Comparison Yunteng VCT-5208 vs Joby RM-90

— Tripod. Tripods of traditional design, known as "tripods" or "tripods": three legs with a camera platform on top. This design is able to confidently stand on almost any more or less horizontal surface, regardless of irregularities — all legs will find support anyway. Note that in floor models (see "Installation") the platform is often mounted on a retractable bar and can be adjusted in height, and telescopic legs — in length; in the desktop, such adjustments are not provided, but there they are not particularly needed.

— Flexible tripod. Tripods with flexible legs. Most often, such a device looks like a table tripod (see "Installation"), the legs of which can be bent in different directions; there are also more original design options — for example, a flexible "neck" fixed to the edge of the table with a clothespin. Anyway, this design provides extensive features for adjusting the height of the tripod and the position of the camera. And many models can not only be placed on a flat surface, but also fixed on handrails, tree branches, etc., bending the legs so that they tightly wrap around the support. However, note that the main part of flexible tripods is intended for phones and action cameras, in extreme cases — portable digital "soap dishes"; such models are poorly compatible with SLR cameras. This is due to the fact that under heavy weight, the legs can simply “break apart”. For the same reasons, flexible tripods are not made...on the floor — the weight of the structure itself would be too large.

— Monopod. A monopod is a “one-legged” analogue of a tripod — a bar, on top of which the camera is attached. With the base of the rod, the operator rests on the ground or other support, in extreme cases — in his own belt, pocket, etc. At the same time, the camera must be held with hands, because. a monopod cannot stand on its own (with the exception of rare models with additional support — see below for details), so such a device, unlike a classic tripod, is not capable of completely smoothing out all fluctuations. On the other hand, this moment is not so often critical; At the same time, monopods are lighter, more compact and mobile, they are perfect for shooting with constant movement from place to place. Note that some tripods are capable of transforming into monopods (see below), however, such models are referred to in our catalog as classic tripods.

— Clamp. A device in the form of a tripod head mounted on a screw clamp. Such a clip can be attached to the edge of a countertop or other surface, on a railing, the edge of a window opening, a pipe, a tree branch, and other similar places. This can be a real lifesaver in cases where there is no suitable platform for a more traditional tripod nearby; At the same time, the clamps also have a very compact size, which makes them easy to carry. On the other hand, the need for such devices is quite rare — in most cases, a classic desktop tripod turns out to be more convenient. So the clamps did not receive much popularity.

— Shoulder. Tripods for carrying the camera based on the shoulder — more precisely, on the upper part of the operator's body. They can have a different design: a bracket with stops for the chest and back, fixed with a belt obliquely over the shoulder; device with an emphasis for a shoulder and two handles for both hands; “a bed with a butt” for holding the camera in the manner of a rifle, etc. Anyway, it makes sense to pay attention to shoulder tripods if the operator plans to constantly move from place to place — such models are created for such shooting.

The type of surface the tripod is designed for. This division applies only to classic tripods (see "Type"), as Almost all monopods are somehow designed for outdoor installation.

— Outdoor. The maximum height (see below) of such tripods is usually comparable to the height of a person, which allows them to be placed directly on the ground. Such tripods are the most versatile, as a result — the most common. Their disadvantages are significant dimensions and weight, as well as (with some exceptions) poor suitability for macro photography.

— Desktop. Desktop tripods are small in size and are designed for shooting from a table, stone, curb, or any other elevated surface. They are very compact, often having a weight and dimensions comparable to the cameras themselves, which allows you to transport them right in your bag or even in your pocket. Tabletop tripods are also good for macro photography. On the other hand, they are less versatile than outdoor ones, because in most cases require an appropriate elevation. In addition, their maximum load (see below) is usually significantly less.

General purpose tripod. Note that many models combine several applications; see below for more on this.

— For cameras. Tripods designed for cameras. When choosing such a device, note that not every photo tripod is able to withstand a massive “reflex camera” with advanced optics, so the allowable load on the structure should be clarified separately. As for the features of the device, models designed only for cameras (and for nothing else) are designed more for holding the camera in a stable position than for quickly changing this position. On the other hand, the design may include various devices to improve the installation accuracy — levels, azimuth scale, separate adjustment along 3 axes, etc. If the tripod also allows other uses (with video cameras, telescopes, etc.) , its design features are often determined by these specialization options, camera compatibility can be provided as an option.

— For video cameras. A distinctive feature of most tripods designed for video cameras is a characteristic long handle attached to the platform. Using such a handle, the operator can simultaneously control the tilt and turn of the camera and quickly change its position — this can be critical when shooting video, when you need to quickly capture various areas of the scene being shot into the frame. However, desktop models (see "Installation") may not have a handle. Tripods “only for video cameras”, i...n addition, have an elongated platform, however, such a strict specialization is relatively rare, most models for this purpose can also be used with cameras (especially since many modern cameras also support video shooting).

— For telescopes and binoculars. Tripods suitable for use with telescopes or binoculars. Modern telescopes are most often equipped with their own tripods, and binoculars do not need such a support so often. Therefore, there are few models with this application option, and even fewer specialized only for telescopes; most often this purpose is combined with the possibility of installing a camera. However, the characteristics of such tripods are very diverse — from models with the simplest ball heads (see "Type of head") to advanced designs with a 3D mount and specialized "astronomical" functions. It is also worth considering that telescope manufacturers may use their own original mounts, so be sure to check compatibility before buying.

— For phones and action cameras. Tripods designed for use with smartphones, action cameras and other similar sized devices. The specificity of such devices depends on whether they can be used with other types of equipment. So, tripods only for smartphones / action cameras almost all have the form of compact desktop structures (see "Installation") — among other things, portability in this case is more important than the versatility of the installation. But models that are also compatible with cameras and/or camcorders may also have a floor version. Note that anyway, before buying, it's ok to clarify the compatibility of a tripod with a specific gadget: smartphones are usually installed in a universal clamp, but an action camera may require a proprietary mount.

The minimum height relative to the base at which the tripod base can be mounted.

The lower the minimum height, the better the tripod is suitable for macro and product photography; in addition, the range of height adjustment available to the user depends on this indicator. Note that for models with the ability to flip the boom (see below), the minimum height is given for the traditional position of the boom, platform up. And if the claimed minimum is significantly less than the length of the tripod when folded (for example, 15 cm with a length of 50 cm), this means that the legs can “spread” to a horizontal position or close to it, thus lowering the entire structure.

The maximum height from the base on which the tripod base can be mounted.

For desktop use (see "Installation"), a large height is not required, therefore, in most of these models, this figure does not exceed 20 cm — the only exceptions are some specific monopods. Accordingly, the difference in height between different desktop structures in most cases does not matter much. But in the floor models, the most "undersized" have a maximum height of about 40 – 50 cm, and the highest ones are able to open up to 2.5 m and even higher. In such cases, the choice should take into account the specifics of use. So, it makes sense to specifically look for a model at 150 – 160 cm if it is fundamentally important to install the camera at eye level (eye level is usually about 10 cm lower than a person’s height). At the same time, most camcorders and many cameras have swivel screens that allow you to comfortably look at the device from top to bottom; and even in the absence of such a screen, bending down to the level of the camera is not so difficult. And it makes sense to pay attention to tripods with a height of 170 cm and above mainly in those cases when shooting over heads is planned — for example, reports from public events.

The number of individual sections that make up the legs of a tripod or monopod shaft (see "Type").

In desktop models (see "Installation"), the legs are often not divided into sections at all, for such cases this parameter is not indicated at all. In turn, almost all floor tripods have several sections, and the number of the latter with the same maximum height can be different. Here it is worth considering that more sections means a smaller size of each of them and more compact dimensions of the tripod when folded; and a smaller number — simplifies the design, increases its reliability and reduces cost.

The most popular options nowadays by the number of sections are 2 pcs, 3 pcs, 4 pcs, 5 pcs, 6 pcs, 8 pcs.

The type of head provided in the tripod is, in fact, the type of mechanism responsible for rotating the platform with the camera relative to the base.

— 2D. Such heads have 2 degrees of freedom and allow you to turn the camera from side to side and tilt back and forth. At the same time, a separate rotation mechanism is provided for each of the two axes. This makes it easy to shoot vertical and horizontal panoramas: the camera on such a tripod can turn strictly along one of the axes without unnecessary movements that spoil the picture (for example, strictly to the side without moving up and down). Such heads are considered suitable primarily for video filming; for photography, they are somewhat less convenient, but they are still found in photo tripods (including highly specialized ones).

— 3D. Heads with three degrees of freedom: turn from side to side, tilt up and down and “roll” right and left; a separate hinge is responsible for each of the three. They are mainly used in models with the ability to install cameras: such freedom of movement is important primarily for photography. However, specialized tripods for video cameras with 3D heads are also produced. Compared to ball heads (see below), which also provide a high degree of freedom, 3D mechanisms are more accurate, they are indispensable in cases where you need to clearly control the rotation along one axis (when shooting panoramic...or shooting with a rotation effect). On the other hand, 3D heads are more complex and expensive, and also less suitable for quickly pointing the camera in an arbitrary direction.

— Ball. In heads of this type, the platform is attached to the ball by means of a rod, which is clamped in a special mount. By loosening the mount, you can rotate the camera horizontally, as well as arbitrarily tilt back and forth and left and right. The key advantage of such mechanisms is the ability to quickly change the position of the camera; in 3D heads (see above) it takes longer. Also, the advantages of ball heads include simplicity, compactness and low cost. On the other hand, it is difficult to turn the camera on such a head strictly along one axis without moving along the other two, which makes some shooting techniques difficult. In advanced tripods, additional equipment may be provided that partly eliminates this drawback — for example, a separate hinge for horizontal panoramas; however, in terms of accuracy, ball heads are still inferior to 3D mechanisms.

The presence of a built-in tripod level — a device that allows you to control the horizontal position of the camera.

Spirit levels are most often used — in the form of a sealed flask with liquid and an air spirit: if the spirit is between the marks on the flask, then the camera is on the horizon. The simplest option provides one flask to control the tilt to the right and left in order to avoid a “littered horizon”; however, the design may provide another level that monitors the tilt back and forth, or one common two-axis bulb. And in the model with a horizontal rotation of the rod (see above), an additional level is often set — for the horizontal mode. Anyway, this function greatly facilitates the exposure of the camera "on the horizon".

The maximum camera weight that this tripod can support.

If the tripod is purchased for use with a smartphone or action camera, you can ignore this parameter: the weight of such gadgets usually does not exceed 200 g, any tripod of the corresponding specialization can easily handle such a load (see "By Purpose"). Compact point-and-shoot cameras usually weigh up to 300 g, and amateur video cameras - up to 700 g; but in both cases, there are also more massive models. This should be taken into account when choosing a tabletop tripod (see "Installation") for such equipment - some tabletop models have rather limited weight restrictions; but with floor-standing ones, there are usually no difficulties.

But if a tripod is purchased for professional equipment, special attention should be paid to the permissible weight. Thus, a professional video camera can “pull” 2.5 kg or even more; the average weight of a SLR camera is 600 – 800 g, but this is only the “body”, to which the weight of the optics is added – and in some powerful telephoto lenses it can exceed 2 kg. So such devices may require quite “durable” tripods.