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Blackmagic Design ATEM Microphone Converter Black SWATEMTVSTDMC

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 £347.99  £428.10
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Buy Blackmagic Design ATEM Microphone Converter Black SWATEMTVSTDMC

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Blackmagic Design ATEM Microphone Converter

Scan.co.uk
Delivery: to United Kingdom
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£347.99

Blackmagic Design ATEM Microphone Converter Black SWATEMTVSTDMC

ATEM MICROPHONE CONVERTER - Add extra microphones to your ATEM switcher. Now it’s easy to expand the MADI input on ATEM switchers so you can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port so there's no complex setup required and additional unit... mores can even be daisy chained for more sources. Each converter has 4 analogue inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms. HIGH END CONVERTER STYLE DESIGN The ATEM Microphone Converter features a familiar converter based design that has space for the analogue electronics required for high quality analogue to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection. There is also a 12V DC power connection plus USB and Ethernet for allowing remote admin and software updates. Switches allow control of mic/line audio input levels and to turn on phantom power. CONNECTS VIA MADI FOR MULTI CHANNEL AUDIO MADI or Multichannel Audio Digital Interface is a multi channel audio link standardized as AES10 by the Audio Engineering Society (AES) and it defines the data format for an interface for multiple channels of digital audio. The ATEM Microphone Converter’s MADI output embeds the 4 analogue inputs as MADI channels 1 2 3 and 4. ATEM Microphone Converter also includes a MADI input which is used to loop multiple converters when you need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another the upstream converter will stack its 4 channels above the 4 channels on the downstream converter. INNOVATIVE ANALOGUE TO DIGITAL CONVERSION Each analogue input channel has an ultra low noise fixed gain preamplifier scaled to drive a high dynamic range audio ADC which totally eliminates using an analogue microphone preamplifier in the design so the input does not suffer from preamp gain step clicks or zipper noise. The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC as each input implements analogue to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131dB(A). Plus you get incredibly low distortion of only 0.002%. EXTREMELY LOW
Quzo.co.uk
Delivery: to United Kingdom
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£428.10
ATEM MICROPHONE CONVERTER
- Add extra microphones to your ATEM switcher.

Now it’s easy to expand the MADI input on ATEM switchers so you can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analogue inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms.

HIGH END CONVERTER STYLE DESIGN
The ATEM Microphone Converter features a familiar converter based design that has space for the analogue electronics required for high quality analogue to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection. There is also a 12V DC power connection plus USB and Ethernet for allowing remote admin and software updates. Switches allow control of mic/line audio input levels and to turn on phantom power.

CONNECTS VIA MADI FOR MULTI CHANNEL AUDIO
MADI or Multichannel Audio Digital Interface is a multi channel audio link standardized as AES10 by the Audio Engineering Society (AES) and it defines the data format for an interface for multiple channels of digital audio. The ATEM Microphone Converter’s MADI output embeds the 4 analogue inputs as MADI channels 1 2 3 and 4. ATEM Microphone Converter also includes a MADI input which is used to loop multiple converters when you need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another the upstream converter will stack its 4 channels above the 4 channels on the downstream converter.

INNOVATIVE ANALOGUE TO DIGITAL CONVERSION
Each analogue input channel has an ultra low noise fixed gain preamplifier scaled to drive a high dynamic range audio ADC which totally eliminates using an analogue microphone preamplifier in the design so the input does not suffer from preamp gain step clicks or zipper noise. The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC as each input implements analogue to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131dB(A). Plus you get incredibly low distortion of only 0.002%.

EXTREMELY LOW
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