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Comparison KEF T 205 vs KEF T305

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KEF T 205
KEF T305
KEF T 205KEF T305
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Featureshomemadehomemade
Mountshelfshelf
Specs
Typepassive / activepassive / active
Number of channels5.1 system5.1 system
Number of speakers33
Number of bands2.52.5
Sensitivity91 dB
Impedance8 Ohm8 Ohm
Crossover frequency1.7 kHz1.7 kHz
Power / frequency
Front150 W/channel
Rear150 W/channel
Centre150 W/channel
Maximum amplifier power150 W
Total rated power1000 W
Front80 – 30000 Hz80 – 30000 Hz
Rear80 – 30000 Hz80 – 30000 Hz
Centre80 – 30000 Hz80 – 30000 Hz
Overall frequency range30 – 30000 Hz30 – 30000 Hz
Subwoofer
Typeenclosedenclosed
Power250 W250 W
Frequency range30 – 250 Hz30 – 250 Hz
Phase adjustment
Level adjustment
LFE input
Design
Design features
magnetic shielding
magnetic shielding
General
Tweeter size25 mm25 mm
Midrange speaker size115 mm115 mm
Woofer size (LF/MF)115 mm115 mm
Subwoofer speaker size254 mm254 mm
Front speaker dimensions (HxWxD)60x14x3.5 cm60х14х3.5 cm
Rear speaker dimensions (HxWxD)60x14x3.5 cm60х14х3.5 cm
Centre channel dimensions (HxWxD)14x33x3.5 cm14х60х3.5 cm
Subwoofer dimensions (HxWxD)38x37x18 cm38.1х37х17.8 cm
Weight20 kg20.5 kg
Color
Added to E-Catalogjuly 2013november 2011
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Sensitivity

Speaker sensitivity.

This characteristic is indicated on the basis of how loud the acoustics are capable of producing when a signal of a certain standard power is applied to it. Simply put, the higher the sensitivity of the speaker, the louder it will sound at the same output power of the amplifier. Thus, sensitive acoustics can be effectively used even in combination with relatively low-power "amplifiers". On the other hand, low sensitivity also has its advantages: it allows you to achieve a more uniform frequency response and reduces the likelihood of overloading the amplifier. In the least sensitive modern speakers, this indicator does not exceed 84 dB, in the most sensitive it is 95 – 96 dB or more.

Note that in fact, you have to pay attention to this parameter when acoustics are planned to be used with a separately selected power amplifier. Therefore, for active systems (see "Type"), sensitivity is purely a reference value, and, usually, it can be ignored when choosing.

Front

Rated power of one front speaker. See "Total Power Rating" below for details on power rating. Here we note that the higher the power, the louder the system component can sound — of course, with a properly selected amplifier. In addition, this parameter is very important for matching with the amplifier: it is desirable that the output power on the corresponding amplifier channel be less than the power of the speaker. If the incoming signal is more powerful, distortions in the sound and even damage to the speakers are possible, and if it is weaker, then the sound volume will decrease (in other words, it will not be possible to use the full potential of the acoustics), but this moment will be critical only for listening at maximum volume.

Rear

Rated output of the rear speaker. See "Front" above for details on power rating.

Centre

Rated power of the centre speaker. See "Front" above for details on power rating.

Maximum amplifier power

The highest power rating of an amplifier that the loudspeakers can handle safely. Too much input power can damage the speakers, so when connecting, make sure that the amplifier's characteristics do not exceed the capabilities of the speakers. It is worth noting that this parameter may be slightly higher than the total nominal power of the acoustics (see below), since in this case we are only talking about the safety of the equipment, and not about the absence of distortion in the sound.

Total rated power

The total rated power of all speaker components, in other words, the sum of the powers of all speakers. As a nominal one, they usually indicate the highest average (rms) power at which acoustics can operate for a long time without overloads and damage. In this case, individual power surges can significantly exceed this value, however, it is the rated power that is the main characteristic of any speaker.

First of all, the sound volume depends on this characteristic: the more powerful the speakers, the louder the sound they can produce if there is a suitable amplifier. In addition, in passive and passive-active models, compatibility with an external amplifier also depends on the power: the output power of the “amplifier” should not exceed the power of the acoustics connected to it, otherwise overloads and even breakdowns are possible.

Detailed recommendations regarding the choice of speakers for power for a particular situation can be found in special sources. However, in general, an indicator of up to 100 W by the standards of modern acoustics is considered quite modest, 100 – 200 W — average, 200 – 300 W — above average, and the most powerful sets give out up to 500 W or even more.

In conclusion, we note two more nuances. Firstly, when comparing different systems according to this ch...aracteristic, one must also take into account the sound format in which they work. In particular, if there is a subwoofer, it can account for a significant part of the total power — up to half or more. As a result, for example, a 2.1 set of 50 W with a 20-watt subwoofer at the main frequencies will not be able to pull out the same volume as a 40-watt 2.0 system: in the first case, each main channel will have only 15 watts, in the second — 20 watts. Secondly, in multichannel systems, the total power can be distributed among the channels in different proportions; so, say, two 5.1 systems with the same total power can differ markedly in front and rear balance at maximum volume.

Weight

The total weight of all components of the speaker system.
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