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Comparison Sony GTK-XB60 vs Sony GTK-XB7

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Sony GTK-XB60
Sony GTK-XB7
Sony GTK-XB60Sony GTK-XB7
from £268.67 
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from £244.00 
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Featurespartyparty
Number of channels2.02.0
Playback
Media
USB port
USB port
Tech specs
System power470 W
Number of bands22
Frequency range100 – 20000 Hz
Phase inverter
Equalizer
Bass Boost
Interfaces and features
Interfaces
Bluetooth
NFC
Bluetooth
NFC
More features
smartphone control
Multiroom
karaoke
 
 
 
Connectors
Inputs
RCA
for microphone
RCA
 
Outputs
RCA
RCA
General
Lighting effects
Remote control
Autonomous power supplybattery
USB for charging gadgets
System dimensions (HxWxD)552x264x272 mm650x326x340 mm
Weight8 kg12 kg
Color
Added to E-Catalogseptember 2017september 2016

System power

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

Frequency range

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

Equalizer

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.

More features

Omnidirectional sound. As the name implies, audio systems with this feature radiate sound evenly in all directions, covering a space of 360°. Thus, the device can be installed in the centre of the room and evenly “fill” it with sound, which will be clearly perceived at any point. On the other hand, an omnidirectional system usually sounds 1.0 (mono); the design may include various tricks to ensure surround sound, but these still in most cases do not reach full stereo.

Voice assistant. Audio support for voice assistant. The most popular nowadays are such assistants: However, other solutions are also possible. Anyway, it is worth noting that this is not about the function of the audio system itself, but about compatibility with smartphones, tablets and other gadgets that have their own voice assistants. Thus, to use the voice assistant, you will have to connect the audio system to an external device. On the other hand, the capabilities of such assistants are usually more extensive than those of built-in voice control systems(see below); advanced features are often supported, such as natural speech recognition with complex queries (“Play the last album of the band … that I listened to”), weather fore...cast, sports scores, etc. Of course, the specific set of supported commands and languages \u200b\u200bcan be different — depending on the voice assistant and its version.

— Voice control. A feature that is virtually mandatory for smart speakers (see "Intended Use") and hardly found in other types of audio systems. As the name implies, this control allows you to control the device using voice commands. It differs from the voice assistant (see the relevant paragraph) in that in this case we are talking about the simplest commands related to the main functionality of the audio system — for example, "Stop", "Continue", "Next track", etc. It is worth having in mind that voice control is almost guaranteed to support English, but the ability to recognize other languages should be specified separately.

— Smartphone control. The ability to control the audio system from a smartphone, tablet or other gadget with a special application installed on it. Usually, the connection is made via Wi-Fi (see "Interfaces"). The convenience of this function lies not only in the fact that you can control the system from a distance — the application is often more convenient and provides more options than the controls on the radio itself.

— Multiroom support. Device support for Multiroom technology. This technology allows you to create a single wireless network in the house from several speakers located in different rooms, and simultaneously play music in all these rooms. The specific features of such networks in different models may be different, they should be specified separately. So, some devices use a Bluetooth connection, others use Wi-Fi (directly or via a local network). In some cases, the control speaker broadcasts sound to all the others, and the same music plays throughout the house, in others, the speakers are “equal”, and different tracks can be turned on simultaneously in different rooms. Some audio systems require an external sound source (smartphone, tablet, etc.), others are capable of playing the role of a player themselves, including for streaming Internet services.

— Synchronization of speakers. The model supports the ability to synchronize the operation of several speakers connected to one signal source. This solution allows you to realize truly stereo sound, improve the quality and power of sound reproduction, as well as expand the stereo panorama. The only thing is that both speakers must support the appropriate connection type. Different brands may have their own speaker interconnection technologies (JBL Connect, JBL PartyBoost, Sony Party Chain), or maybe a universal TWS.

— Karaoke. A popular entertainment that allows users to sing their favorite songs to the backing track (musical accompaniment with the original vocals cut out) — in such a way that the vocals superimposed on the backing track are played through the acoustics of the audio system. This feature requires at least one microphone input.

— Karaoke Mix. An extended version of karaoke (see above), which provides various additional features — for example, performance evaluation in points, singing competitions, etc. Usually, it allows you to connect two microphones already.

— Internet radio. Ability to listen to Internet radio stations on the audio system. In general, such broadcasting is similar to conventional broadcasting, however, it is carried out not through the radio, but through the World Wide Web, which provides some additional features. So, Internet broadcasting has no restrictions on the range and ranges, allows you to listen to programs from any country and in any language; and the list of broadcasters is extremely extensive, among them there are both traditional radio stations duplicating their programs on the Internet, and specific, purely network projects. The presence of this function assumes support for at least one network interface — Wi-Fi or LAN (see "Interfaces").

— Recording to a USB drive. The ability of the audio system to record to an external USB device — for example, a USB flash drive. In this way, you can record your favorite radio programs from a conventional tuner or Internet station (see above), copy music from optical discs, etc.; Specific USB recording capabilities vary by audio system model.

— Clock. Ordinary clock — a device for displaying time, most often in the form of numbers on the display. Sometimes these hours are the most convenient. In addition, this function is necessary for some other features — primarily the alarm clock (see below).

— Alarm. A classic alarm clock that sounds at a set time. It can be useful not only for wake-up calls, but also in other cases when you need to warn the user about the arrival of a certain time. A feature of this function in audio systems is that the inclusion of a specific radio station or musical composition can be used as a signal.

— Shutdown timer. A feature that allows the audio system to turn off automatically after a user-defined time. Thanks to the timer, you can, for example, turn on relaxing music to fall asleep and fall asleep peacefully — the audio system will turn off on its own.

— Nightlight. The presence in the audio system of its own built-in lamp of low power, which allows it to be used as a night lamp. A night light can be useful for both young children and adults who are uncomfortable falling asleep in complete darkness; in addition, it can come in handy in situations where you have to get up in the middle of the night or early in the morning, before sunrise — at least with the light from the nightlight, it's easier to get to the main switch.

Inputs

RCA. The RCA interface uses coaxial cables with characteristic "tulip" plugs and corresponding connectors. It can be used to transfer different types of data, however, in this case, it means connecting the audio signal from the preamplifier in analogue format, one channel of audio per connector. RCA is widely used in modern audio technology, but its resistance to interference is very limited.

Mini-Jack(3.5 mm). Standard connector for most modern portable audio equipment. In audio systems, it is mainly used to connect such equipment — primarily pocket media players. It uses analogue signal transmission, while the resistance to interference, like RCA, is not high, and the quality may even be lower due to the fact that both channels of stereo sound are transmitted over the same cable.

Coaxial S / P-DIF. An electrical version of the S / P-DIF standard, using a coaxial cable with a “tulip” connector for signal transmission. Do not confuse this interface with the analogue RCA described above — despite the identity of the connectors, these standards are fundamentally different: "coaxial" works in digital format and even multi-channel audio can be transmitted over a single cable. Compared to optical S/P-DIF, this interface is less resistant to interference, but more reliable because electrical cables are not as delicate.

— Optical. One of the va...rieties of the S / P-DIF standard is, along with the coaxial one described above. In this case, the signal is transmitted via a TOSLINK fibre optic cable. The main advantage of this interface is its complete insensitivity to electrical interference, while its capabilities are sufficient even to work with multi-channel audio. Among the shortcomings, it is worth noting the high price of connecting cables, as well as the need for careful handling of them.

— Under the microphone. Input for connecting a microphone to an audio system; can use different types of connectors (3.5 mm mini-Jack, 6.35 mm Jack, etc.). This function is mandatory for models with karaoke (see "Advanced"), but can be used for other purposes.

Instrumental. Connectors used to connect musical instruments (acoustic or bass guitars, keyboards, etc.). Most often they are made in the form of 6.35 mm Jack format sockets. The audio signal from pickups has its own specific characteristics, so the instrument input typically features a higher input level and special impedance matching to ensure optimal sound quality.

Remote control

A remote control is included with the audio system. The convenience of this function is obvious: instead of having to approach the device every time to change the operating parameters, you can give a command from the remote control without getting up.

Autonomous power supply

Type of independent power sourceused in the audio system. Such power is usually not the only option — it only complements the ability to work from the network.

— AA batteries. Replaceable elements of a standard size, colloquially known as "finger". Available in a variety of options, varying in quality and price, available not only as disposable batteries, but also as rechargeable batteries; sold almost everywhere. The main advantage of all replaceable cells is the ability to quickly change dead batteries for fresh ones (of course, if there is a reserve), while the original battery has to be charged — and this takes time and an external power source. As for AA, they have a relatively low power and capacity. These characteristics are sufficient for relatively compact devices; however, for models that need to power mechanical drives (for example, for CDs) and/or provide high sound power, “AA” batteries are poorly suited, and therefore are rarely used in them.

— AAA batteries. Replaceable elements, known as "mini-finger" or "little fingers". In general, they are similar to the AAs described above and differ from them only in small sizes and, as a result, less power. Because of this, such power is used only in the most compact models of audio systems, which do not require high power, but small sizes are crucial.

— Batteries C. Replaceable cells known as "Baby". The features of replaceable cells are generally desc...ribed in AA Batteries above; here we note that C batteries have a cylindrical shape and are similar in length to “finger-type” batteries, but are much thicker, due to which they are distinguished by higher power and can be used in rather “gluttonous” systems.

— D batteries. Replacement cells, the largest variety of standard cylindrical batteries used in modern audio systems. Used in the most powerful models that require a large amount of energy.

— Batteries. This parameter is indicated in our catalog in two cases: if the device uses standard replaceable elements that do not belong to any of the standard sizes described above, or if the battery size is not indicated in the manufacturer's official data.

— Accumulator. Powered by its own original battery, which is not related to standard sizes, and in some models is also non-removable. On the one hand, this option eliminates the need to constantly buy replacement batteries (or significantly spend money once on rechargeable batteries), moreover, the battery is usually supplied as a kit. However, when the charge is exhausted, in most cases the only option is to charge from an external power source — and this requires not only the presence of such a source, but also a fairly large amount of time.
Sony GTK-XB60 often compared
Sony GTK-XB7 often compared