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Comparison Vivitek Qumi Q38 vs Vivitek Qumi Q8

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Vivitek Qumi Q38
Vivitek Qumi Q8
Vivitek Qumi Q38Vivitek Qumi Q8
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Main
Broadcast content from the screen of mobile gadgets. Built-in speaker. Mobility.
Main functionportableportable
Lamp and image
Lamp typeLEDLED
Service life30000 h30000 h
Brightness600 lm
Brightness ANSI Lumens1000 lm
Dynamic contrast10 000:130 000:1
Projection system
TechnologyDLPDLP
Real resolution1920x1080 px1920x1080 px
Image format support16:9, 4:316:9, 4:3
Projecting
Rear projection
Throw distance, min0.5 m1.33 m
Throw distance, max3.5 m4 m
Image size19 – 130 "39.5 – 118 "
Throw ratio1.2:11.5:1
Zoom and focusmanualmanual
Keystone correction (vert), ±40 °30 °
Keystone correction (horizontal), ±10 °
Features
Features
 
MHL support
Bluetoothv 4.0
Wi-FiWi-Fi 4 (802.11n)Wi-Fi 4 (802.11n)
AirPlay+
Miracast
Hardware
Card reader
USB 2.021
Number of speakers21
Sound power4 W2 W
HDMI inputs11
HDMI versionv 1.4v 1.4
Audio connectors
3.5 mm output (mini-Jack)
3.5 mm output (mini-Jack)
General
Noise level (nominal)32 dB34 dB
Noise level (energy-saving / quiet)31 dB
Power sourcemains / batterymains
Battery capacity12000 mAh
Operating time2 h
Power consumption66 W
55 W /45 W in economy mode/
Size (HxWxD)34x188x118 mm43x190x114 mm
Weight0.75 kg0.62 kg
Color
Added to E-Catalogdecember 2018june 2017

Brightness

The brightness of the image produced by the projector at maximum backlight brightness. Usually, the average brightness of the screen, derived from a special formula, is indicated. The higher it is, the less the image depends on ambient light: a bright projector can provide a clearly visible image even in daylight, but a dim one will require dimming. On the other hand, increasing brightness reduces contrast and accuracy of colour reproduction.

Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.

Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.

Brightness ANSI Lumens

This parameter largely determines the ability of the projector to work in a well-lit room. For a dark room, 1000 lumens is enough to make the projection picture bright, rich, clear and understandable. But when working in a lit room, the projector will need at least 3500-4000 lumens. Do not confuse ANSI lumens with Peak lumens. These are two different brightness standards. To convert one type of brightness to another, you need to multiply Peak lumens by 10-12. The result will be an approximate value of ANSI Lumens.

However, experts do not recommend chasing high ANSI lumen brightness values. There are many professional projectors with brightness up to 3500 lm. The lower the brightness, the lower the power consumption, and at the same time, the life of the illuminator increases. Of course, if the projector will be installed in a work office or classroom where good lighting is required, it is recommended to purchase a model with ANSI Lumens brightness of 4000 lumens and more.

Dynamic contrast

The dynamic image contrast provided by the projector.

Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.

By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.

Throw distance, min

The closest distance to the screen that the projector can be used on. Typically, this is the minimum distance at which the image from the projector remains in focus.

This parameter is especially important if the device is to be placed at a small distance from the screen (for example, in a cramped room). Some modern projectors are able to work normally at a distance of 10 – 20 cm. Also note that the throw distances are determined primarily by the lens, and if the initial range of these distances does not suit you, perhaps the situation can be solved by replacing the optics.

Throw distance, max

The farthest distance from the screen that the projector can be used on. This is the maximum distance at which the image remains in focus and maintains acceptable brightness — at least enough for viewing in a darkened room on a high-quality screen.

It is necessary to choose according to this parameter taking into account the expected operating conditions and the distances to be dealt with. At the same time, it's ok to have a certain margin for the maximum distance — since, as already mentioned, it is usually indicated for an perfect screen and a darkened room, and such conditions are not always available. Also note that although the throw distances depend on the lens, not every projector with an interchangeable lens allows the installation of more "long-range" optics than the standard one — the device may simply not have enough brightness for an increased distance.

Image size

Size of the image projected by the projector. Usually, it is indicated as a range — from the smallest, at the minimum throw distance, to the largest, at the maximum. About throw distances, see above; here it is worth saying that the choice of diagonal size depends both on the distance between the screen and the audience, and on the format of the projector. For example, to watch a video, the best option is the situation when the distance from the viewer to the image corresponds to 3-4 diagonals, and a relatively large picture can be useful for working with presentations. More detailed recommendations for different situations can be found in special sources; here we only recall that the image must fit on the screen used with the projector.

Throw ratio

The projector's throw distance is vital in determining what size projection screen to use and how far away it should be from the projector. Most projectors have a variable throw ratio. In the extreme positions, these are wide-angle mode (smallest value) and telephoto lens mode (largest value). Knowing these values, you will be able to determine the range of throw distances within which the projector must be placed in order for the projected image to match the specified dimensions of the projection screen.

According to these values, you need to check or set the optical zoom. We divide the larger value by the smaller value, and we get a figure, for example 1.33-2.16: 1.

If we want to calculate whether this projector is suitable for a certain image size, we do this: 1.33*3 (image width)=the distance at which the projector should hang.

Keystone correction (vert), ±

Vertical keystone correction allows you to align the image when the projection ray is shifted from the centre of the screen in a vertical plane. If the projector is suspended from the ceiling and shines from top to bottom, a vertical keystone occurs. And the function of vertical keystone correction allows you to align the picture.

In most cases, projectors can only correct vertical keystone. But the keystone can also be horizontal if the projection ray is offset from the centre of the screen in the horizontal plane. Advanced models are often equipped with an auto keystone correction feature (see the relevant paragraph). In this case, the keystone is aligned in a fully automatic mode, without user participation.

Keystone correction (horizontal), ±

Horizontal keystone correction allows you to straighten the picture if the projection ray is offset from the centre of the screen in the horizontal plane. A horizontal keystone effect occurs when the projector shines on the screen not from above, as in most cases, but from the side. A horizontal keystone is often combined with a vertical one. In this case, it is necessary to correct the distortion both horizontally and vertically.

Projectors with horizontal keystone correction almost always have vertical keystone correction capability (see the relevant paragraph).
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