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Comparison M-AUDIO Oxygen Pro 25 vs Akai MPK Mini mkIII

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M-AUDIO Oxygen Pro 25
Akai MPK Mini mkIII
M-AUDIO Oxygen Pro 25Akai MPK Mini mkIII
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Main
Three colour options. Dynamic keys and pads. 2 pad memory banks. OLED display. Sustain pedal input. Complete Music Production Starter Kit software.
Keys25 шт25 шт
Key sizefull sizesmall-sized
Mechanicsactive (dynamic)active (dynamic)
Rigiditysemi-weightedunweighted
Control
Pitch controller
Modulation controller
Transposition
Octave shift
Arpeggiator
Transport control
Pads168
Faders1
Regulators (encoders)88
Connections
MIDI out
USB to host (type B)
Connectable pedals1 шт1 шт
General
Programming function
Displaymonochromemonochrome
Dimensions (WxHxD)490x83x264 mm318x44x181 mm
Weight2.5 kg0.75 kg
Color
Added to E-Catalogmarch 2021october 2020

Key size

In this case, the size means the size of the keys in width — the length practically does not affect the game process.

Full size. Standard-width keys, as on a traditional piano keyboard. Switching to such a keyboard from another instrument with standard keys does not cause any problems; Also note that this particular option is recommended for complex games. On the other hand, a full-size keyboard can take up quite a lot of space.

Small size. Reduced width keys. It is worth paying attention to this option, first of all, if there is not much space for installing the keyboard and compactness is crucial: small keys allow you to reduce the size of the device. In addition, such keys can be useful for people with small hands. But for complex parties, they are worse than full-sized ones.

Rigidity

The hardness of the keys on a keyboard is the amount of resistance they provide when pressed.

Unweighted. Very low rigidity: the keys literally "fail" under the fingers. Found mostly in entry-level keyboards; this is due to the fact that unweighted mechanics are inexpensive, but the low pressure resistance makes it difficult to select the optimal pressure and control the dynamics of the sound.

— Semi- weighted. Keyboards with medium resistance — not as high as on weighted keys, but noticeably higher than on unweighted ones. This option is considered optimal for active keyboards (see "Mechanics"): at a low cost, it gives quite good responsiveness and, with a minimum skill, allows you to accurately control the pressing force.

Weighted. Keyboards with high resistance, which is comparable to the resistance of classical piano keys. Note that high effort in this case is an advantage: it allows you to bring the response of the keyboard as close as possible to the response of a classical piano and makes it easier to control the pressure and dynamics of the sound. Actually, by definition, all hammer-action models are made weighted (see "Mechanics"), but among active keyboards this option is rare — due to complexity and high cost.

Transposition

The presence of the transposition function in the keyboard — switching the sound to a different key. When transposing, the pitch of all keys is simultaneously raised or lowered by a certain number of semitones. This function is useful in all cases when a melody learned in one key needs to be played in a different key — for example, if the original melody is too high or too low for the vocalist, if the external accompaniment differs in key, if you need to switch between keys during the song, and etc. In such situations, by transposing the sound, you can play a melody in a new key using the same familiar keys without relearning it.

Pads

The number of pads provided in the design of the keyboard.

Pads are auxiliary controls in the form of characteristic pads, usually square. The pads respond to touch, each of them can be tied to a specific sound or even a sequence of sounds. One of the most popular ways to use pads is to play drums or other rhythmic instruments.

Faders

The number of faders provided in the design of the keyboard.

A fader is a slider control. The simplest kind of such controls is the volume setting; if there is one fader in the design, most likely it is responsible for the volume. If there are more controls, other functions can be tied to them, respectively — in particular, changing the settings in the recording programme on the computer to which the keyboard is connected.

MIDI out

A specialized output for transmitting MIDI signals to an external device — a sequencer, a computer sound card (if there is a MIDI In input), etc.

MIDI signals are a kind of "digital notation": they tell which key was pressed, with what force and for how long, and also carry information about various additional parameters: timbre, tempo, key, etc. To convert such signals a "ready" sound requires an external sequencer (software or hardware).

Note that despite its specialized purpose, the MIDI Out output is not mandatory for modern MIDI keyboards: MIDI signals can also be transmitted via other interfaces, such as USB or Bluetooth (see the relevant paragraphs). So it makes sense to specifically look for a keyboard with such a connector if you plan to connect it to equipment with a MIDI In input.
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