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Other Musical Instruments Darkglass Electronics

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The Aggressively Distorting Advanced Machine is the result of a collaboration with one of the most celebrated artists in today’s metal scene - Adam "Nolly" Getgood. This pedal captures Nolly’s entire more→tonal arsenal meticulously refined by years of in-depth testing and experience in one striking enclosure.ADAM has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.It also incorporates a USB-C audio interface and balanced stereo outputs for studio monitors and …
Besides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. Darkglass Electronics got together in their then Hels more→inki headquarters and after endless tweaking and tens of prototypes they are ready to present their first co-designed creation: Alpha · Omega. This creation differs greatly from their previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using Darkglass Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most fl…
Versatility, empowerment, limitless options, and ever-demanding tools at the disposal of every musician and composer are today on demand. A call for inventive devices continues to make musicians more more→inspired, clever and connected.Darkglass took their Alpha·Omega, and with relentless efforts added all the learned engineering to it. Placing the iconic distortion circuit into a new paradigm enables a range of possibilities that were never before available. A comprehensive design allows programming each part of the pedal, from compression, distortion, and cabinet simulation in the signal chain to presets via MIDI and the Darkglass Suite. The Alpha·Omega now has its ultimate interface.…
Bassguitar pedal features the first hybrid design in a compressor pedal: an analog VCA controlled by a digital side-chain allowed us to capture and include the characters of some of the most legendary more→compressors in history while keeping the signal path completely analog. Blend: Mixes the clean and effected signals. Time: Sets the time constants (Attack and Release). You can use the Darkglass Suite to fine tune and custom map the time constants, you can also assign different behaviours for each Mode. Output: Sets the overall output volume of the unit. Compression: Sets the overall amount of compression. This control also affects the internal makeup gain. Ratio: Adjusts the amount of compression.…
With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more more→control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more. Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format. …
Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly more→fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. High Drive: Sets the amount of distortion for the high pass side. High Level: Sets the output volume of the distorted high-pass signal. Low Pass Frequency: Controls the cutoff …
Guitar pedal from X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly more→fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. High-pass frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. Low-pass frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. Level: …
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