Comparison Onkyo TX-NR676 vs Onkyo TX-NR828

A digital-to-analogue converter (DAC) is an indispensable element of any system designed to reproduce digital sound. The DAC is an electronic module that translates sound information into pulses that are sent to the speakers. The technical features of such a conversion are such that the higher the sampling frequency, the better the signal at the output of the DAC, the less it is distorted during conversion. The most popular option in receivers today is 192 kHz — it corresponds to a very high sound quality (DVD-Audio) and at the same time avoids unnecessary increase in the cost of devices.

Another indicator that determines the overall quality of the digital-to-analogue audio converter. For details on the converter, see "Audio DAC Sampling Rate"; here we note that the bit depth is standardly expressed in bits, and the higher it is, the more accurately the signal at the output of the DAC corresponds to the original signal and the less distortion is introduced into it. Today, it is believed that a 16-bit indicator provides quite acceptable signal quality, and 24-bit DACs are suitable even for premium-level equipment.

Receiver support for HDR technology; this clause may also specify the specific supported HDR format.

HDR stands for High Dynamic Range. This technology allows you to expand the range of brightness reproduced simultaneously on the screen; to put it simply, the viewer will see brighter whites and darker blacks. In practice, this means a significant improvement in color quality: colors are more vibrant and at the same time more faithful than without HDR. However, to use this function, in addition to the receiver, a TV/projector that supports the appropriate HDR format and content recorded in this format is required.

In terms of specific formats, the most popular options these days are basic HDR10, advanced HDR10+, and high-end Dolby Vision. Here are their features:

- HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content at all, and it is also common for Blu-ray discs. Allows you to work with a color depth of 10 bits (hence the name). At the same time, devices of this format are also compatible with content in HDR10 +, although its quality will be limited by the capabilities of the original HDR10.

- HDR10+. Improved version of HDR10. With the same color depth (10 bits), it uses the so-called dynamic metadata,...which allows transmitting information about the color depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in color reproduction.

Dolby Vision. An advanced standard used particularly in professional cinematography. Allows you to achieve a color depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream - HDR and normal (SDR). At the same time, Dolby Vision is based on the same technology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10+.

The maximum number of channels that the receiver can output to external speakers. This parameter is specified for all types (see above): even AV processors that do not have an amplifier as such are often equipped with a very extensive set of audio processing tools (and this set is sometimes even wider than in models with amplifiers).

The most popular options by the number of channels today are as follows:

— 2.1. The simplest option found in modern AV receivers is the classic two-channel stereo sound, supplemented by a third channel for a subwoofer. It is worth noting here that the "volume" of such a sound is very limited: it allows you to simulate the shift of the sound source to the left or right, but does not cover the space on the sides and behind the listener. Receivers of this kind are usually entry-level devices.

— 3.1. Such a system is usually the 2.1 described above, supplemented by a third front speaker — in the centre. This provides a more authentic sound from the front. And for some 3.1 systems, design tricks are claimed that allow them to be used for surround sound, similar to 5.1. Rear channels in such systems are simulated by reflecting sound from the walls behind the user. Of course, the sound accuracy is noticeably lower than that of a full-fledged 5.1, but this option may be optimal in tight spaces where there is no space for a full set of six-channel acoustics.

— 5.1. The most popular surround sound format that can provide the effect of "environment". 5 main channels include a centre, two front (left-right) and two rear (similarly), a unit indicates a separate low-frequency channel for a subwoofer.

— 5.2. Sound format similar to 5.1 above, except for two channels for subwoofers instead of one. This improves the quality of the bass sound, which can be useful for films with a lot of special effects, live performance recordings, etc.

— 6.1. A sound format with an expanded number of main channels relative to the classic 5.1. The sixth main channel in this format is usually the centre back — this increases the accuracy of the sound transmission in the back of the stage.

— 6.2. 6.1 version of the format described above, supplemented by a second subwoofer; this improves the quality of low frequency transmission and allows you to cover a larger area.

— 7.1. With this sound format, five main channels (similar to the 5.1 system described above) are supplemented with two more. There are a lot of options for installing speakers for these channels — for example, these can be additional speakers above two front or two rear speakers, two separate side speakers, an additional “centre” pair on the rear channel, etc. Anyway, an increase in the number of channels makes it possible to achieve a more accurate transmission of “surround” sound compared to 5.1, however, much less content has been released for such systems.

— 7.2. A variation on the 7.1 format (see above) that allows the use of two separate subwoofers; this increases the accuracy of the transmission of low frequencies and expands the possibilities for their adjustment.

— 8.4. A specific variant found in single models of AV receivers. It is not so much a generally accepted sound format as an illustration of advanced configuration options: up to 8 main speakers and up to 4 subwoofers can be connected to the device, which gives very extensive fine-tuning options (however, such options are not cheap).

— 9.1. One of the most advanced surround sound formats today: it includes 5 classic main channels (similar to a 5.1 system) and 4 additional ones, the location of which can be different — for example, two side speakers and two upper ones above the left and right front, or even 4 speakers, directed towards the ceiling. The 9.1 format allows you to achieve very high fidelity of multi-channel audio transmission, but it is expensive, difficult to set up, and very little content has been released for such systems.

— 9.2. Modification of the above 9.1 format, supplemented by a second subwoofer for more accurate and high-quality reproduction of low-frequency sound.

— 11.1. Further, after 9.1, expansion and improvement of the idea of multi-channel sound. Usually in 11.1 systems, the five "classic" main channels (see 5.1) are supplemented with six more in the following way: two speakers to the left and right of the centre (in addition to the left and right front), two height speakers above the main front and two more — above main rear. This significantly increases the accuracy of surround sound transmission and adds the ability to shift it not only horizontally, but also vertically. However, the price and complexity of setting up such systems is appropriate, so they are designed more for the professional sphere (for example, cinema halls of entertainment centers) than for home use.

— 11.2. Systems almost identical to those described above 11.1, but supplemented by a second subwoofer. The latter is useful not only for reliability, but also for covering a vast area.

— 12.4. A top-of-the-line AV receiver option that is designed to handle all existing surround sound formats (including "true" 3D sound) and offers extremely wide customization options (albeit at an appropriate price).

— 13.2. Another format typical for luxury AV receivers and similar to 12.4 described above (with the exception of differences in the number of channels, which are not critical in this case).

— 15.1. A very rare and expensive option, designed for the use of mainly advanced acoustic systems — in particular, the halls of small cinemas.

Note that this paragraph indicates the most advanced sound format that the receiver is capable of working with; the general set also includes simpler options. For example, 7.1 systems usually handle 5.1 without any problems, not to mention stereo.

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (see..."Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

The range of sound frequencies that the receiver is capable of outputting (this parameter can also be specified for models without their own amplifier, see “Number of channels” for more details). The completeness of the transmitted sound depends on this parameter; of course, the sound quality in general is highly dependent on a number of other factors (for example, frequency response), but the wider the frequency range, the less risk that the amplifier will completely “cut off” some part of the sound. On the other hand, it should be taken into account here that the normal hearing range of the human ear is approximately 16 – 20,000 Hz, and deviations from these limits are rather small. And although many modern receivers provide a much wider frequency range, however, this is more of a marketing ploy than a really significant indicator (or some kind of "side defect" in the design of a high-quality amplifier).

It is also worth considering that in order to reproduce the full frequency of the amplifier, you will need speakers with the appropriate characteristics.

The ability of the receiver to work in Bi-amping and/or Tri-amping mode.

The basic principle of both of these modes is that the audio signal is divided into several frequency bands (LF and HF for Bi-amping, in the case of Tri-amping, mid frequencies are separated separately), and each band is processed by its own amplifier and output to its own specialized set of speakers. . In this way, a noticeable improvement in sound quality can be achieved. However, note that the specific implementation of this function in AV receivers may be different. The simplest option involves two or three built-in power amplifiers, each of which outputs the entire audio range to its own set of connectors. To such a device, you need to connect an external crossover (frequency filter) or speakers with built-in filters for each frequency band. More advanced receivers may have their own built-in crossovers, in which case only part of the frequency range is output to each amplifier with a set of connectors; this eliminates the need for external frequency filters. However, anyway, to use Bi/Tri-amping, you will need speakers that support this connection format.

Audio and video file formats that the receiver is capable of playing on its own. Models with player features generally support most popular media file types (particularly AVI, MPEG and MKV for video, MP3, WAV and WMA for audio), but the file set may have its own peculiarities. This item allows you to find out.

- AirPlay. Technology for transmitting multimedia data via a wireless connection ( Wi-Fi). Developed by Apple, it is intended mainly for broadcasting content from various Apple devices (primarily portable gadgets) to compatible external devices. Allows you to transfer audio files (in audio streaming mode, see “Tuner and playback” for more details), as well as images, text data and even video. The presence of AirPlay in the receiver will allow you to connect Apple equipment with support for this technology to it for direct playback, as well as display information about files on an external screen (for example, a TV) - song name, artist name, etc.

- AirPlay 2. The second version of the AirPlay technology described above, released in 2018. One of the main innovations introduced in this update was support for the multi-room format - the ability to simultaneously broadcast several separate audio signals to different compatible devices installed in different locations. Thus, you can, for example, turn on the next episode of your favorite series from your iPhone on the TV in the living room, and relaxing music from your iPod in the kitchen, etc. In addition, AirPlay 2 received a number of other improvements - improved buffering, the ability to stream to stereo acoustics, as well as support for voice control via Siri.

- Chromecast.... Original name: Google Cast. Technology for broadcasting content to external devices, developed by Google. Allows you to transmit video and audio from a PC or mobile device to the AV receiver; broadcasting is usually carried out via Wi-Fi, while the receiver and the signal source must be on the same Wi-Fi network (with the exception of Chromecast media players). Chromecast technology supports two modes - actual broadcasting through special applications (available for Windows, macOS, Android and iOS) and “mirroring” content opened in the Google Chrome browser on an external screen.

- Wi-Fi. A wireless interface used primarily for building computer networks. Accordingly, AV receivers may need its presence primarily to implement network functions - streaming audio, Internet radio (see “Tuner and playback”), AirPlay (see above), DLNA (see below). Connecting to computer networks can also be done through a wired LAN interface(see below), but Wi-Fi is more convenient due to the absence of wires and the ability to work through obstacles (including walls) at a distance of several tens of meters. In addition, in some models, this technology can also be used to communicate directly with other devices - for example, to use a smartphone or tablet as a remote control, or to broadcast live video using Miracast technology or another similar format.

— Bluetooth. Direct wireless communication technology between various electronic devices; operates at a range of about 10 m, although some specific operating formats provide a longer range. Technically, it can be used for different purposes, depending on the protocols supported by a particular device; In AV receivers, two protocols are most often found - A2DP for wireless broadcasting of audio signals and AVRCP for remote control. In the first case, we are usually talking about transmitting a signal from an external device (smartphone, laptop, etc.) to the receiver; theoretically, the opposite option is also possible - broadcasting sound to Bluetooth headphones or acoustics, however, for a number of reasons, this format of operation is almost never found in AV receivers. AVRCP, in turn, allows you to use an external gadget (for example, the same smartphone) as a remote control.

- LAN. A standard interface for wired connection of various equipment (including AV receivers) to computer networks, incl. to access the Internet. Due to the presence of a wire, it is less convenient to connect than the Wi-Fi described above. On the other hand, a LAN connection wins in terms of connection reliability and actual data transfer speed - especially if there are many wireless devices on the network and Wi-Fi channels are busy (which is often the case, since Wi-Fi modules are very popular in modern electronics ). Therefore, for working with large volumes of data - for example, watching high-definition video via DLNA (see below) - LAN is better suited.

— RS-232. A wired interface that originally appeared in computer technology. In AV receivers, it can be called a service connector: content is not transmitted through this connector, but through it you can connect the device to a computer and remotely change settings, as well as update the firmware.

— MHL. High-speed wired interface for transmitting multimedia data (video and audio) from mobile devices to external screens. The bandwidth allows you to work with high or even ultra-high resolution images, as well as multi-channel audio. Also, when connected, the gadget can be charged. In mobile devices, the MHL signal is output via a standard microUSB port; and the role of the input in AV receivers (and other stationary equipment) is played by the HDMI connector (see below) - however, not every connector, but only one that is initially compatible with MHL and has the appropriate marking. Adapters are available for connecting to regular HDMI, but additional functions (like charging) may not be available with this connection.

- DLNA. A technology used to connect various electronic devices into a single digital network with the ability to directly exchange content. Devices for which support for this standard is declared are able to communicate effectively regardless of the manufacturer. An AV receiver with DLNA can, for example, play a movie directly from the hard drive of a computer in the next room, or transfer photos from a smartphone to the TV. Connecting to the Network can be done either wired (LAN) or wirelessly (Wi-Fi, see above).

- Roon Tested. Roon Tested accreditation means the AV receiver is compatible with the popular audiophile music streaming platform Roon. Certified models have undergone a series of tests and meet the quality standards required to operate Roon flawlessly. This ensures convenient management and organization of content within the platform.

— Coordination of Remote control. A function that allows you to connect the AV receiver to another device (for example, a Blu-ray player or external amplifier) and control both devices with one remote control. When purchasing equipment with such a function, it is necessary to clarify compatibility - as a rule, only equipment from one manufacturer can work in such a “bundle”, and even in such cases, their own nuances are possible upon agreement.

— Voice assistant. Receiver support for voice assistant. The most popular assistants these days are:

• Google Assistant
• Apple Siri
  
• Amazon Alexa

However, other solutions may also emerge. In any case, it is worth noting that we are not talking about an assistant built into the receiver itself, but about compatibility with external devices that have this function (for example, a smartphone or tablet). But even such compatibility allows you to give commands to the receiver by voice - this is often more convenient than more traditional control methods. The specific set of supported commands and languages may vary depending on the voice assistant and its specific version.