Guitar Accessories Catalinbread

Oil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (Patent US3530227 A), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity,…

The Tribute is an all-analog circuit that combines an extremely expressive high-headroom drive engine with a powerful and flexible tone control. The back end of the Tribute pays homage to one of our oldest designs, the VariOboost. This circuit gives you a supercharged one-band parametric EQ in lieu of a tone control for some serious studio-esque tone sculpting power. Playing rhythm? Dial in a low-mids grunt and boost that band for some fat chords. Playing leads? Flip that thing and inject some sparkle into your sound. Want to fake a cocked wah pedal to nail your cover of "Money for Nothing"? Want to simulate some Peter Green-esque out-of-phase pickups? Want your single-coils to sound like humbuckers? …

Harmonic Percolator circuit has the amazing property of generating predominantly even-order harmonics – which creates an amazingly sweet and clear distortion. You may know of this circuit from its use by Steve Albini, who owns one particular unit that apparently has magical properties no other unit seems to have. They could search for holy grails and chase rainbows, but they saw a potential beyond one person’s use of it. Oddly enough, the ‘Percolator has a reputation for creating an ugly sound, albeit a cool and ugly sound. But they found something beautiful in it. So beautiful that you could play complex jazz chords through it and every note rings sweet and clear. So, using …

We invite you to the world of the Catalinbread CB Distortion, a dirt box that sounds good on any amp, at any volume, in any situation where some "oomph" is required.The CB Distortion giving you a no-nonsense thick and meaty distortion that you can feel in your gut and satisfy the rabid hunger within you. With just one solitary volume control, you can get burly crunch at low volumes or dime it and use your guitar’s volume control to keep the action even.
Original Colour by Producer: Black
Power Supply: 9V;Adapter
Number of Buttons: 1
Colour: Black
True Bypass: Yes
Made in: USA
Inputs: Jack 6,3 mm
Controls: Output
USB: No
Package Contents: Manual
Battery Operation: No
Type: Distortion
Outputs: …

From its humble beginnings as defective console tubes and punctured speaker cones, the CB Fuzz distills 60 years of gear history in one refined example.Whether you’re a complete fuzz novice or a well-seasoned fuzz freak, the CB Fuzz is a perfectly balanced silicon fuzz circuit (hey, even Hendrix preferred silicon!). Most folks in the know keep the fuzz knob cranked and use their guitar’s volume to tame the fuzz level at will, and Catalinbread taken the liberty of internally maxing that control for you; just turn on and rock!
Made in: USA
True Bypass: Yes
USB: No
Inputs: Jack 6,3 mm
Outputs: Jack 6,3 mm
Package Contents: Manual
Battery Operation: No
Type: Fuzz
UK/EU Power supply included: …

Since rock music began, people have been cranking the volume controls on their amps in order to push them into distortion, an effect now known as "overdrive." The CB Overdrive gives you some refined yet gritty cranked-amp tones without the hearing loss.All the way back when electric amplification was invented, what we now know as “overdrive” was an unwanted byproduct of low-headroom amplifiers. Despite giving you the freedom to do so, product manuals sternly instructed against turning the amp’s volume knob up past a certain level, lest the amp distort. Amp manufacturers released bigger and bigger amps to allow for more volume without distortion. Eventually, everyone came to …

Everyone from Eddie Van Halen to East Bay Ray of the Dead Kennedys relied on the EP-3 preamp to take their sound to previously unreachable heights. And now you can also, with Epoch Boost.
They refer to the Epoch Boost as a “mastering pedal,” because it sounds like your base tone, but sculpted to perfection by a mastering engineer. This is accomplished by employing the same internal circuitry as a real EP-3, from the NOS Orange Drop capacitors to the output mixer stage that acts as a rudimentary frequency selector---it’s all there. They’ve taken the liberty of kicking the internal voltage all the way up to 22 volts, just like the original unit, giving you unparalleled …