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Comparison AirOn ProCam 7 vs Nikon KeyMission 170

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AirOn ProCam 7
Nikon KeyMission 170
AirOn ProCam 7Nikon KeyMission 170
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Car DVR mode with loop recording function. Wi-Fi module.
Shooting in 4K. Full HD video recording at up to 120 fps. Wireless modules Bluetooth and Wi-Fi. Shock resistant and IP68 rated.
Product typeaction cameraaction camera
Body typeconventionalconventional
Thread 1/4" (for tripod)
Dust-, moisture-proof cameraIP68
Dust-, moisture-proof of caseIPX8IP68
Filming
HD (720p)1280x720 px 60 fps
Full HD (1080p)1920x1080 px 30 fps1920x1080 px 60 fps
Quad HD2560x1440 px 30 fpsno support
Ultra HD (4K)no support3840x2160 px 30 fps
Slow motion120 fps120 fps
Field of view150 °170 °
Digital stabilization
Sound recording
Megapixels128
Photo resolution3840x2160 px
Capabilities
serial photo shoot
time lapse
night shooting
 
time lapse
 
Features
Display
2 "
TFT
1.5 "
 
Connection
Wi-Fi 4 (802.11n)
 
 
USB C
HDMI output
Wi-Fi
Bluetooth
NFC
 
HDMI output
Speaker
Max. memory card capacity128 GB
Controlremote control
Battery
Typeremovableremovable
Battery modelPG1050EN-EL12
Capacity1050 mAh1050 mAh
Recording timeup to 70 min
General
In box
protective case
helmet mount
flat mount
 
 
helmet mount
flat mount
protection for the lens
Dimensions60x42x29 mm66.4x46.8x42.7 mm
Weight91 g134.5 g
Color
Added to E-Catalogoctober 2019september 2016

Thread 1/4" (for tripod)

The presence of a 1/4" threaded socket on the camera body. It is this size that is standard for modern tripods and is used in most of these devices. So this feature allows you to mount the camera on a tripod without using adapters and other additional equipment.

Dust-, moisture-proof camera

The level of dust and water protection provided by the body of the camera itself. Most action cameras are designed for recording in extreme conditions, but the level of protection of each model can vary significantly — from the ability to shoot in the rain, to full tightness, allowing for a long immersion under water.

To characterize the security level of the camera, the international IP classification is used. Each device is assigned a code of the form IPXX, where instead of the first X — the level of protection against the ingress of foreign objects (including dust), and instead of the second X — the level of protection against the ingress of water.

Levels of protection against dust and foreign objects in modern action cameras are never lower than 5 — lower protection classes would provide unacceptably large gaps in the body. Specifically, level 5 provides that dust can get inside in small quantities, but does not affect the performance of the device. A higher level — 6 — provides full dustproof.

To characterize the level of protection from water, the following classification is used:

0 — no protection;
1 — drops of water falling at a right angle relative to the operating position of the device cannot cause dangerous consequences;
2 — protection against drops falling on the equipment at an angle of up to 15°;
3 — at an angle up to 60° (splash protection, minimum rain protection);
4 — protection from rai...n with strong wind;
5 — protection against water jets falling at any angle (water jets, for example, from a hose or heavy rain cannot harm the device);
6 — from temporary flooding;
7 — from temporary immersion under water to a depth of not more than 1 metre;
8 — from prolonged diving to depth (maximum time and depth are specified by the manufacturer separately).

In some cases, a model may only be IP-certified for one type of protection (only against sand or water). In this case, instead of the second parameter, simply X is put. So, for example, IPX6 security means that the camera is protected from temporary flooding and heavy rain, but the level of protection from dust is not defined and, accordingly, is not certified.

It is important to note that this parameter characterizes the protection of the camera itself, but does not take into account the capabilities of protective cases. Do not confuse it with the protection of the outer case, which sometimes comes with the device (see "Dust-, moisture-proof of case").

Dust-, moisture-proof of case

The degree of dust and water protection of the protective case supplied with the camera.

Protected case will save your camera from dust, water, temperature changes, shocks, etc. The specific degree of protection is indicated according to the international IP (Ingress Protection Rating) system, according to which each device is assigned a code of the form IPXX, where X is replaced by specific numbers. The first of them characterizes the protection against the penetration of foreign objects (from 0 to 6, where 0 is no protection). Usually, in boxes for action cameras, this indicator does not go below 5, because otherwise the container would have too large gaps, and its use simply would not make sense. Level 5 provides dust resistance — dust can get inside the case, but in small quantities that do not affect the device inside. Level 6 corresponds to complete imperviousness to dust.

The second digit is protection against liquid ingress (from 0 to 8, where 0 is no protection). Usually, the minimum level of protection against water is 6.

6 — protection against short-term immersion (for example, falling into a sea wave);
7 — protection against temporary immersion under water (up to 30 minutes) to a shallow depth (up to 1 metre), without continuous operation in immersed mode;
8 — protection against immersion to a depth of more than 1 metre for a time of more than 30 m, with the possibility of continuous...operation underwater. The specific level of protection of level 8 can be quite impressive — up to the possibility of diving to several tens of metres.

Note that protective cases for action cameras can be sold separately. Therefore, if the capabilities of the complete container do not suit you, there may be a more secure case on the market. On the other hand, in general, it is still more convenient to buy such an accessory immediately with a camera — so as not to waste time and effort on choosing the right protective case.

HD (720p)

The ability of the camera to record HD video (720p).

The official HD specification provides a resolution of 1280x720. However, in action cameras, there may be resolutions slightly different from this parameter, for example, 1080x720 or 1440x960. Anyway, HD is the most modest of today's high-definition standards, which, nevertheless, provides a fairly clear and detailed image.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. Technically, 30 fps or even less is enough for video, but 60 fps is considered the perfect value — at this frame rate, motion blur becomes almost imperceptible and at the same time the size of the captured files remains within reasonable limits. However, there are cameras on the market with higher frame rates at HD resolutions — 100 fps, 120 fps, 200 fps and even 240 fps. This speed is usually used for recording slow-motion video, but such a possibility needs to be specified separately.

Full HD (1080p)

The ability of the camera to shoot Full HD (1080p) video.

The standard image size in this standard is 1920x1080. However, in the case of action cameras, this category also includes some other resolutions that are similar in quality, for example, 1440x1080. In general, Full HD provides a very good balance between image quality, the volume of captured files and the processing power requirements for processing them, which makes this standard very popular in modern video equipment — both in cameras and in TV monitors.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. Technically, 30 fps or even less is enough, but 60 fps is considered the perfect value — at this frame rate, motion blur becomes almost imperceptible and at the same time the size of the captured files remains within reasonable limits. However, there are cameras on the market with a higher frame rate at FullHD resolutions — 90 fps, 100 fps, 120 fps and even 240 fps. This speed is usually used for shooting slow-motion video, but the possibility of such shooting needs to be specified separately.

Quad HD

The ability of the camera to shoot QuadHD video.

This standard includes an extensive set of resolutions — from 1440 to 3456 pixels horizontally and from 1440 to 2160 pixels vertically, with almost two dozen intermediate options. It is a rather specific transitional option between the relatively inexpensive FullHD 1080p and the demanding UltraHD 4K, allowing you to shoot higher resolution video than 1080p without significantly increasing the cost of equipment. Note that pure QuadHD resolutions are rare in TVs and monitors, but modern technologies make it possible to comfortably watch videos of this format on any high-resolution screen.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. For example, a filming speed of 25 fps or 30 fps approximates the standard frame rate in film and television; such an image is quite viewable, but fast-moving objects in the frame will look blurry. With an increase in speed to 60 fps, this effect becomes almost imperceptible. The highest QuadHD frame rate found in modern action cameras is 120 fps; this frequency is used when shooting slow-motion video (as well as models with a frequency of 100 fps) because at a n...ormal playback speed, 60 fps is enough.

Ultra HD (4K)

The ability of the camera to shoot Ultra HD 4K video.

This format covers several resolutions in which the horizontal frame size is approximately 4K pixels. The most popular in action cameras is 3840x2160 (twice the FullHD frame on each side), but there are other options — for example, 3840x1920, corresponding to an aspect ratio of 2:1. In general, 4K is a kind of successor to Full HD: among HD standards that surpass Full HD, UltraHD is the most popular, in particular, many advanced TVs are produced with 3840x2160 screens. On the other hand, this format is quite demanding in terms of processing power and memory, so it is relatively rare in action cameras, mainly among premium models.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. However, in UltraHD mode, most modern action cameras produce a very low frame rate — most often 30 fps, and in some models 24 fps or even 15 fps. This video is quite viewable, but fast movement in the frame may look blurry. There are cameras capable of shooting UltraHD at a solid speed of 60 fps — the blurring effect during such shooting is almost imperceptible. However, such a model cost is high.

Field of view

For models with several lenses, as a rule, this parameter is indicated for each lens.

Most often (unless otherwise indicated), the specifications indicate the field of view by the diagonal of the frame; in some ultra-wide-angle lenses it can exceed 180°. A special case is made up of lenses for which a 360° view is declared: this means that the optics cover the entire hemisphere in front of it. Such lenses are found in panoramic and 360-degree cameras (see “Product type”).

In general, the field of view primarily determines what area of the scene is being captured into the frame. Accordingly, the wider it is, the more space the camera captures, and the lower the likelihood that something that is happening will be off-screen. On the other hand, it is worth considering that a strong increase in the field of view leads to distortions of the “picture”, especially at the edges, as well as, to a decrease in the size of visible objects and a decrease in detail. Detailed recommendations regarding choosing a camera based on this parameter can be found in special sources.

Megapixels

The number of megapixels in the action camera sensor, in other words, the resolution of this sensor(1 megapixel is 1 million photosensitive points).

There is an opinion that the higher the resolution, the better the image quality. It is true from the point of view that manufacturers are trying to install high-resolution sensors in advanced cameras. At the same time, there are no strict dependencies here, and from the technical point of view, the number of megapixels determines only the maximum image resolution that can be captured using this sensor. The quality of this picture will depend both on several features of the sensor itself (size, type, special design solutions), and the specs of the camera. So when choosing, you should focus not so much on the resolution of the image sensor, but on the general class of the camera and reviews with examples of footage.
AirOn ProCam 7 often compared
Nikon KeyMission 170 often compared