/2.8L EF IS USM

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Canon 70-200mm f/2.8L EF USM
Canon 70-200mm f/2.8L EF IS USM
Canon 70-200mm f/2.8L EF USMCanon 70-200mm f/2.8L EF IS USM
from £1,577.89 
Expecting restock
from £763.86 
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Lens typetelephoto lenstelephoto lens
System
Canon
Canon
Mount
Canon EF-S
Canon EF
Canon EF-S
Canon EF
Specs
Focal length70 - 200 mm70 - 200 mm
Aperture valuef/2.8f/2.8
Viewing angles
34° -12° /diagonally/
29° - 10°, 19°30' - 7°, 34° -12° /horizontally, vertically, diagonally/
Min. diaphragm3232
Minimum focus distance1.5 m1.4 m
Maximum zoom
0.17 /at a distance of 200 mm/
Design
Sensor sizefull frame/APS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Internal focus
Image stabilization
Design (elements/groups)18 elements in 15 groups23 elements in 18 groups
Number of diaphragm blades88
Dustproof & waterproof
Filter diameter77 mm77 mm
Dimensions (diameter/length)84.6x193.6 mm86.2x197 mm
Weight1310 g1570 g
Added to E-Catalognovember 2006november 2005

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Minimum focus distance

Minimum focus distance (m) - the smallest distance from which you can focus on an object and take a photo. Usually it ranges from 20 cm for wide-angle lenses to several metres for telephoto. In the macro mode of the camera or with the help of macro lenses, this distance can be less than 1 centimeter.

Maximum zoom

The degree of magnification of the object being shot when using a lens for macro shooting (that is, shooting small objects at the maximum possible approximation, when the distance to the subject is measured in millimetres). The degree of magnification in this case means the ratio of the size of the image of the object obtained on the matrix of the camera to the actual size of the object being shot. For example, with an object size of 15 mm and a magnification factor of 0.3, the image of this object on the matrix will have a size of 15x0.3=4.5 mm. With the same matrix size, the larger the magnification factor, the larger the image size of the object on the matrix, the more pixels fall on this object, respectively, the clearer the resulting image, the more details it can convey and the better the lens is suitable for macro photography. It is believed that in order to obtain macro shots of relatively acceptable quality, the magnification factor should be at least 0.25 – 0.3.

Internal focus

Lenses using the internal focus system. In such optics systems, focus is carried out only due to the movement of elements inside the lens body; the outer parts remain completely fixed and the size of the lens does not change. This provides additional convenience — in particular, it allows you to easily use petal hoods and those types of filters for which the correct position on the lens is important (in particular, gradient ones). In addition, the absence of moving elements from the outside has a positive effect on security and resistance to dust / precipitation (although the specific degree of dust and water protection may be different).

Image stabilization

The presence in the lens of its own image stabilization system. Such a system includes gyroscopes and movable lenses that compensate for small tremors of the lens and prevent the appearance of “shake”. Stabilization is especially relevant when shooting handheld, especially at slow shutter speeds and/or at long distances with high magnification: it is in such conditions that “shake” affects the quality of the image the most. At the same time, it should be taken into account that the presence of a stabilizer significantly affects the weight, dimensions and, above all, the price of optics; at the same time, some modern cameras have their own stabilization systems (due to matrix shift). Therefore, it makes sense to choose a lens with this function in the case when maximum protection against “shake” is of fundamental importance.

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.

Dustproof & waterproof

Lenses with protection against ingress of dust and moisture. "Protected" optics are useful primarily for those who have to shoot a lot outdoors: they are much more resistant to bad weather than ordinary ones, many of these lenses work quietly in the rain, sea spray, etc. However, the specific degree of protection for different models can significantly differ, this point should be specified separately in the official documentation of the manufacturer. Also note that if you intend to constantly shoot in difficult external conditions, not only the lens, but also the camera itself must have dust and water protection.
Canon 70-200mm f/2.8L EF USM often compared
Canon 70-200mm f/2.8L EF IS USM often compared