Comparison Samsung HW-R650 vs Samsung HW-Q60R

The audio format produced by a sound projector is actually the largest number of individual audio channels supported by the device. Note that in this case we are talking about the number of real channels, that is, channels for each of which at least one speaker is allocated; Models that support virtual surround sound can give the listener the impression of more channels than there actually are (see below for more details).

The sound format is indicated by two or three numbers separated by a dot. The first indicates the number of main channels, the second - the number of subwoofers, the third - the number of additional vertical radiators. For example, 2.1 format corresponds to stereo sound (2.0) supplemented by a subwoofer. And the conditional 3.1.2 format includes left, right and center channels, a subwoofer, left and right vertical speakers.

Sound projectors that support a more advanced sound format than 3.1 are designated in our catalog as multi-channel. The classic multichannel audio format is 5.1, but there are other options. In any case, a large number of real channels contributes to the fidelity of the reproduced sound and simplifies setup compared to virtual surround sound systems, but is also more expensive.

The most common sound formats are: 2.0, 2.1, 3.0, 3.1, 4.1, 5.1, 5.1.2, 7.1.

Regular way to install a sound projector.

— Shelf. The installation itself on the shelf is extremely simple and requires a minimum of effort. However, in the absence of a shelf in a suitable place, you will either have to hang it there (for which, most likely, you will need to drill the walls), or install the projector "where possible" and try to adjust the sound as needed (and the success of such a setup is not guaranteed).

— Wall mounted. Projectors equipped with wall mounts, usually in the form of brackets or notches in the chassis for nails, screws, or other wall-mounted mounts. This option is good because you can choose the installation location of the projector at your discretion, not limited to the presence of shelves — the main thing is that there is a free wall.

— Shelf / wall. Projectors that can be either shelf-mounted or wall-mounted. Both of these options are described above. Here we note that the installation method determines not only the design of the case, but also some features of the sound produced by the projector. In fact, this means that a “pure wall” projector, when installed on a shelf, will not be able to produce sound of proper quality, even if there are no problems with the installation itself. In other words, if you need a device suitable both for a shelf and for hanging on a wall, you should choose from models for which such a possibility is direc...tly stated.

— TV Stand. In fact, such models are a variation of the shelf projectors described above, which have a flat body, so that a TV can be installed on top of such a device. This will prevent the sound projector from obscuring the controls and remote control sensor located below the screen (whereas with conventional shelf models, such problems often occur when placed on the same shelf with a TV). The disadvantage of "stands" can be called a rather large size in depth.

The projector supports the virtual surround function.

The purpose of this feature is that due to special sound settings and the reflection of sound beams from the walls of the room, the listener hears more channels than are actually available in the projector (see "Audio Format"). For example, a 3.1 system with virtual surround sound can produce sound similar to 5.1 surround sound. This allows you to achieve the effect of "immersion" in sound without increasing the number of channels and the cost of the projector. On the other hand, the reliability of such sound is usually noticeably worse than that of real surround sound, and the overall quality is highly dependent on the characteristics of a particular room.

Note that the virtual surround function is specified for 2.0, 2.1, 3.0, 3.1 format systems. In more advanced multi-channel systems, there are a priori additional channels for reproducing surround sound.

The ability of the projector to output a video signal in Ultra HD (4K) resolution — 3840x2160. This is the highest resolution used in modern consumer video equipment — 4 times higher than Full HD. However, note that this feature significantly affects the price of the projector, and to view such a video signal, you will need an appropriate screen. Therefore, it makes sense to specifically look for an UltraHD device only if you initially plan to connect it to a screen of the appropriate resolution.

This feature requires the projector to have at least one HDMI output (see below). In this case, the video signal source can be either an external device or the projector itself, operating in the format of a media centre (for example, a model with direct playback from USB media).

The total power rating of the sound projector speakers (including subwoofer, if present).

This parameter is often used to estimate the overall sound volume of the device, but this is not entirely true. The fact is that the actual sound volume is determined mainly by the power of the main speakers of the sound projector, and the total power is the sum of this power and the power of the subwoofer. Therefore, models with the same power rating can vary markedly in actual volume: for example, a 150-watt soundbar with a 50-watt subwoofer will be louder than a 100-watt projector with a subwoofer of the same power, although in both cases the rated power will be equal to 200 watts.

Summing up, we can say that it is possible to evaluate the volume by rated power only if the sound projector is not equipped with a subwoofer — in such models, the rated power is equal to the power of the main speakers. In other cases, it is worth focus on the power of the soundbar and the power of the subwoofer directly stated in the characteristics (see below for both).

The nominal power of the speakers installed directly in the soundbar, excluding the subwoofer (in models with a built-in subwoofer, respectively, only the power of the main speakers is taken into account).

This indicator directly determines the overall volume of the sound projector; It is worth choosing according to this parameter taking into account the specifics of the room in which the projector is planned to be installed: the larger the room and the greater the distance to the viewer, the higher the power should be, otherwise the soundbar will not be able to effectively sound the scene. Detailed recommendations on the optimal power for different situations can be found in special sources.

The diameter of the speaker in the subwoofer used by the sound projector.

It is believed that the larger the speaker, the louder the sub and the deeper and richer sound it can provide. Models up to 200 mm in size are entry level; This is exactly the size that built-in subwoofers usually have (see above). But free-standing bass speakers can use larger speakers, up to 254 mm (10").

— USB A. In this case, we mean a USB connector that allows you to connect external drives (flash drives, hard drives) to the projector and play content directly from them. At the same time, models with video outputs (see below) can often work as a media centre, outputting the video signal to a TV or other external display.

— mini-Jack (3.5 mm). By itself, the 3.5 mm plug can be used in different types of interfaces; in this case, it means a linear audio input with a mini-Jack socket. This input is mainly used to connect portable audio equipment (players, smartphones) to the sound projector.

— RCA. Technically, RCA (colloquially "tulip") is a type of connector that can be used in different interfaces. However, the term "RCA input" is used to refer only to line inputs for connecting an analogue signal in stereo format. Note that this input consists of two sockets for RCA cables, because. Only one channel of sound can be transmitted through one cable.

— Optical. Connector for digital audio signal connection via TOSLINK fibre optic cable. This interface allows for multi-channel audio transmission and is virtually immune to electrical interference; its disadvantage is the fragility of the cable.

— Coaxial S / P-DIF. A connector for connecting a digital audio signal via an elect...rical cable with an RCA connector (not to be confused with linear RCA, described above). Similar to the optical input described above, in particular, the ability to transmit multi-channel audio through a single connector. At the same time, a coaxial cable, on the one hand, is not so delicate, and on the other hand, it is sensitive to electrical interference (therefore, it is advisable to use a special shielded wire for such a connection).

— Composite. In this case, we do not mean a full-format composite interface of three connectors that allows you to transmit audio and video signals, but only one connector for working with video. And since sound projectors don't display images, the composite input is used to send video through the projector to another device, such as a TV. The composite video interface does not allow working with HD and is not of high quality; on the other hand, it is widespread and can even be used to work with frankly outdated video equipment. Typically this input uses a yellow RCA plug.

— Component. An input designed to receive an analogue video signal for further transmission to another device — a TV, video projector, etc. This connection typically uses three RCA connectors, each carrying a different video component (hence the name). Due to this, the component interface has good bandwidth and picture quality, it allows you to work with HD and is considered the most advanced modern analogue video standard.

— IR control input. Connector for connecting an external infrared remote control receiver. When properly placed, such a receiver will allow you to use the remote control even in places where the signal from the remote control cannot reach the main (built-in) sensor — for example, in another room. Note that the role of the receiver can be played not only by a specialized device, but also by another component of the audio system — for example, an amplifier with an IR control output.

HDMI interface version supported by the soundbar.

See the interface itself for more details (“HDMI input”, “HDMI output”), and its versions differ primarily in bandwidth. Here are the current options:

— v 1.4. The earliest of the widespread versions, which, nevertheless, has quite decent features: in particular, it supports 4096x2160 video at 24 fps, and in Full HD the frame rate can reach 120 fps, which already allows you to work with 3D. It has two modifications — v.1.4a and v.1.4b — differing from the original mainly in slightly advanced capabilities for working with three-dimensional content.

-v 2.0. The version introduced back in 2013. The increased bandwidth allowed support for 4K video at frame rates up to 60 fps, as well as up to 32 channels of audio and up to 4 audio streams simultaneously. This version also has two extensions: HDR support was added in the v.2.0a update, and this feature was improved and expanded in v.2.0b.

— v 2.1. An update to the HDMI standard released in 2017. Of the main innovations, support for 8K and 10K video at speeds up to 120 fps has been added, and HDR capabilities have been improved. However it is worth considering that all these features are available only when using special HDMI Ultra High Speed cables.