Electro-Harmonix Ripped Speaker Fuzz Fuzz Guitar Effector

The Ripped Speaker Fuzz is a modern fuzz that draws on the roots of fuzz, paying homage to one of the methods that created the distorted sounds of early guitars and basses. When the FUZZ control is set to a low value, it emulates the lo-fi distortion sounds of yesteryear produced by tearing a speaker cone with a razor blade, a erratic tube, or a faulty channel on a recording console. Masu. Turning the FUZZ control up even further creates a modern, burning, heavily saturated fuzz tone. The RIP knob on the Ripped Speaker Fuzz is a bias control that sets the amount of clipping at the top and bottom of the signal waveform. This control adds versatility to the pedal and allows you to change the character of the fuzz. The 12 o'clock position is the most natural setting, with just the right amount of bias, creating a non-obnoxious fuzz with a nice fat low end and a biting top end. Turning the knob clockwise creates a hard-gating effect that gives the impression that the signal is overloaded with bubbles, perfect for creating the effect of a dying battery. Turning the knob counterclockwise creates a different style of fuzz with a smooth gating effect that quickly fades out the signal. The TONE control is an active tilt-shift type EQ, so it's flat when the knob is facing 12 o'clock. Turning the knob counterclockwise increases the bass frequencies and reduces the high frequencies, darkening the frequency response. Turning clockwise creates a brighter tone with more highs and less lows. Ripped Speaker Fuzz is true bypass and comes with 9V. Electro-harmonix JP9.6-200 can also be used.