Comparison BenQ W2710 vs XGIMI H2
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|---|---|---|
| BenQ W2710 | XGIMI H2 | |
from £1,982.04 | from £1,080.29 | |
| TOP sellers | ||
Harman/Kardon sound, HDR10 support. Advanced smart functionality. Motorized autofocus drive. Extensive wireless connectivity options. Automatic lens shutter. The main differences from the H1 model are: increased brightness of 1350 lm instead of 900, glass optics instead of plastic in H1, automatic lens shutter. It also has HDR support. | ||
| Main function | home | home |
| Operating system | Android 6.0 | |
Lamp and image | ||
| Lamp type | LED | |
| Service life | 4000 h | |
| Service life (energy-saving) | 10000 h | |
| Brightness | 2200 lm | 1350 lm |
| Dynamic contrast | 50 000:1 | 10 000:1 |
| Colour rendering | 1.07 billion colours | 1.07 billion colours |
| Colour space | 120 % | |
| Color gamut (sRGB, Rec.709) | 100 % | |
| Colour gamut (DCI-P3) | 95 % | |
| Horizontal frequency | 15 – 135 kHz | |
| Frame rate | 23 – 120 Hz | |
Projection system | ||
| Technology | DLP | DLP |
| Size | 0.47" | 0.47" |
| Real resolution | 3840x2160 px | 1920x1080 px |
| Image format support | 4:3, 16:9, 16:10 | 4:3, 16:9, 16:10 |
| HDR support | + | + |
| Brightness/contrast enhancement | ||
| Colour enhancement | ||
| Black enhancement | ||
| Resolution enhancement | ||
Projecting | ||
| Rear projection | ||
| Throw distance, min | 0.75 m | 1.22 m |
| Throw distance, max | 8.63 m | 9.14 m |
| Image size | 30 – 300 " | 40 – 300 " |
| Throw ratio | 1.13:1 – 1.47:1 | 1.2: |
| Projection shift (offset) | 100 % | |
| Optical zoom | 1.3 x | 1.1 x |
| Zoom and focus | manual | motorized (remote-controlled) |
| Autofocus | ||
| Auto keystone correction | ||
| Lens shift | ||
| Keystone correction (vert), ± | 30 ° | 45 ° |
| Keystone correction (horizontal), ± | 30 ° | 45 ° |
Features | ||
| Features | 3D support | DLNA support MHL support 3D support |
| Bluetooth | v 4.0 | |
| Wi-Fi | Wi-Fi 5 (802.11ac) | |
Hardware | ||
| CPU | Mstar 6A838 Cortex-A53 | |
| RAM | 2 GB | |
| Built-in memory | 16 GB | |
| USB-A 2.0 | 1 pcs | 2 pcs |
| USB-A 5Gbps | 1 pcs | |
| Speaker system | Harman Kardon | |
| Number of speakers | 2 | 2 |
| Subwoofer | ||
| Sound power | 10 W | 16 W |
| HDMI inputs | 3 | 2 |
| HDMI version | v 2.0 | |
| Audio connectors | 3.5 mm output (mini-Jack) optical | 3.5 mm output (mini-Jack) optical |
| Service connectors | COM port (RS-232) USB (slave) | LAN (RJ-45) |
General | ||
| Noise level (nominal) | 30 dB | 30 dB |
| Noise level (energy-saving / quiet) | 28 dB | |
| Power source | mains | mains |
| Power consumption | 330 W | 130 W |
| Size (HxWxD) | 127x380x263 mm | 128x200x200 mm |
| Weight | 4.2 kg | 2.1 kg |
| Color | ||
| Added to E-Catalog | may 2023 | january 2019 |
Compare BenQ W2710 and XGIMI H2
Projectors BenQ W2710 and XGIMI H2 are designed for home theater but have different features and characteristics. The BenQ W2710 stands out with its high brightness of 2200 lm and a dynamic contrast of 50,000:1, which ensures excellent image quality, especially in dark rooms. It supports 4K and HDR resolution, making it ideal for watching movies in high quality. Meanwhile, the XGIMI H2 offers lower brightness at 1350 lm and 1080p resolution but compensates with support for Android 6.0 and advanced features such as motorized autofocus and Wi-Fi support. Additionally, the XGIMI H2 has built-in Harman Kardon speakers with a power of 16 W, providing quality sound. Overall, if brightness and image quality are important to you, it's better to choose the BenQ W2710, while the XGIMI H2 is suitable for those who value smart features and ease of use.
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Glossary
Operating system
— Smart TV (proprietary system). The operating system of the projector is represented by the proprietary software shell of the manufacturer. Usually such operating systems have an attractive and convenient menu, similar to a traditional Smart TV. A proprietary operating system is developed by the manufacturer for the hardware resources of a particular projector model or a whole line. But, as practice shows, compared to the classic Smart TV, the functionality of proprietary system often has significant limitations, and the system itself, in fact, is a stripped-down version of a full-fledged Smart TV.
— Smart TV (Android AOSP). This type of operating system is a modification of the popular Android OS, mainly notable for being open source. It is a versatile operating system that gives the user much more freedom to create changes and customizations within the system. At the same time, the installation and work stability of certain applications on this platform are not guaranteed, and the overall system management was not specially “tailored” for large screens, which may cause some inconvenience. First of all, such solutions will will generate interest among users who understand the features of the Android OS, like to customize and control everything, and have time for this.
— Android TV. This type of projector has full-fledged Android TV software, spec...ially adapted to work on large screens. In accordance with the name, it is a type of Android OS, specially designed for projectors/TVs, etc. In addition to the common features of all “Androids” (such as the ability to install additional applications, including even games), it has a number of special features: optimized interface, integration with smartphones (including the ability to use them as a remote control), voice search, etc. Thanks to this, TVs with this feature are significantly superior in functionality to models with a Smart TV. Of course, a dedicated processor, graphics subsystem and memory are provided for the operation of a multifunctional OS, and the presence of such hardware resources is reflected in the total cost of the projector. Given the same optical design, models with Android TV will cost more than classic projectors with a simple multi-line menu.
Lamp type
— HD (High-intensity discharge). General name for gas discharge lamps, i.e. lamps in which the light flow is created by an electrical discharge between the electrodes inside the bulb. In the case of projectors, such lamps can be mercury, metal-halide, and xenon (see above for more details).
— LED. LEDs are used as a light source. They provide high brightness with low power consumption.
— Laser-LED. Light source based on laser LEDs. It has even greater brightness than classic LED, with relatively low power consumption.
— UHP (Ultra-high performance) — a high-pressure mercury lamp, developed by Philips. Compared to other lamps, it consumes less power, while not inferior in brightness. Projectors on such lamps are smaller and lighter than conventional ones due to a smaller power supply, the cooler operates with a lower noise level. The creators claimed a service life of up to 10,000 hours. One of the most popular types of lamps for projectors today
– UHE (Ultra-High Energy). Variety of UHP lamps (see above).
— UHB (Ultra-high brightness). Another kind of UHP lamps (see above).
— NSH (New Super High Pressure). Also applies to high pressure mercury lamps manufactured by Ushio. Somewhat less popular than UHP and its peers, but also widespread. Estimated operating time is about...2000 hours.
— SHP. High pressure mercury lamps manufactured by Phoenix.
— P-VIP (Video Projector) — a high-pressure mercury lamp from OSRAM. High brightness lamps, service life — 4000 — 6000 hours.
—UHM (Ultra High Performance Lamp of Matsushita) is a high pressure mercury lamp manufactured by Panasonic. Сan be easily changed, operating time, depending on type — 2000 — 5000 hours.
— Xenon. The design and principle of operation of such lamps are similar to high-pressure mercury lamps — light is created due to a discharge in a gaseous medium. However, instead of mercury vapor, in this case, an inert xenon gas under high pressure is used. This allows to create high power lamps (from 2 kW) with the appropriate light flow. Xenon lamps are used primarily in professional models.
— HPM. High-pressure mercury lamp technology developed by Sony and used primarily in its projectors (although other brands are also available). Combines compact size and relatively low cost with high brightness.
— DC. Abbreviation for "direct current". In the case of projector lamps, this designation usually refers to mercury lamps powered by direct current. The operating voltage of such lamps in different models of projectors may be different. Their design usually uses various tricks to improve performance compared to conventional lamps of this type — in particular, increase service life and reduce power consumption without sacrificing brightness.
— AC. This abbreviation stands for "alternating current". Such lamps are similar in almost everything to the DC ones described above, differing from them only in the type of power supply.
— LED. LEDs are used as a light source. They provide high brightness with low power consumption.
— Laser-LED. Light source based on laser LEDs. It has even greater brightness than classic LED, with relatively low power consumption.
— UHP (Ultra-high performance) — a high-pressure mercury lamp, developed by Philips. Compared to other lamps, it consumes less power, while not inferior in brightness. Projectors on such lamps are smaller and lighter than conventional ones due to a smaller power supply, the cooler operates with a lower noise level. The creators claimed a service life of up to 10,000 hours. One of the most popular types of lamps for projectors today
– UHE (Ultra-High Energy). Variety of UHP lamps (see above).
— UHB (Ultra-high brightness). Another kind of UHP lamps (see above).
— NSH (New Super High Pressure). Also applies to high pressure mercury lamps manufactured by Ushio. Somewhat less popular than UHP and its peers, but also widespread. Estimated operating time is about...2000 hours.
— SHP. High pressure mercury lamps manufactured by Phoenix.
— P-VIP (Video Projector) — a high-pressure mercury lamp from OSRAM. High brightness lamps, service life — 4000 — 6000 hours.
—UHM (Ultra High Performance Lamp of Matsushita) is a high pressure mercury lamp manufactured by Panasonic. Сan be easily changed, operating time, depending on type — 2000 — 5000 hours.
— Xenon. The design and principle of operation of such lamps are similar to high-pressure mercury lamps — light is created due to a discharge in a gaseous medium. However, instead of mercury vapor, in this case, an inert xenon gas under high pressure is used. This allows to create high power lamps (from 2 kW) with the appropriate light flow. Xenon lamps are used primarily in professional models.
— HPM. High-pressure mercury lamp technology developed by Sony and used primarily in its projectors (although other brands are also available). Combines compact size and relatively low cost with high brightness.
— DC. Abbreviation for "direct current". In the case of projector lamps, this designation usually refers to mercury lamps powered by direct current. The operating voltage of such lamps in different models of projectors may be different. Their design usually uses various tricks to improve performance compared to conventional lamps of this type — in particular, increase service life and reduce power consumption without sacrificing brightness.
— AC. This abbreviation stands for "alternating current". Such lamps are similar in almost everything to the DC ones described above, differing from them only in the type of power supply.
Service life
Minimum projector lamp life as stated by the manufacturer. Specified by the total time of continuous operation. Note that if the projector was operated without violations, then upon reaching this time, the lamp will not necessarily fail — on the contrary, it can work for quite a long time. However, when evaluating durability, it is best to focus on the claimed service life.
Service life (energy-saving)
When working in economy mode, the brightness of the backlight is noticeably reduced, on average by 30-50%. With a decrease in brightness, heat dissipation also decreases, which saves the working life of the illuminator, thereby increasing the lamp life. Thus, the ECO mode allows you to extend the lamp life by an average of 30%. If the typical projector lamp life is 4000 hours, regular use of the ECO mode will extend the backlight life to approximately 5500 hours.
Brightness
The brightness of the image produced by the projector at maximum backlight brightness. Usually, the average brightness of the screen, derived from a special formula, is indicated. The higher it is, the less the image depends on ambient light: a bright projector can provide a clearly visible image even in daylight, but a dim one will require dimming. On the other hand, increasing brightness reduces contrast and accuracy of colour reproduction.
Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.
Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.
Accordingly, when choosing this parameter, you need to consider the conditions in which you plan to use the projector. So, for office or school/university use, a brightness of at least 3000 lm is desirable — this allows you to get normal visibility without obscuring the room. In turn, among the top models a very low brightness can be found, because. such projectors are usually installed in rooms specially designed for them with good darkness level. And in ultra-compact devices it is impossible to achieve high brightness for technical reasons.
Detailed recommendations on the optimal brightness for certain conditions can be found in special sources. Here we note that anyway, it is worth choosing according to this indicator with some margin. As mentioned above, as brightness increases, contrast and colour quality decrease, and you may need to use the projector at a reduced brightness to achieve the desired picture quality.
Dynamic contrast
The dynamic image contrast provided by the projector.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Dynamic contrast ratio is the ratio between the brightest white and darkest black colour that a projector can produce. Recall that the quality of colour reproduction and detailing depend on contrast, the higher this indicator, the lower the likelihood that details will be indistinguishable in bright or dark areas. However, dynamic contrast is a rather specific parameter. The fact is that when it is calculated, the brightest white at the maximum brightness settings and the darkest black at the minimum are taken into account. As a result, the figures in this column can be very impressive, but it is impossible to achieve such a contrast within one frame.
By introducing this parameter, the manufacturers went to a certain trick. However, this is not to say that dynamic contrast has nothing to do with image quality at all. Projectors can use automatic brightness control, in which the overall brightness, depending on the "picture" on the screen, can increase or decrease. This format of work is based on the fact that the human eye does not need too bright areas on a general dark background and very dark areas on a bright one, the image is normally perceived even without it. The maximum brightness difference achievable in this mode of operation is exactly what described by dynamic contrast.
Colour space
The color gamut characterizes the range of colors that a projector can reproduce.
This parameter is specified in percentages, but not relative to the entire variety of visible colors, rather to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. The projector's specifications may specify which color model the gamut is based on. The larger the color gamut (100% and above), the more accurately the colors will match those originally intended. A too small color gamut results in a dull, faded image, while a too large one results in unnatural and oversaturated colors. However, in practice, values from 90% to 110% are considered quite acceptable for most cases and do not lead to noticeable image degradation.
This parameter is specified in percentages, but not relative to the entire variety of visible colors, rather to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. The projector's specifications may specify which color model the gamut is based on. The larger the color gamut (100% and above), the more accurately the colors will match those originally intended. A too small color gamut results in a dull, faded image, while a too large one results in unnatural and oversaturated colors. However, in practice, values from 90% to 110% are considered quite acceptable for most cases and do not lead to noticeable image degradation.
Color gamut (sRGB, Rec.709)
Any color gamut is indicated as a percentage, but not relative to the entire variety of visible colors, rather relative to a specific color space (color model). This is because no modern screen can display all the colors visible to the human eye. Nevertheless, the larger the color gamut, the broader the capabilities of the projector, and the better its color reproduction quality.
Nowadays, sRGB is essentially the standard color model adopted for computer technology; for television, a similar standard in terms of parameters, Rec. 709, is used. These models are identical in terms of color range, and the percentage of coverage for them is the same. As of today, values below 90% sRGB are characteristic only for the most budget-friendly devices.
Nowadays, sRGB is essentially the standard color model adopted for computer technology; for television, a similar standard in terms of parameters, Rec. 709, is used. These models are identical in terms of color range, and the percentage of coverage for them is the same. As of today, values below 90% sRGB are characteristic only for the most budget-friendly devices.
Colour gamut (DCI-P3)
The color gamut is indicated as a percentage, but not in relation to the entire range of visible colors, rather concerning a conditional color space (color model). This is because no modern screen can display all the colors visible to the human eye. Nevertheless, the larger the color gamut, the wider the capabilities of the projector, resulting in higher quality color rendering.
DCI-P3 is a professional color model primarily used in digital cinemas. It is significantly more extensive than the standard sRGB, allowing for more accurate and realistic colors. Consequently, the percentage values are lower — for example, 115% coverage in sRGB corresponds to approximately 90% coverage in DCI-P3. At the same time, projectors with high DCI-P3 coverage do not come cheap.
DCI-P3 is a professional color model primarily used in digital cinemas. It is significantly more extensive than the standard sRGB, allowing for more accurate and realistic colors. Consequently, the percentage values are lower — for example, 115% coverage in sRGB corresponds to approximately 90% coverage in DCI-P3. At the same time, projectors with high DCI-P3 coverage do not come cheap.





















