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Comparison Roland Rubix24 vs Steinberg UR22

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Roland Rubix24
Steinberg UR22
Roland Rubix24Steinberg UR22
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Main
Built-in hardware compressor/limiter.
Form factordesktopdesktop
Number of channels
2 in
4 out
2 in
2 out
ConnectionUSB 2.0 type BUSB 2.0 type B
DAC
24 bit
192 kHz
24 bit
192 kHz
Frequency range20 – 20000 Hz20 – 22000 Hz
Preamplifier2 pcs2 pcs
Inputs
Total Jack / XLR audio inputs
Combo XLR 2 pcs
Combo XLR 2 pcs
MicrophoneCombo XLR 2 pcsCombo XLR 2 pcs
InstrumentCombo XLR 1 pcsCombo XLR 1 pcs
LineCombo XLR 2 pcsCombo XLR 2 pcs
MIDI in11
Outputs
Total Jack/XLR audio outputs
Jack x5
Jack x3
LineJack x4Jack x2
MIDI out11
To monitorsJack x4
HeadphonesJack x1Jack x1
Features
Phantom power
ASIO
Loopback
Front headphone output
Headphone level adjustment
Software includedRoland Cloud Pro (6 months access)
General
ОСWindows / macOS / iPadOSWindows / macOS / iOS / iPadOS
Power supplyUSB / mainsUSB
External power supply
Dimensions (WxDxH)183x165x46 mm
Weight1.2 kg
Color
Added to E-Catalogmarch 2018october 2014

Number of channels

The number of input and output channels that the audio interface is equipped with. See below for more details on each type.

— Input channels. Input (in) channels on audio interfaces designate the number of different audio signals a device can accept for recording overnight. Their number plays a decisive role in multi-channel sound recording, connecting several instruments or vocals at the same time. When choosing an audio interface, consider not only the number of input channels, but also the types of connectors (see “Inputs”).

— Output channels. Output channels output (out) is the number of audio signals that can be sent to other devices or equipment for playback. The outputs of the audio interface can be used to connect to amplifiers, monitors, speaker systems, headphones, etc. A large number of output channels will come in handy when creating sound mixes, multi-channel recording or multitasking in a studio environment. For simpler tasks, it is enough to have from 2 to 4 output channels. When choosing an audio interface, consider not only the number of output channels, but also the types of connectors (see “Outputs”).

Frequency range

The audio frequency range supported by the device. Most often we are talking about the range of frequencies that a device can produce in an analog audio output signal.

In general, the wider the frequency range, the fuller the sound, the lower the likelihood that the audio interface will “cut off” the upper or lower frequencies. However, it must be taken into account that the human ear is capable of hearing sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it makes no sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices are rather a “side effect” of advanced electronic circuits and are given in the specifications mainly for advertising purposes. Also remember that the overall sound quality is affected by many other factors besides frequency range.

Total Jack/XLR audio outputs

— Total audio outputs Jack / XLR. The total number of analog audio outputs such as Jack (6.35 mm) and/or XLR (this interface can be combined with a “jack”). Note that such connectors can play the role of both the Main output and the linear output. For more details, see the relevant paragraphs.

— mini-Jack. The standard 3.5 mm mini-Jack is usually used in audio interfaces as an analog (line) output for two stereo channels, as well as as an output for connecting headphones (see the corresponding paragraphs).

Line

The type of line output provided in the audio interface design. It outputs a line-level analog audio signal. This interface is mainly used for connecting recording devices, outputting a signal to playback equipment or to an external amplifier. And the types of connectors used for linear output can be as follows:

mini-Jack (3.5 mm). A standard socket for the popular mini-Jack plug (3.5 mm), used as a line output. This connector is mainly used to connect some models of active speakers, while two stereo channels are usually output through one mini-Jack (3.5 mm). Note that headphone outputs, which also use a mini-Jack, are considered separately - see the corresponding paragraph.

Jack (6.35 mm). A larger analogue of the mini-Jack connector (3.5 mm) for outputting an analog stereo signal. The Jack output provides a more reliable and noise-free connection, making it ideal for professional applications. Effective protection against interference is possible with a balanced connection method. To save space, the 6.35 mm output can be combined with an XLR connector (see the corresponding paragraph). The disadvantage of this design is the impossibility of using both interfaces simultaneously. Jack line outputs (6.35 mm) adhere to the “one channel per connector” principle.

- XLR. A round three-pin connector for outputting a line-level analog audio signal, oft...en with a balanced connection type. Transmission is carried out over three wires instead of two, and during it the noise induced on the wire is eliminated. This allows the use of fairly long cables without compromising the “purity” of the signal, making this type of connection excellent for professional audio equipment. XLR is also considered a professional interface, both due to the ability to work with a balanced signal and due to increased reliability: such connectors are often equipped with locks to secure the plugs.

- RCA. Analog linear audio output using RCA connectors - so-called “tulips” (due to the characteristic shape of the plugs). The standard output of this type consists of two connectors - for the left and right stereo channels. Also note that RCA connectors can be used in other output interfaces, but they have their own names.

To monitors

Output connectors for connecting monitor speakers or headphones. Connecting monitors to the output of an audio interface allows musicians, sound designers, or sound engineers to monitor audio quality in real time. In audio interfaces, monitor outputs can be made in various formats, but most often there are various combinations of RCA, XLR and Jack connectors (6.35 mm), less often - the classic mini-Jack (3.5 mm).

Loopback

The Loopback function allows you to combine the signal from connected microphones, instruments and other line-level sources with background music, audio tracks and other sounds played on the connected equipment (usually a computer). Loopback will come in handy when recording virtual instruments, podcasts, streaming, etc.

Software included

The software included with your audio interface may vary depending on the make and model. The vast majority of it is represented by drivers, utilities for managing the device, software for recording and editing sound, virtual instruments or effects, and all kinds of plugins. It is advisable to clarify separately which specific software components are included in the audio interface package.

ОС

Supported operating systems ensure device compatibility with computers running different platforms. The following options are widespread in audio interfaces:

-Windows. The vast majority of audio interfaces provide drivers and software for compatibility with the popular Windows operating system. At the same time, it is important to clarify the supported OS versions - in modern realities, these are Windows 10 and Windows 11.

- macOS. Support for working with Apple computers and laptops that use the proprietary macOS platform.

- iOS. The ability to work with mobile applications for creating and processing sound, implemented when using Apple smartphones running the iOS operating system.

- iPadOS. In this version, the audio interfaces support work with Apple tablets running the proprietary iPadOS operating system.

- Android. Compatibility of the audio interface with mobile devices based on the popular Android platform. This involves using mobile versions of applications for creating and processing sound.

- Linux. Support for the Linux platform is less common among audio interfaces, and not all devices provide official drivers for this operating system.

—Chrome. The device is compatible...with laptops running the Chrome OS operating system. These are rarely found in common use, but they do occur.

Power supply

Power supply methods provided in the device. There are models that combine combined power supply methods - for example, from the mains and USB. For more details, see individual help items.

From the network. Powered by a regular household power supply of 230 V. Stationary audio equipment uses only this method of power supply, but in compact devices it can be combined with a USB connection, battery power, or the presence of a battery.

- USB. Powered by the same USB connector that connects the device to external equipment. This power supply method allows you to do without unnecessary wires and work independently of sockets, but its power is low, so this option is used only in compact devices. Some models combine USB power with a built-in battery or supplement mains power, providing a backup option in case there are no outlets.

Battery. The presence of a built-in battery allows the device to operate independently of any external energy sources, however, the period of such operation is limited - at some point you will still have to take a break to charge the battery. In its pure form, this type of power supply is extremely rare - much more often the rechargeable battery is provided as a “backup option” that supplements power from the network or USB (see the corresponding paragraphs).

Batteries. Powered by...replaceable elements of a standard size - for example, “finger-type” AA. Note that among such elements there are both disposable batteries and rechargeable batteries. This gives the user a choice: regularly purchase fresh elements or spend money once on batteries and a “charger” for them. However, in any case, power from batteries is associated with additional costs - such power supplies are usually not included in the kit and have to be purchased separately. This option is found mainly among portable models.
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