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Comparison Marantz CD6006 vs Marantz CD6005

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Marantz CD6006
Marantz CD6005
Marantz CD6006Marantz CD6005
from £184.00 
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from £149.00 
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Featureshomehome
Design
DACCirrus Logic CS4398Cirrus Logic CS4398
Disc loadfrontalfrontal
Communications
Playback
CD-Audio
CD-Audio
Audio formats supportMP3, WMA, WAV, AAC
Interfaces
USB (type A)
IPhone/iPad connection
USB (type A)
IPhone/iPad connection
Tech specs
DAC sample rate192 kHz92 kHz
DAC bit depth24 bit24 bit
Frequency range2 – 20000 Hz2 – 20000 Hz
Signal to noise ratio110 dB110 dB
Dynamic range100 dB100 dB
Harmonic distortion0.002 %0.002 %
Connection
Outputs
Coaxial S/P-DIF
Optical
On headphones
Control output (IR)
Coaxial S/P-DIF
Optical
On headphones
Control output (IR)
RCA1 pair(s)1 pair(s)
General
Power consumption32 W32 W
Remote control
Dimensions (WxDxH)440х340х105 mm440х338х105 mm
Weight6.5 kg6.6 kg
Color
Added to E-Catalogseptember 2016april 2015

Audio formats support

The audio file formats that the player can handle. This list includes popular formats MP3, WMA, AAC, OGG, WAV, FLAC, but is not exhaustive.

MP3. The most famous of modern digital audio formats; supported by almost all devices. Provides so-called. lossy compression, where some of the audio frequencies are lost. However, during compression, the sound is processed in such a way that it "disappears" mainly frequencies, the loss of which is imperceptible to the human ear.

WMA. An audio format that was once specially created for the Windows operating system. The default is lossy compression. WMA is especially suitable for low bitrates, under such conditions it provides better quality than MP3 and takes up less space. On the other hand, in high-quality digital audio, this format is much less popular.

WAV. Another popular audio standard, originally developed for storing sound on a PC. It can technically be used to store audio in a variety of formats, but is most commonly used for uncompressed audio. Due to this, the sound quality can be quite high, and its processing does not require special computing power. The downside of this is the large volume of audio files — many times more than MP3s.

AAC. A format d...eveloped as a potential successor to MP3. Also provides lossy compression (see above), but allows you to achieve better quality with the same file size; this difference is especially noticeable at low bitrates. Actively promoted by Apple; nevertheless, it is noticeably inferior to MP3 in terms of prevalence.

OGG. A lossy compressed digital audio format is one potential alternative to MP3. One of the key features of OGG is that as audio is encoded, the bitrate is constantly changing; at the same time, on fragments where there is no sound, the bitrate drops to almost zero (unlike MP3, where the data stream is constant, including in sections of complete silence). This allows you to achieve small file sizes while maintaining sound quality. Also note that the OGG format is open and not limited by patents.

FLAC. One of the formats that uses lossless audio compression. With this compression, all the details of the original sound are preserved, so lossless formats are especially appreciated by sophisticated music lovers and audiophiles. The reverse side of this quality is large volumes of files. Specifically, FLAC is perhaps the most common of today's lossless formats. This is largely due to the fact that this standard is not particularly demanding on the processing power of the player. Thanks to this, its support can be implemented even in relatively simple and inexpensive players (unlike another popular format — APE, see below). On the other hand, FLAC files are larger than APE files.

A.P.E. One of the popular lossless audio compression formats. Compared to another common standard — FLAC (see above) — APE allows you to achieve smaller file sizes with the same quality. On the other hand, to play such files, electronics with a fairly high processing power are required, so APE compatibility is relatively rare in compact players.

This list

DAC sample rate

Sampling frequency of a digital-to-analogue converter (DAC) installed in a CD player.

A DAC is an indispensable element of any system designed to reproduce digital sound. Such a converter is an electronic module that translates sound information into analogue pulses fed to speakers through amplification stages. The technical features of such a conversion are such that the higher the sampling rate, the better the signal at the output of the DAC, the less it is distorted during conversion. And in the case of CD players, this indicator must also be no lower than the sampling rate of the reproduced digital sound — otherwise the device simply will not be able to "digest" digital data from the media. So, an indicator of 92 – 96 kHz allows you to listen to CD-Audio (sampling frequency 44.1 kHz), but for DVD you need at least 192 kHz. In the most advanced DACs, the sampling rate can be 384 kHz. The latter, however, is rare: in most cases, high frequency is not critical, and such electronics are expensive.
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