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Comparison Nikon 16-80mm f/2.8-4.0E VR AF-S ED DX Nikkor vs Nikon 24-85mm f/3.5-4.5G VR AF-S ED Nikkor

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Nikon 16-80mm f/2.8-4.0E VR AF-S ED DX Nikkor
Nikon 24-85mm f/3.5-4.5G VR AF-S ED Nikkor
Nikon 16-80mm f/2.8-4.0E VR AF-S ED DX NikkorNikon 24-85mm f/3.5-4.5G VR AF-S ED Nikkor
from £1,420.00 
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System
Nikon
Nikon
Mount
Nikon F
Nikon F
Specs
Focal length16 - 80 mm24 - 85 mm
Aperture valuef/2.8 - f/4.0f/3.5 - f/4.5
Viewing angles83.1° - 20.1°84° - 28° 30'
Min. diaphragm2222
Minimum focus distance0.35 m0.38 m
Maximum zoom0.220.22
Design
Sensor sizeAPS-Cfull frame/APS-C
Autofocus driveultrasonic drive motorultrasonic drive motor
Internal focus
Image stabilization
Design (elements/groups)17 elements in 13 groups16 elements in 11 groups
Number of diaphragm blades77
Filter diameter72 mm72 mm
Dimensions (diameter/length)80х86 mm78х82 mm
Weight480 g465 g
Added to E-Catalogjuly 2015june 2012

Aperture value

Lens aperture is a characteristic that determines how much the lens attenuates the light flux passing through it. It depends on two main characteristics — the diameter of the active aperture of the lens and the focal length — and in the classical form is written as the ratio of the first to the second, while the diameter of the active aperture is taken as a unit: for example, 1 / 2.8. Often, when recording the characteristics of a lens, the unit is generally omitted, such a record looks, for example, like this: f / 1.8 or f/2.0. At the same time, the larger the number in the denominator, the smaller the aperture value: f / 4.0 lenses will produce a darker image than models with f / 1.4 aperture.

Zoom lenses usually have different aperture values for different focal lengths. In this case, the characteristics indicate two aperture values, for the minimum and maximum focal lengths, respectively, for example: f / 4.5-5.6

The larger the aperture of the lens, the shorter shutter speeds it allows you to use when shooting. This is especially important when shooting fast-moving subjects, shooting in low light, etc. And if necessary, the light stream transmitted by the lens can be weakened using a diaphragm (see below).

Another point that directly depends on this indicator is the depth o...f field (the depth of space that is in focus when shooting). The higher the aperture, the smaller the depth of field, and vice versa. Therefore, shooting with artistic background blur (bokeh) requires high-aperture optics, and for a large depth of field, you have to cover the aperture.

Viewing angles

This parameter determines the size of the area of the scene being shot that falls into the frame. The wider the viewing angles, the larger the area the lens can capture in one shot. They are directly related to the focal length of the lens (see "Focal length"), and also depend on the size of the specific matrix with which the optics are used: for the same lens, the smaller the matrix, the smaller the viewing angles, and vice versa. On our website, in the characteristics of optics, viewing angles are usually indicated when used with the matrix for which the lens was originally designed (for more details, see "Matrix Size").

Minimum focus distance

Minimum focus distance (m) - the smallest distance from which you can focus on an object and take a photo. Usually it ranges from 20 cm for wide-angle lenses to several metres for telephoto. In the macro mode of the camera or with the help of macro lenses, this distance can be less than 1 centimeter.

Sensor size

The size of the matrix for which the lens was originally designed.

The formats (and sizes) of modern matrices can be indicated diagonally in inches (1/1.8", 1/2.3" — in this case, the conditional "Visicon" inch is taken, which is about 17 mm), according to the actual dimensions (13.2x8.8 mm) or by symbol (APS-C, full frame). In general, the larger the sensor, the more advanced and expensive it is.

Among modern lenses, solutions for such matrix formats are most popular, in ascending order of size: 4/3(17.3x13 mm, used in cameras of the Four Thirds and Micro Four Thirds standards), APS-C(23x15 mm with slight variations, SLR and MILC cameras of the middle class), full frame(36x24 mm, the size of a standard film frame — advanced DSLRs), big frame(anything larger than full frame — high-end professional cameras). Optics for other formats is somewhat less common.

Note that it is technically allowed to use with “non-native” sensors, however, in such cases, the performance characteristics of the optics will differ from those claimed. So, when installed on a smaller matrix (for example, a full frame lens on an APS-C camera), only a part of the image created by the lens will fall on such a sensor. As a result, the space that gets into the frame will be narrower, and the details in the frame will be larger, as if the focal...length of the lens has increased (although it has remained unchanged, only the matrix has changed). And when installed on a larger sensor, the covered space will increase, the detail will decrease; in some cases, the size of the “picture” provided by the lens may simply not be enough for the entire area of the matrix, and the pictures will be obtained with black space around the edges.

Internal focus

Lenses using the internal focus system. In such optics systems, focus is carried out only due to the movement of elements inside the lens body; the outer parts remain completely fixed and the size of the lens does not change. This provides additional convenience — in particular, it allows you to easily use petal hoods and those types of filters for which the correct position on the lens is important (in particular, gradient ones). In addition, the absence of moving elements from the outside has a positive effect on security and resistance to dust / precipitation (although the specific degree of dust and water protection may be different).

Design (elements/groups)

The number of elements (in fact, the number of lenses) included in the design of the lens, as well as the number of groups in which these elements are combined. Usually, the more elements provided in the design, the better the lens handles with distortions (aberrations) when light passes through it. On the other hand, numerous lenses increases the dimensions and weight of the optics, reduces light transmission (for more details, see "Aperture") and also puts forward increased requirements for the quality of processing, which affects the cost of the lens.
Nikon 16-80mm f/2.8-4.0E VR AF-S ED DX Nikkor often compared
Nikon 24-85mm f/3.5-4.5G VR AF-S ED Nikkor often compared