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Comparison Definitive ProCinema 600 System vs HECO Ambient 5.1 A

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Definitive ProCinema 600 System
HECO Ambient 5.1 A
Definitive ProCinema 600 SystemHECO Ambient 5.1 A
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Main
Compactness. Wide frequency range. downfire subwoofer. High sound detail.
Featureshomemadehomemade
Mountshelfshelf
Specs
Typepassive / activepassive / active
Number of channels5.1 system5.1 system
Number of speakers22
Number of bands22
Sensitivity88 dB88 dB
Impedance8 Ohm
Crossover frequency3.6 kHz
Power / frequency
Front150 W/channel50 W/channel
Rear150 W/channel50 W/channel
Centre175 W/channel60 W/channel
Total rated power1025 W320 W
Front65 – 30000 Hz80 – 34000 Hz
Rear65 – 30000 Hz80 – 34000 Hz
Centre55 – 30000 Hz80 – 34000 Hz
Overall frequency range22 – 30000 Hz28 – 34000 Hz
Subwoofer
Typewith passive emitterphase inverter
Power250 W60 W
Frequency range22 – 150 Hz28 – 200 Hz
Impedance8 Ohm
Adjustable crossover
Phase adjustment
Level adjustment
LFE input
Design
Design features
 
passive emitter
magnetic shielding
 
General
Tweeter size25 mm20 mm
Midrange speaker size75 mm
Woofer size (LF/MF)83 mm200 mm
Subwoofer speaker size203 mm
Finishing materialMDF
Front speaker dimensions (HxWxD)17.8x10.2x10.8 cm15,5x9x11,7 cm
Rear speaker dimensions (HxWxD)17.8x10.2x10.8 cm15,5x9x11,7 cm
Centre channel dimensions (HxWxD)10.2x26.7x10.8 cm9x22,2x11,7 cm
Subwoofer dimensions (HxWxD)33x26.4x33 cm23x41x39 cm
Weight18.6 kg
Color
Added to E-Catalogaugust 2015september 2012

Impedance

Impedance is the nominal electrical impedance of a speaker system. Nowadays, a set of standard impedance values are used; the most widely used speakers are 4 ohms, 6 ohms, 8 ohms and 16 ohms.

This parameter is of primary importance for passive acoustics (see "Type"). When connecting such speakers to a power amplifier, it is highly desirable that their impedance matches the speaker impedance for which the amplifier is designed; in case of a mismatch, either overload and distortion in sound (if the speaker impedance is below optimal), or a decrease in power (in the opposite case), are possible.

As for active acoustics, here the impedance is mainly of reference value — the speakers in such systems are initially selected for the corresponding amplifiers. However there is an opinion that a higher resistance reduces the level of interference and has a positive effect on the purity of the sound; however, the difference in impedance between different models is usually not so great that this effect is noticeable against the background of other factors that determine sound quality.

Crossover frequency

The crossover frequency provided in the speaker design.

A crossover is installed exclusively in a multi-band model (see "Number of Bands"). This is an electronic filter that ensures the division of the incoming audio signal into separate frequency ranges and directs each range to "its" set of speakers. And the crossover frequency shows where the boundary between these ranges lies. If there are more than two bands, there will be several such boundaries: for example, for a four-band system it may be specified "0.15 / 0.8 / 2.8 kHz" or "0.12 / 1 / 3.8".

In most cases, this parameter has mainly a reference value: the frequencies of the built-in crossover are selected to match the operating characteristics of the speakers installed in the speaker system.

Front

Rated power of one front speaker. See "Total Power Rating" below for details on power rating. Here we note that the higher the power, the louder the system component can sound — of course, with a properly selected amplifier. In addition, this parameter is very important for matching with the amplifier: it is desirable that the output power on the corresponding amplifier channel be less than the power of the speaker. If the incoming signal is more powerful, distortions in the sound and even damage to the speakers are possible, and if it is weaker, then the sound volume will decrease (in other words, it will not be possible to use the full potential of the acoustics), but this moment will be critical only for listening at maximum volume.

Rear

Rated output of the rear speaker. See "Front" above for details on power rating.

Centre

Rated power of the centre speaker. See "Front" above for details on power rating.

Total rated power

The total rated power of all speaker components, in other words, the sum of the powers of all speakers. As a nominal one, they usually indicate the highest average (rms) power at which acoustics can operate for a long time without overloads and damage. In this case, individual power surges can significantly exceed this value, however, it is the rated power that is the main characteristic of any speaker.

First of all, the sound volume depends on this characteristic: the more powerful the speakers, the louder the sound they can produce if there is a suitable amplifier. In addition, in passive and passive-active models, compatibility with an external amplifier also depends on the power: the output power of the “amplifier” should not exceed the power of the acoustics connected to it, otherwise overloads and even breakdowns are possible.

Detailed recommendations regarding the choice of speakers for power for a particular situation can be found in special sources. However, in general, an indicator of up to 100 W by the standards of modern acoustics is considered quite modest, 100 – 200 W — average, 200 – 300 W — above average, and the most powerful sets give out up to 500 W or even more.

In conclusion, we note two more nuances. Firstly, when comparing different systems according to this ch...aracteristic, one must also take into account the sound format in which they work. In particular, if there is a subwoofer, it can account for a significant part of the total power — up to half or more. As a result, for example, a 2.1 set of 50 W with a 20-watt subwoofer at the main frequencies will not be able to pull out the same volume as a 40-watt 2.0 system: in the first case, each main channel will have only 15 watts, in the second — 20 watts. Secondly, in multichannel systems, the total power can be distributed among the channels in different proportions; so, say, two 5.1 systems with the same total power can differ markedly in front and rear balance at maximum volume.

Front

The range of audio frequencies that the front speaker can reproduce. See "Total Frequency Range" below for details on this setting.

Rear

The range of audio frequencies that the rear speaker is capable of reproducing. See "Total Frequency Range" below for details on this setting.

Centre

The range of audio frequencies that the centre speaker is capable of reproducing. See "Total Frequency Range" below for details on this setting.
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