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Darkglass Electronics Darkglass Darkglass Microtubes X7 X-7

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Darkglass Electronics Darkglass Darkglass Microtubes X7 X-7
from £258.00 

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Darkglass Darkglass Microtubes X7 X-7

Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and... moresize should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Low Comp: Sets the amount of compression for the low-pass signal. Low Level: Sets the output volume of the low-pass signal. Master: Sets the overall volume of the unit. Low shelf: +-12dB @ 80 Hz. 500 Hz: +-12dB. 1 kHz: +-12dB. High shelf: +-12dB @ 5 kHz. Parallel Output: A passthrough for your input signal, useful for parallel processing. Direct Output: A balanced version of the 6,3 mm jack output, useful for running into PA’s or studio mixing consoles. Dimensions: 12 × 10,7 cm. Colour: Grey Type: Distortion;Overdrive;Compressor;High Gain;Fuzz Controls: Low Comp;Low Level;High Level;High Drive Inputs: Mono Outputs: Mono;XLR UK/EU Power supply included: No Made in: Finland True Bypass: None
Muziker.co.uk
Delivery: in United Kingdom
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£258.00

Darkglass Electronics Darkglass Microtubes X7

Bass Distortion / Pedal
Idealo.co.uk
Delivery: in United Kingdom
Report
£258.00
Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Low Comp: Sets the amount of compression for the low-pass signal. Low Level: Sets the output volume of the low-pass signal. Master: Sets the overall volume of the unit. Low shelf: +-12dB @ 80 Hz. 500 Hz: +-12dB. 1 kHz: +-12dB. High shelf: +-12dB @ 5 kHz. Parallel Output: A passthrough for your input signal, useful for parallel processing. Direct Output: A balanced version of the 6,3 mm jack output, useful for running into PA’s or studio mixing consoles. Dimensions: 12 × 10,7 cm. Colour: Grey
Outputs: Mono;XLR
Controls: High Drive;High Level;Low Comp;Low Level
Type: High Gain;Compressor;Fuzz;Overdrive;Distortion
Inputs: Mono
Made in: Finland
UK/EU Power supply included: No
True Bypass: None
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