Teleconverters & Lens Mount Adapters

The GF1.4X TC WR is a 1.4x teleconverter for G Mount. Attaching the teleconverter to GF250mF4 R LM OIS WR allows for telephoto shooting at a focal length of 350mm Fujifilm Teleconverter GF 1.4x TC WR The GF1.4X TC WR is a 1.4x teleconverter for G Mount. Attaching the teleconverter to GF250mF4 R LM OIS WR allows for telephoto shooting at a focal length of 350mm (approximately 277mm in 35mm format equivalent) while maintaining superior image quality. The maximum aperture is reduced by one F stop. As both the lens and the teleconverter are high quality, theres hardly any deterioration in MTF when the teleconverter is attached. Specifications: Type FUJINON TELECONVERTER GF1.4X TC WR …

The Hasselblad XH Converter 0.8 is an accessory for using HC/HCD lenses on X System cameras. Hasselblad XH Converter 0.8 The Hasselblad XH Converter 0.8 is an accessory for using HC/HCD lenses on X System cameras. It reduces the focal length of the attached lens by a factor of 0,8x as well as increases the maximum and minimum aperture with 2/3 stops. As an example, the HC 100, f/2,2 when used together with XH Converter 0,8, will be equivalent to an f/1,8 80mm lens. It is designed to be used with all HC/HCD lenses (see Compatibility) but it is optimized for the lenses shown on page 2. The attached lens retains its full functionality, including AF 1. An added bonus when using the XH Converter …

Mount 15 S lenses to your Leica SL, TL and T camera Leica S-Adapter L LeicaS-Lenses are in a class of their own. A class of exceptional performance you can experience to the fullest, thanks to your LeicaSL and the S-AdapterL. The extraordinarily fast S-Lenses are a testament to 100 years of expertise and experience in lens design and precision manufacturing processes that accept only minimal tolerances. They combine traditional Leica quality with state-of-the-art technology that pushes the limits of the technically possible.S-Lenses already achieve close to maximum performance at maximum aperture, quite independent of the camera-to-subject distance. In every situation, whether in the studio …