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Comparison Huion Kamvas GT-191 vs Huion GT-220 v2

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Huion Kamvas GT-191
Huion GT-220 v2
Huion Kamvas GT-191Huion GT-220 v2
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Product typegraphic displaygraphic display
Workspace435x239 mm477x268 mm
Size19.5 "21.5 "
Aspect ratio16:916:9
Tilt / height adjustments
Connection
Connection typewiredwired
Connector on deviceUSB BUSB B
Video transmission
HDMI – HDMI
DVI
VGA
HDMI – HDMI
DVI
VGA
Compatibility
Windows
Mac
Windows
Mac
Display
Resolution1920х1080 px1920х1080 px
Panel typeIPSIPS
Contrast3000:11000:1
Brightness250 cd/m²250 cd/m²
Colour depth8 bit8 bit
Colour gamut (NTSC)72 %
Pen
Pen modelPE330PE330
Pen power sourcebatterybattery
Max. reading height12 mm12 mm
Pressure levels81928192
Resolution5080 lpi5080 lpi
Response233 PPS233 PPS
Eraser
Control keys2
General
In the box
replacement pen nibs
pen holder
replacement pen nibs
pen holder
Power sourcemainsmains
Size475x298 mm520x320 mm
Tablet weight3.3 kg5.4 kg
Added to E-Catalogmay 2018may 2018

Workspace

The exact size of the active area of a tablet (or screen in a graphic display) in width and height. In general, it is more of a reference than a practically significant parameter: when choosing a traditional graphics tablet, there is often enough information about the format (see above), and for displays, primarily the diagonal (see above) and aspect ratio (see below) are of practical importance . However, the exact dimensions can also be useful in fact: for example, you can determine the aspect ratio from them (for classic tablets, this parameter is often not indicated).

Size

Diagonal of the working area — the screen itself — in a graphic display (see "Type").

In general, the larger the diagonal, the more convenient the device is to use: a large working area covers a large area for drawing and at the same time allows you to work effectively with small details. On the other hand, this parameter directly affects the price, and the dimensions cannot be discounted: in some cases, there may simply be no room for a large device.

By the standards of graphic displays, 13.3" or less is considered small, 15.6" is considered medium, and many models have larger screens. And it is customary to evaluate the size of traditional tablets by the format, and not by the diagonal.

Contrast

The contrast of the screen set in the graphic display (see "Type").

This setting describes the brightness ratio between the brightest white and darkest black that the screen is capable of reproducing. The larger the first number, the higher the contrast and the better the image as a whole. However note that the contrast ratio of modern graphic displays usually ranges from 400:1 to 3000:1 — this is generally noticeably lower than that of computer monitors, especially professional ones. So the final control of the result is still best done on the monitor. On the other hand, if you are going to work professionally with graphics on a tablet display, it makes sense to look for a model with high contrast.

Colour gamut (NTSC)

The range of colors that can be displayed on a graphics tablet screen. The parameter is indicated as a percentage relative to the coverage of the NTSC color space. The larger the color gamut, the wider the capabilities of the screen and the better the quality of its color rendition, which is extremely important when working with graphic materials.

NTSC is one of the first color models, launched in 1953 for color television. And it is still used to describe and compare matrices. The NTSC model covers a larger range of colors than the standard sRGB used in computer technology, so even a relatively small number of percentages corresponds to a fairly wide coverage. For example, a value of 72% or more according to NTSC is considered a decent indicator for use in design and graphics.

Eraser

The presence of an eraser function in the pen — that is, the ability to use the pen not only for drawing a picture, but also for erasing it. Directly the role of the eraser is most often played by the second end of the pen, opposite to the “drawing” one; however, in some models, this function is implemented purely in software — by enabling a special pen mode.

Control keys

The number of control keys provided on the pen. These keys can be used for various purposes — for example, changing the type or size of the brush for painting, switching colours, turning on the eraser mode, etc. The more keys — the more options the artist can switch on the fly without getting into the settings of the graphic editor, and the more advanced, usually, this pen is.
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