Comparison Fender American Special Stratocaster vs Encore E6

The material from which the body of an electric guitar is made. For models with cutouts (semi-acoustic, see "Type"), in this case, only the material of the back deck and sides can be taken into account, and data on the top deck is given separately (for more details, see "Deck Cover Material").

Now on the market there are cases of such trees: red, maple, agatis, ash, alder.

It makes no sense to dwell on each of the materials found in modern electric guitars. Their variety is very large, however, unlike acoustic guitars, the body in this case does not play such a significant role in shaping the sound, and its material has a relatively small effect on the acoustic properties of the instrument (although the exact degree of such influence is a moot point). If you wish, you can find detailed data on a particular material in special sources, but in fact it makes sense to look primarily at the appearance of the instrument and its price category.

The presence in the electric guitar of a system of through fastening of strings.

In the classic through fastening, the body of the instrument itself plays the role of a stop bar — holes are made in it, in which the strings are fixed (from the side of the bridge). The advantage of this design is the improved contact of the strings with the body, which allows you to achieve good sustain. However, in tremolo machines (see "Bridge") there is another kind of through fasteners — when the holes are located not on the body, but on the bridge; in particular, this option is typical for Vintage Tremolo machines. In such cases, the through fastening itself is only a design feature of the bridge, and the contact of the strings with the body depends on the features of the fastening of the "machine" on the body and can be different.

Profile of a fretboard mounted on an electric guitar.

The profile of the neck is called its shape in section, more precisely, the shape of the back of the neck. This parameter practically does not affect the sound of the guitar, but it directly affects the convenience of playing. Ideally, the neck should “fill” the hand, but not be too large — otherwise it will not be possible to clasp it to the right extent.

Profiles are denoted by the letters C, D, V and U — depending on which letter the neck resembles in the section. Profile D is the flattest, C is slightly more convex, with almost uniform curvature along the entire length, U is more voluminous, with a wider profile in the area of the lining, and the V profile in its classic form has the form of an angle with a rounded top. There are also modifications of these options — for example, "thin", which provides for a reduced profile thickness, or "modern", with slightly improved (theoretically) ergonomics.

The most popular profile types are C, U and their "modern" (modern) modifications. The C profile is almost semi-circular, the U profile is more voluminous, at the fingerboard its edges are almost parallel and only closer to the back of the neck are sharply rounded. The terms modern C and modern U refer to various improved versions of these profiles, their f...orm may be different.

In fact, the choice of neck profile depends solely on the guitarist's personal preferences, the characteristics of his hands and his preferred playing technique. Thus, there is no "perfect" profile shape — in each case, the optimal choice will be different. The perfect option is to try several types of profile "live", decide which one will be more convenient, and choose an instrument with a neck of the same or similar profile shape.

The width of the fretboard of an electric guitar at the nut. Closer to the body, the neck may expand somewhat, but this is not necessary, and the expansion angle may be different. Therefore, the main size is considered to be the width in the region of the nut.

This parameter has two meanings. On the one hand, a wide neck is inconvenient for musicians with small hands and short fingers — it can be difficult to reach the far strings in such cases. On the other hand, a larger width means a greater distance between the individual strings, which reduces the likelihood of hitting an adjacent string when pressed incorrectly and can make playing easier (especially if the guitarist has large fat fingers). However, these moments are not absolute, and the convenience of playing is a very subjective matter, depending on many features of the musician and the technique he uses. Also, don't forget that necks can have different profiles (see above), and instruments with different neck profiles will feel differently in the hands even with the same width at the nut. Therefore, the most reliable method of selection is to try out the necks of different sizes and profiles “live”, decide on the best option and choose based on this.

The smallest neck width at the nut in modern electric guitars is about 39 mm. This size is found mainly in bass guitars (see “Type”), which have 4 strings and a neck that widens noticeably towards the body (due to which it can be made rather narr...ow from above, especially since when playing bass, notes are rarely clamped near the neck itself) . Electric guitars (including semi-acoustic) are somewhat wider — from 41 mm, an indicator of 43 – 48 mm is considered average, and in the largest instruments, the neck can be up to 55 mm wide (however, such dimensions are typical mainly for instruments with more than 6 strings) .

The radius of curvature of a fretboard mounted on the fretboard of an electric guitar.

The fingerboard is located directly under the strings, it is to it that the musician presses the strings when playing. If you look at the neck in cross section, its upper part with the overlay will have the shape of an arc; the radius of this arc is implied in this case. The smaller the radius, the more convex this arc will be, and vice versa, a large radius will correspond to an almost flat surface.

In general, it is believed that a smaller fingerboard radius is better for playing chords, and a more even, flat surface makes it easier to play technical passages with an abundance of special techniques such as bands. The average and, one might say, classic diameter value is 12", this is the most popular option among modern electric guitars. The smallest figure is just over 7", it is found in some guitars with Stratocaster bodies (both original Fender instruments and copies ). And the most flat pads have a diameter of 20" or more.

Note that there are often instruments with a variable fretboard radius — smaller at the headstock (where chords are played more often) and larger near the body (where solos are played by notes). In such cases, the radius at the nut is indicated.