Comparison Yunteng YT-108 vs Joby RM-90

General purpose tripod. Note that many models combine several applications; see below for more on this.

— For cameras. Tripods designed for cameras. When choosing such a device, note that not every photo tripod is able to withstand a massive “reflex camera” with advanced optics, so the allowable load on the structure should be clarified separately. As for the features of the device, models designed only for cameras (and for nothing else) are designed more for holding the camera in a stable position than for quickly changing this position. On the other hand, the design may include various devices to improve the installation accuracy — levels, azimuth scale, separate adjustment along 3 axes, etc. If the tripod also allows other uses (with video cameras, telescopes, etc.) , its design features are often determined by these specialization options, camera compatibility can be provided as an option.

— For video cameras. A distinctive feature of most tripods designed for video cameras is a characteristic long handle attached to the platform. Using such a handle, the operator can simultaneously control the tilt and turn of the camera and quickly change its position — this can be critical when shooting video, when you need to quickly capture various areas of the scene being shot into the frame. However, desktop models (see "Installation") may not have a handle. Tripods “only for video cameras”, i...n addition, have an elongated platform, however, such a strict specialization is relatively rare, most models for this purpose can also be used with cameras (especially since many modern cameras also support video shooting).

— For telescopes and binoculars. Tripods suitable for use with telescopes or binoculars. Modern telescopes are most often equipped with their own tripods, and binoculars do not need such a support so often. Therefore, there are few models with this application option, and even fewer specialized only for telescopes; most often this purpose is combined with the possibility of installing a camera. However, the characteristics of such tripods are very diverse — from models with the simplest ball heads (see "Type of head") to advanced designs with a 3D mount and specialized "astronomical" functions. It is also worth considering that telescope manufacturers may use their own original mounts, so be sure to check compatibility before buying.

— For phones and action cameras. Tripods designed for use with smartphones, action cameras and other similar sized devices. The specificity of such devices depends on whether they can be used with other types of equipment. So, tripods only for smartphones / action cameras almost all have the form of compact desktop structures (see "Installation") — among other things, portability in this case is more important than the versatility of the installation. But models that are also compatible with cameras and/or camcorders may also have a floor version. Note that anyway, before buying, it's ok to clarify the compatibility of a tripod with a specific gadget: smartphones are usually installed in a universal clamp, but an action camera may require a proprietary mount.

The minimum height relative to the base at which the tripod base can be mounted.

The lower the minimum height, the better the tripod is suitable for macro and product photography; in addition, the range of height adjustment available to the user depends on this indicator. Note that for models with the ability to flip the boom (see below), the minimum height is given for the traditional position of the boom, platform up. And if the claimed minimum is significantly less than the length of the tripod when folded (for example, 15 cm with a length of 50 cm), this means that the legs can “spread” to a horizontal position or close to it, thus lowering the entire structure.

The maximum height from the base on which the tripod base can be mounted.

For desktop use (see "Installation"), a large height is not required, therefore, in most of these models, this figure does not exceed 20 cm — the only exceptions are some specific monopods. Accordingly, the difference in height between different desktop structures in most cases does not matter much. But in the floor models, the most "undersized" have a maximum height of about 40 – 50 cm, and the highest ones are able to open up to 2.5 m and even higher. In such cases, the choice should take into account the specifics of use. So, it makes sense to specifically look for a model at 150 – 160 cm if it is fundamentally important to install the camera at eye level (eye level is usually about 10 cm lower than a person’s height). At the same time, most camcorders and many cameras have swivel screens that allow you to comfortably look at the device from top to bottom; and even in the absence of such a screen, bending down to the level of the camera is not so difficult. And it makes sense to pay attention to tripods with a height of 170 cm and above mainly in those cases when shooting over heads is planned — for example, reports from public events.

The ability to remove the tripod head and replace it with another if necessary. This makes the tripod more versatile: for example, you can shoot panoramic images using a 2D head (see "Type of head"), and at the right time you can replace it with a ball head, which is more suitable for operational shooting. Detachable head is considered mandatory for professional tripods.

The maximum camera weight that this tripod can support.

If the tripod is purchased for use with a smartphone or action camera, you can ignore this parameter: the weight of such gadgets usually does not exceed 200 g, any tripod of the corresponding specialization can easily handle such a load (see "By Purpose"). Compact point-and-shoot cameras usually weigh up to 300 g, and amateur video cameras - up to 700 g; but in both cases, there are also more massive models. This should be taken into account when choosing a tabletop tripod (see "Installation") for such equipment - some tabletop models have rather limited weight restrictions; but with floor-standing ones, there are usually no difficulties.

But if a tripod is purchased for professional equipment, special attention should be paid to the permissible weight. Thus, a professional video camera can “pull” 2.5 kg or even more; the average weight of a SLR camera is 600 – 800 g, but this is only the “body”, to which the weight of the optics is added – and in some powerful telephoto lenses it can exceed 2 kg. So such devices may require quite “durable” tripods.