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Comparison Casio Privia PX-160 vs Casio Privia PX-150

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Casio Privia PX-160
Casio Privia PX-150
Casio Privia PX-160Casio Privia PX-150
from $749.80 up to $775.00
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from $700.00
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Bodyportableportable
Keys
Number of keys88 шт88 шт
Sizefull sizefull size
Mechanicsmalleusmalleus
Sensitivity adjustment
Rigidityweightedweighted
Specs
Polyphony128 voices128 voices
Built-in timbres18 шт18 шт
Learning mode
Tempo change20 – 25520 – 255
Metronome
Sequencer (recording)
Built-in compositions
Effects and control
Timbres layering
Keyboard split
Octave shift
Reverberation
 /4/
 /4/
Chorus
 /4/
 /4/
Brightness
 /-3 – 3/
 /-3 – 3/
Transposition
Fine tuning
 /415.5 – 465.9 Hz/
 /415.5 – 465.9 Hz/
Connectors
Connectable pedals2 шт2 шт
Outputs
USB to host (type B)
USB to host (type B)
Headphone outputs2 шт2 шт
Linear outputs2 шт
General
Built-in acoustics16 W16 W
Number of bands12
Dimensions (WxHxD)1322x135x286 mm1322x135x286 mm
Weight11.1 kg11.1 kg
In box
music stand
pedal
PSU
music stand
pedal
PSU
Added to E-Catalognovember 2016november 2016

Linear outputs

The number of line outputs provided in the design of the digital piano.

The line output allows you to send the sound from the instrument to external audio equipment. In this case, the sound is transmitted in an analogue format, and to play it, it is enough to pass it through a power amplifier; and active acoustics can generally be connected directly to the line output. The outputs themselves can use different types of connectors, but most often they are 3.5 mm mini-Jack or 6.35 mm Jack, compatible with most audio equipment either directly or through the simplest adapters.

Multiple line outputs allow you to connect multiple signal receivers to the instrument at once — for example, speakers with an amplifier for playback and an external recorder for recording. However, digital pianos rarely have more than 2 line outputs — more, taking into account the specifics of the use of such instruments, is simply not required.

Number of bands

The number of bands provided in the Digital Piano's native acoustics.

In single-way acoustics, the speakers are responsible for reproducing the entire frequency range. Such systems are simple and inexpensive, but their amplitude-frequency response is far from perfect — most often they reproduce the mids well, but the bass turns out to be weak and unsaturated, the high frequencies are fuzzy and blurry. This is due to the fact that for each frequency there are separate requirements for the design of the speaker, and it is impossible to combine them in one speaker.

Thus, loudspeakers, including the built-in speakers of digital pianos, can be split into bands when the design provides for specialized speakers for a certain group of frequencies. The most advanced variant found in digital pianos is three-way, with separate sets of drivers for bass, mids, and treble. This allows you to achieve high-quality and reliable sound throughout the entire range, but complicates and increases the cost of the design. Therefore, three-way acoustics are rare, mainly in top-class instruments. But in mid-range instruments, two-way speakers are more often used (high frequencies on one set of speakers, medium plus low frequencies on the other).
Casio Privia PX-160 often compared
Casio Privia PX-150 often compared