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Comparison Denon PMA-1700NE vs Marantz PM8006

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Denon PMA-1700NE
Marantz PM8006
Denon PMA-1700NEMarantz PM8006
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Main
Separate midrange knob on the front panel.
Device typeintegrated amplifierintegrated amplifier
Element basetransistortransistor
Toroidal transformer
Amplifier parameters
Number of channels22
Frequency range5 – 100000 Hz5 – 100000 Hz
Power per channel (8Ω)70 W70 W
Power per channel (4Ω)140 W100 W
Signal to noise ratio107 dB106 dB
Signal-to-noise ratio (Main)125 dB
Signal to noise ratio (Phono MM/MC)89 / 74 dB87 dB
Damping factor100100
Harmonic distortion0.01 %0.02 %
Channel sensitivity / impedance
Balanced XLR input
125 mV
19 kOhm
 
 
Line input
 
 
200 mV
20 kOhm
Main input
 
 
1.6 V
15 kOhm
Phono MM/MC
2.5 / 200 mV
47 kOhm
2 mV
47 kOhm
Connectors
Inputs
Phono
USB B
coaxial S/P-DIF
optical
control input (IR)
Phono
 
 
 
control input (IR)
To amplifier (Main)RCA
RCA3 pairs5 pairs
Outputs
Pre-Amp
Jack (6.35 mm)
control output (IR)
Pre-Amp
 
control output (IR)
For acoustics4 шт4 шт
REC (to recorder)1 pairs1 pairs
On headphones6.35 mm (Jack)6.35 mm (Jack)
Front panel
display
 
audio input jack
headphone output
 
indicators
 
headphone output
Features
Adjustments
bass control
treble adjustment
balance adjustment
level adjustment
loudness
bass control
treble adjustment
balance adjustment
level adjustment
 
More features
By-pass/Direct
auto power off
ММ phono stage
MC phono stage
additional speaker connect
Bi-Wiring
 
By-pass/Direct
auto power off
ММ phono stage
 
additional speaker connect
Bi-Wiring
external devices control
General
Remote control
PSUinternalinternal
Power consumption295 W220 W
Standby consumption0.4 W0.2 W
Dimensions (WxDxH)434x414x135 mm440x379x128 mm
Weight17.6 kg12 kg
Color
Added to E-Catalogjuly 2022january 2018

Toroidal transformer

Most modern amplifiers have toroidal transformers - with a toroid-shaped core, in other words, a donut. This type is considered optimal for amplifiers of any level up to Hi-End: it creates a minimum of "extra" electromagnetic radiation and, accordingly, interference. Some time ago, E-core transformers were also widely used, but they are considered obsolete and are becoming less common today.

Power per channel (4Ω)

The nominal sound power output by the amplifier per channel when a load with a dynamic resistance (impedance) of 4 ohms is connected to it. See Power per Channel (8Ω) for more information on power rating and its relationship to impedance.

Signal to noise ratio

In itself, the signal-to-noise ratio is the ratio of the level of pure sound produced by the amplifier to the level of extraneous noise that occurs during its operation. This parameter is the main indicator of the overall sound quality — and very clear, because. its measurement takes into account almost all the noise that affects the sound in normal operating conditions. A level of 70 – 80 dB in modern amplifiers can be considered acceptable, 80 – 90 dB is not bad, and for advanced audiophile-class devices, a signal-to-noise ratio of at least 100 dB is considered mandatory.

If the specifications do not specify for which output the signal-to-noise ratio is indicated, it usually means its value for the linear input (see "RCA (par)"). This is quite enough to evaluate the quality of the device for this parameter. However, some manufacturers indicate it for other inputs — Main, Phono; see below for more on this.

Signal-to-noise ratio (Main)

Signal-to-noise ratio when the amplifier is operating through the Main input. For more details on the value of the signal-to-noise ratio, see the relevant paragraph above, about the Main input — p. "Input to the amplifier (Main)".

Signal to noise ratio (Phono MM/MC)

signal-to-noise ratio when the amplifier is driven through the Phono input. This interface is for connecting turntables; its features are described in the “Inputs” section below, and for the meaning of any signal-to-noise ratio, see the corresponding section above.

Harmonic distortion

This indicator describes the amount of non-linear distortion introduced by the amplifier into the processed signal. Such distortions are not necessarily perceived as extraneous noise, but they degrade the quality of the sound anyway — for example, they can make it more deaf. It is almost impossible to avoid them, but it can be reduced to levels inaudible to the human ear.

As a result, the harmonic distortion factor (harmonics) is one of the main parameters describing the overall sound quality in Hi-Fi and Hi-End amplifiers. The lower it is, the clearer the sound. Hundredths of a percent are considered a good indicator for modern amplifiers, thousandths and below are excellent. The exceptions are tube and hybrid models, for which rather high harmonic coefficients are allowed; see "Element base" for more details.

Balanced XLR input

The sensitivity and dynamic impedance of the amplifier when a signal is applied to the balanced XLR input.

Under the sensitivity of any input (except optical) is meant the lowest signal voltage at this input, at which the amplifier is able to provide normal nominal power values (see "Power per channel (8Ω)"). This parameter determines, first of all, the requirements for the signal source. On the one hand, the voltage provided by this source must not be lower than the input sensitivity of the amplifier, otherwise the latter simply will not give the claimed characteristics. However, a significant excess in voltage should not be allowed, otherwise the sound will begin to be distorted. More detailed recommendations on choosing an amplifier by sensitivity are described in special sources.

For any input other than optical, it is believed that the higher this indicator, the less distortion the amplifier introduces into the signal. The minimum level of input impedance in modern models is considered to be 10 kOhm, and in high-end devices it can reach several hundred kOhm.

Line input

The sensitivity and dynamic impedance of the amplifier when a signal is applied to the RCA line input.

Under the sensitivity of any input (except optical) is meant the lowest signal voltage at this input, at which the amplifier is able to provide normal nominal power values (see "Power per channel (8Ω)"). This parameter determines, first of all, the requirements for the signal source. On the one hand, the voltage provided by this source must not be lower than the input sensitivity of the amplifier, otherwise the latter simply will not give the claimed characteristics. However, a significant excess in voltage should not be allowed, otherwise the sound will begin to be distorted. More detailed recommendations on choosing an amplifier by sensitivity are described in special sources.

For any input other than optical, it is believed that the higher this indicator, the less distortion the amplifier introduces into the signal. The minimum level of input impedance in modern models is considered to be 10 kOhm, and in high-end devices it can reach several hundred kOhm.

Main input

The sensitivity and dynamic impedance of the amplifier when a signal is applied to the Main input.

Under the sensitivity of any input (except optical) is meant the lowest signal voltage at this input, at which the amplifier is able to provide normal nominal power values (see "Power per channel (8Ω)"). This parameter determines, first of all, the requirements for the signal source. On the one hand, the voltage provided by this source must not be lower than the input sensitivity of the amplifier, otherwise the latter simply will not give the claimed characteristics. However, a significant excess in voltage should not be allowed, otherwise the sound will begin to be distorted. More detailed recommendations on choosing an amplifier by sensitivity are described in special sources.

For any input other than optical, it is believed that the higher this indicator, the less distortion the amplifier introduces into the signal. The minimum level of input impedance in modern models is considered to be 10 kOhm, and in high-end devices it can reach several hundred kOhm.
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