JHS Pedals Fuzz CRIMSON [product]

We offer a wide variety of products, and the following precautions apply to some of them. Please note that they are listed for all products. 【Voltage Compatibility】Designed for Japanese voltage (90-110V). Using with a different voltage may cause malfunction. 【Plug Type】Japanese plugs (A or B type). Use a conversion adapter if needed. 【Transformers & Adapters】Transformers adjust voltage; adapters only change plug shape. Using an adapter without a transformer may damage the product. 【Liability】We are not responsible for damages caused by improper use, such as using the product without a transformer. Replica of Red Army Overdrive Input/output terminal: Input/Output Size: 14.4 x 9.2 x 5cm Weight: 386g Power supply: DC9V center negative The Legends Of Fuzz series is a collection of some of the world's most historic and rare circuits. In 1969, Electro Harmonix released the first Triangle version of the legendary Big Muff distortion fuzz. Throughout the 1970s we saw various new revisions of this famous circuit, including the V2 Rams Head (1973), V3 Pi (1977), V4 Op Amp (1978), but the 1984 Everything stopped in . In the early '90s, Mike Matthews noticed that his 1970 Electro Harmonix pedals were being sold at vintage/rare prices, and in 1991 he signed a manufacturing contract with a former Soviet manufacturing company in St. Petersburg to produce the Big Muff. I revived it. Although this new version was technically the seventh version of the now famous Big Muff, Mike no longer owned his old trademark, so he named it Mike Matthews by Sovtek.・It was named “Red Army Overdrive.” Which of the Soviet Big Muffs Warmer, crisper, and distinct, Red Army offers a very familiar and unique flavor. Crimson is an exact replica of Red Army Overdrive and offers a unique part of fuzz history. The controls are Volume , TONE and DISTORT . The volume sets the overall output level of the effect, and the tone allows you to sweep between bright and dark tones, making the Crimson suitable for a variety of amps and guitars. Distortion is a distortion control, and the more you turn it clockwise, the more fluff it becomes. On the side, there's a Mode button that accesses a never-before-heard JHS mode, which when pressed boosts the mid-frequencies to push the sound through the mix. If you like the tones of Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes, and Dinosaur Jr., this is the pedal for you.