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Comparison Canon EOS M50 kit 15-45 vs Canon EOS M6 kit 15-45 + 55-200

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Canon EOS M50  kit 15-45
Canon EOS M6  kit 15-45 + 55-200
Canon EOS M50 kit 15-45Canon EOS M6 kit 15-45 + 55-200
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Main
Autofocus system Dual Pixel CMOS AF. 4K video recording. High rate of fire in burst mode. Touch rotary screen. Complete set of wireless communications. Compact size and light weight.
Excellent image quality. Advanced Dual Pixel AF focus system. Intuitive menu. Touch screen display. Complete set of wireless modules.
Camera type"mirrorless" (MILC)"mirrorless" (MILC)
DxOMark rating78
Sensor
SensorCMOS (CMOS)CMOS (CMOS)
Sensor size
APS-C (23x15.5 mm) /22.3х14.9 mm/
APS-C (23x15.5 mm) /22.3х14.9 mm/
Total MP2626
Effective MP number2424
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)100-51200100-25600
RAW format recording
Lens
Mount (bayonet)Canon EF-MCanon EF-M
Kit lens
Second lens
 /55-200/
Aperturef/3.5 - f/6.3
Focal length15 - 45 mm
Optical zoom3
Manual focus
Image stabilizationis absentis absent
Photo shooting
HDR
2 control dials
White balance measuring
Exposure compensation± 3 EV, in 1/3 EV increments± 3 EV, in 1/3 EV increments
Auto bracketing
 /± 2 (3 frames in 1/3 stops)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 60 fps1920x1080 pix 60 fps
Ultra HD (4K)3840x2160 pix 25 fps
File recording formatsMP4 (H.264)MP4 (H.264)
Manual video focus
Maximum video length
time limit
memory limit
time limit
memory limit
Connection ports
micro HDMI v 1.4
microphone Jack
micro HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points143 шт49 шт
Touch focus
Contour enhancement
Viewfinder and shutter
Viewfinderelectronicis absent
Frame coverage100 %
Shutter speed30-1/4000 sec30-1/4000 sec
Continuous shooting10 fps9 fps
Shutter type
mechanical /focal/
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Memory and communications
Memory cards types
SD, SDHC, SDXC /Eye-Fi, UHS-I/
SD, SDHC, SDXC /Eye-Fi, UHS-I/
Communications
Wi-Fi
Bluetooth
NFC
smartphone control
Wi-Fi
Bluetooth
NFC
smartphone control
Flash
Built-in flash
Application range5 m5 m
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E12LP-E17
Shots per charge235 шт295 шт
General
Materialmagnesium alloymagnesium alloy
Dimensions (WxHxD)116х88х59 mm112х68х45 mm
Weight390 g343 g
Color
Added to E-Catalogfebruary 2018november 2017

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Light sensitivity (ISO)

The sensitivity range of a digital camera matrix. In digital photography, light sensitivity is expressed in the same ISO units as in film photography; however, unlike film, the light sensitivity of the sensor in a digital camera can be changed, which gives you more options for adjusting shooting parameters. High maximum light sensitivity is important if you have to use a lens with a low aperture (see Aperture), as well as when shooting dimly lit scenes and fast-moving objects; in the latter case, high ISO allows you to use low shutter speeds, which minimizes image blur. However, note that with an increase in the value of the applied ISO, the level of noise in the resulting images also increases.

Second lens

The second lens supplied with the camera in the so-called double kit configuration. As a rule, these are “long-range” optics with variable zoom and coverage of a range of focal lengths beyond that included in the capabilities of the first complete lens. Also, a portrait prime lens can be offered as a second lens, or, less commonly, wide-angle optics. The presence of a second lens in the package significantly expands the shooting capabilities available to the photographer out of the box. However, in practice, such optics often have very modest characteristics compared to lens models sold separately.

Aperture

Aperture of the lens installed in the camera or supplied with it in the kit (for models with detachable optics).

In a simplified way, this parameter can be described as the ability of the lens to transmit light - in other words, how much the light flux weakens when passing through the optics. It is believed that two main indicators affect the characteristics of light transmission: the size of the relative opening of the lens and its focal length. Aperture is the ratio of the first indicator to the second; in this case, the size of the active hole is taken as one and is generally omitted when recording, as a result, such a recording looks, for example, like this: f / 2.0. Accordingly, the larger the number after the fraction sign, the lower the aperture ratio, the less light the lens transmits.

Zoom lenses (zoom lenses), as a rule, have different aperture values for different focal lengths. For such optics, two values of this parameter are indicated in the characteristics, for the minimum and maximum focal lengths, for example, f / 2.8–4.5. There are also vario lenses that maintain a constant aperture over the entire range of focal lengths, but they are much more expensive than analogs with variable aperture.

The high light transmission of the lens is important if the camera is planned to be used for shooting in low light conditions or for shooting fast moving objects: high-aperture optics allow you to shoot at low sensor sensitivity (which...reduces the likelihood of noise) and at low shutter speeds (at which moving objects are less blurry) . This parameter also determines the depth of field of the imaged space: the higher the aperture ratio, the smaller the depth of field. Therefore, for shooting with artistic background blur (“bokeh”), it is recommended to use fast lenses.

Focal length

Focal length of the camera lens.

Focal length is such a distance between the camera matrix and the optical center of the lens, focused at infinity, at which a clear and sharp image is obtained on the matrix. For models with interchangeable lenses ( mirrorless cameras and MILC, see “Camera Type”), this parameter is indicated if the camera is supplied with a lens (“kit”); Let us recall that, if desired, optics with other characteristics can be installed on such a camera.

The longer the focal length, the smaller the viewing angle of the lens, the higher the degree of approximation and the larger the objects visible in the frame. Therefore, this parameter is one of the key for any lens and largely determines its application (specific examples are given below).

Most often in modern digital cameras, lenses with a variable focal length are used: such lenses are able to zoom in and out of the image (for more details, see "Optical Zoom"). For "DSLRs" and MILC, specialized optics with a constant focal length (fixed lenses) are produced. But in digital compacts, "fixes" are used extremely rarely, usually such a lens is a sign of a high-end model with specific characteristics.

It should be borne in mind that the actual focal length of the lens is usually given in the characteristics of the camera. And the viewing angles and the general purpose of the optics are determined not only by this parameter, but also...by the size of the matrix with which the optics are used. The dependence looks like this: at the same viewing angles, a lens for a larger matrix will have a longer focal length than a lens for a small sensor. Accordingly, only cameras with the same sensor size can be directly compared with each other in terms of lens focal length. However, to facilitate comparisons in the characteristics, the so-called. EGF - focal length in 35 mm equivalent: this is the focal length that a lens for a full frame matrix having the same viewing angles would have. You can compare by EGF lenses for any matrix size. There are formulas that allow you to independently calculate the equivalent of 35 mm, they can be found in special sources.

If we talk about a specific specialization, then the EGF up to 18 mm corresponds to ultra-wide-angle fisheye lenses. Wide-angle is considered "fixed" optics with EGF up to 28 mm, as well as vario lenses with a minimum EGF up to 35 mm. Values up to 60mm correspond to "general purpose" optics, 50 - 135mm are considered optimal for shooting portraits, and higher focal lengths are found in telephoto lenses. More detailed information about the specifics of various focal lengths can be found in special sources.

Optical zoom

The magnification factor provided by the camera by using the capabilities of the lens (namely, by changing its focal length). In models with interchangeable lenses (see “Camera type”), indicated for the complete lens, if available.

Note that in this case the magnification is indicated not relative to the image visible to the naked eye, but relative to the image produced by the lens at minimum magnification. For example, if the characteristics indicate an optical zoom of 3x, this means that at the maximum magnification, objects in the frame will be three times larger than at the minimum.

The degree of optical zoom is directly related to the range of focal lengths (see above). You can determine this degree by dividing the maximum focal length of the lens by the minimum, for example 360mm / 36mm=10x magnification.

To date, optical zoom provides the best "close" image quality and is considered to be superior to digital zoom (see below). This is due to the fact that with this format of work, the entire area of \u200b\u200bthe matrix is constantly involved, which allows you to fully use its capabilities. Therefore, even among low-cost models, devices without optical zoom are very rare.

2 control dials

The presence of two control dials in the design of the camera.

This design feature makes it easier to control the camera and change settings on the fly: additional operating parameters are transferred to the second disk, and turning it to the desired position is easier and faster than “digging” in the on-screen menu items. This feature is found mainly in semi-professional and professional cameras, which involve frequent use of manual shooting mode.

Auto bracketing

Bracketing is called shooting a series of frames, in which in each next frame the shooting parameters (exposure, white balance, focus, etc.) change by a certain amount. This allows, for example, to choose the most successful shot from several options, or to determine the effect of changing the settings in one direction or another. Auto bracketing allows you to take such shots automatically. At the same time, it should be taken into account that the set of parameters changed in the process may differ in different camera models. For example, some devices are able to change only the exposure, others — the exposure and/or white balance, etc.

Ultra HD (4K)

The maximum resolution and frame rate of video captured by the camera in the Ultra HD (4K) standard.

UHD 4K refers to resolutions with a frame size of approximately 4,000 horizontal pixels. Specifically, in cameras for video shooting, resolutions of 3840x2160 and 4096x2160 are most often used. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.
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