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Comparison Behringer U-PHORIA UMC202HD vs Focusrite Scarlett 2i2

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Behringer U-PHORIA UMC202HD
Focusrite Scarlett 2i2
Behringer U-PHORIA UMC202HDFocusrite Scarlett 2i2
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Form factordesktopdesktop
Number of channels
2 in
2 out
2 in
2 out
ConnectionUSB 2.0 type BUSB 2.0 type B
DAC
24 bit
192 kHz
24 bit
96 kHz
Frequency range10 – 43000 Hz20 – 20000 Hz
Preamplifier2 pcs2 pcs
Inputs
Total Jack / XLR audio inputs
x2 Combo XLR
x2 Combo XLR
MicrophoneCombo XLR 2 pcsCombo XLR 2 pcs
InstrumentCombo XLR 2 pcsCombo XLR 2 pcs
LineCombo XLR 2 pcsCombo XLR 2 pcs
Outputs
Total Jack/XLR audio outputs
Jack x3
Jack x3
LineJack x2Jack x2
To monitorsJack x2
HeadphonesJack x1Jack x1
Features
Phantom power
ASIO
PAD attenuator
Front headphone output
Headphone level adjustment
General
ОСWindows / macOSWindows / macOS
Power supplyUSBUSB
Power consumption2.5 W
Dimensions (WxDxH)170x125x46 mm175x100x45 mm
Weight0.5 kg0.58 kg
Color
Added to E-Catalogaugust 2021december 2013

DAC

Characteristics of the built-in DAC - a digital-to-analog converter for converting digital audio into line-level analog audio, usually in stereo format.

— Bit depth. Bit size of the digital-to-analog converter (DAC) used in the device. In this case, the meaning of this parameter is as follows: the bit depth of the DAC must be no lower than the bit depth of the audio signal with which the converter is planned to be used, otherwise the device will not be able to effectively cope with the conversion. As for specific values, the standard options in modern audio interfaces are 16 bit, 24 bit and 32 bit.

- Sampling frequency. The sampling rate of the digital-to-analog converter (DAC) installed in the audio interface. Let us recall that such a converter is responsible for converting digital audio into an analog audio signal. The paragraph usually indicates the maximum value of the sampling frequency, for which one of the standard values corresponding to a certain sound quality is used ( 48 kHz, 96 kHz, 192 kHz).

Frequency range

The audio frequency range supported by the device. Most often we are talking about the range of frequencies that a device can produce in an analog audio output signal.

In general, the wider the frequency range, the fuller the sound, the lower the likelihood that the audio interface will “cut off” the upper or lower frequencies. However, it must be taken into account that the human ear is capable of hearing sounds at frequencies from 16 to 22,000 Hz, and the upper limit decreases with age. So from a practical point of view, it makes no sense to provide a wider range in audio technology. And the impressive numbers found in high-end devices are rather a “side effect” of advanced electronic circuits and are given in the specifications mainly for advertising purposes. Also remember that the overall sound quality is affected by many other factors besides frequency range.

To monitors

Output connectors for connecting monitor speakers or headphones. Connecting monitors to the output of an audio interface allows musicians, sound designers, or sound engineers to monitor audio quality in real time. In audio interfaces, monitor outputs can be made in various formats, but most often there are various combinations of RCA, XLR and Jack connectors (6.35 mm), less often - the classic mini-Jack (3.5 mm).

PAD attenuator

The main function of the PAD (Passive Attenuation Device) attenuator is to reduce the excess level of the input signal. When it is too high, there is a risk of overloading or even damaging your audio equipment. The PAD can be useful when connecting guitars with active pickups or, for example, when using microphones with high audio output levels.

Power consumption

Power in watts consumed by the device during operation.
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