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Comparison Shure BLX24/SM58 vs Shure BLX24/B58

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Shure BLX24/SM58
Shure BLX24/B58
Shure BLX24/SM58Shure BLX24/B58
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Radio system
Microphonevocalvocal
Operating principledynamicdynamic
Specs
Microphone directivity
unidirectional
unidirectional
Directional pattern
cardioid
 
 
supercardioid
Frequency range50 – 15000 Hz50 – 15000 Hz
Sensitivity-55 dB
Functions and connectors
Features
wireless
attenuator
sensitivity adjustment
mute button
wireless
attenuator
sensitivity adjustment
mute button
Connection
XLR
Jack (6.35 mm)
XLR
Jack (6.35 mm)
General
Range91 m91 m
Power sourcebatterybattery
Size224x53x53 mm224x53x53 mm
Weight218 g218 g
In box
receiver
rack holder
receiver
rack holder
Color
Added to E-Catalogjune 2016june 2016

Directional pattern

The polar pattern of a unidirectional microphone (see above). There are models with DN switching.

By itself, such a diagram is a graph of sensitivity versus direction, built in the so-called polar coordinate system. For unidirectional models, there are three main options for the shape of the line on such a chart:

Cardioid. A chart shaped like an inverted heart symbol (hence the name). Microphones with these characteristics cover a fairly large area in front, which makes it difficult to filter out extraneous sound sources that are close to the main source. At the same time, they are completely insensitive to sound coming from the rear.

Supercardioid. These mics have a narrower front coverage than "classic" cardioid mics, making it easier to pick up directional sound. The downside of this is some (albeit rather low) sensitivity to sound coming directly from behind.

Hypercardioid. The hypercardioid pattern further narrows the microphone's sensitivity zone in the front (compared to the supercardioid pattern), but widens this zone in the back.

Sensitivity

Sensitivity describes the signal strength at the output of a microphone when it processes a sound of a certain volume. In this case, sensitivity means the ratio of the output voltage to the sound pressure on the membrane, expressed in decibels. The higher this number, the higher the sensitivity. Note that, as a rule, values in decibels are negative, so we can say this: the closer the number is to zero, the more sensitive the microphone. For example, a -38 dB model outperforms a -54 dB model in this parameter.

It should be borne in mind that high sensitivity in itself does not mean high sound quality - it only allows the device to “hear” a weaker sound. Conversely, low sensitivity is not an unequivocal sign of a bad microphone. The choice for this parameter depends on the specifics of the application: a sensitive device is useful for working with low sounds and in cases where it is necessary to capture the smallest nuances of what is happening, and a “weak” microphone will be convenient at high sound volume or, if necessary, filter out extraneous weak noises. There are models with sensitivity adjustment(and for models with a headphone output , headphone volume control may be provided).
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