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Comparison Dune HD Neo 4K vs iNeXT 4K

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Dune HD Neo 4K
iNeXT 4K
Dune HD Neo 4KiNeXT 4K
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Main
Support for HDR technology
"Learning" remote - the presence of five programmable buttons.
TypeMedia PlayerMedia Player
Operating systemAndroid (AOSP)Android (AOSP)
Connectivity and interfaces
Bluetoothv 4.1v 4.1
Wi-FiWi-Fi 5 (802.11ac)Wi-Fi 4 (802.11n)
Card reader
Web browser
IPTV support
Connectors
HDMIv 2.01
USB 2.02
LAN100 Mbps100 Mbps
AV output
Optical output
Hardware
CPUAmlogic S905XAllwinner H3
CPU cores4
CPU frequency1500 MHz1600 MHz
Built-in memory8 GB8 GB
RAM1 GB2 GB
Ultra HD 4K support
HDR supportHDR10
General
Video decodersH.264, H.265
Audio decodersDolby Digital, DTSDolby Digital (AC3), DTS, DTS-HD MA, Dolby TrueHD, MPEG-1, MPEG-2
Remote control++
Cooling systempassive (no fan)passive (no fan)
Dimensions (WxHxD)101x101x18 mm110x26x110 mm
Added to E-Catalogfebruary 2018july 2017
Price comparison

Wi-Fi

Wi-Fi is a technology used for wireless connection to computer networks and for direct connection between devices. In media players, tuners and video capture devices, it can be used both to access the Internet or "local area" through a wireless router, and to communicate with a smartphone, tablet, etc. The AirPlay, Chromecast and Miracast functions are also based on this technology. The specific set of Wi-Fi features should be clarified separately; here we note that in this paragraph the specific supported version of such a connection can also be specified. Here are the main current options:
  • Wi-Fi 5(802.11ac). One of the newest (for 2020) standards. Uses the 5 GHz band (less crowded than used in earlier 2.4 GHz versions) for improved reliability and lower latency; and speeds can reach 6.77 Gbps with multiple antennas and 1.69 Gbps with a single antenna.
  • Wi-Fi 4 (802.11n). The predecessor of the above Wi-Fi 5, the first standard in which the 5 GHz band was introduced — here it is used along with the traditional 2.4 GHz and is not supported by some devices with Wi-Fi 4. Data transfer rate — up to 600 Mbps.
Note that, in addition to the directly claimed Wi-Fi standard, the media centre, digital receivers and video capture devices usually provide support for earlier versions — for maximum compatibility with different devices.

HDMI

HDMI is the most common modern interface for working with HD content and multi-channel audio. Video and audio signals with this connection are transmitted over a single cable, and the bandwidth in the latest versions ( HDMI 2.0 and HDMI 2.1) is enough to work with UltraHD resolution and even higher. Almost any modern screen (TV, monitor, etc.) with HD support has at least one HDMI input, which is why most media players and TV receivers have outputs of this type. However, there are also models without HDMI — these are mostly outdated or the most inexpensive solutions that use only analogue video interfaces. There are also models for several HDMI and in most cases one of these ports is for the incoming signal, while the HDMI ports differ in versions.

— v 1.4. The version presented back in 2009, however, does not lose popularity to this day. Supports 4K (4096x2160) video at 24 fps and Full HD at 120 fps; the latter, among other things, allows you to transfer 3D video over this interface. In addition to the original v 1.4, there are also improved versions v 1.4a and v 1.4b, where the possibilities for working with 3D have been further expanded.

-v 2.0. Version released in 2013. Among other things, it introduced the ability to work with 4K video at speeds up to 60 fps, compatibility with ultra-wide format 21: 9, as well as support for up to 32 channels and 4...audio streams simultaneously. HDR support was not originally included in this release, but was introduced in v 2.0a and further enhanced in v 2.0b; media players from this category can support both the original version 2.0 and one of the improved ones.

— v 2.1. 2017 version, also known as HDMI Ultra High Speed. Indeed, it provides a very solid bandwidth, allowing you to work even with 10K video at a speed of 120 fps; in addition, a number of improvements have been made to HDR support. Note that the full use of HDMI v 2.1 is possible only with a special cable, but the functions of earlier versions remain available when using conventional wires.

CPU

The model of the CPU installed in the media player.

This information is mainly of reference value: the processor is selected in such a way as to provide certain practical characteristics (maximum resolution, support for certain standards, embedded applications, etc.). So when choosing, you should focus primarily on these specifications. However, if you wish, knowing the processor model, you can find detailed data on it and evaluate the capabilities of the media centre to work with resource-consuming applications. This can be useful, in particular, if you choose an Android model (see above) and plan to use additional software intensively — the set of applications for this OS is very extensive, and some of them are quite demanding on system resources.

Also note that CPU data is often specified for advertising purposes — to emphasize that the device has a fairly advanced chip from a well-known brand. Among the most common brands of such processors are Allwinner, Amlogic, Rockchip, Realtek.

CPU cores

The core is the part of the processor that executes a single thread of instructions. Accordingly, the presence of multiple cores allows to work with multiple threads simultaneously, which has a positive effect on performance. Theoretically, more cores (4 cores or even 6 cores or more) can increase the efficiency of the processor. However, in fact, CPU performance depends on so many additional factors that the number of cores is purely a reference parameter. So, a high-end dual-core processor may well be more performant than an inexpensive quad-core one.

CPU frequency

The clock speed of the CPU installed in the media centre.

On the technical side, the higher this indicator, the faster the processor works and the higher, accordingly, the overall system performance. At the same time, the CPU performance depends, in addition to the frequency itself, on a number of factors — architecture, number of cores, special design features, etc.; and the actual speed of the entire system is affected by performance of components other than the processor. In addition, manufacturers usually select processors in such a way that their computing power is guaranteed to be enough for all the features claimed for a media centre. Therefore, in this case, the CPU frequency is more of a reference parameter (and partly an advertising indicator that demonstrates the advanced specifications of the device), rather than practically significant for buyer.

RAM

The amount of RAM installed in the media player.

In general, this volume is selected by the manufacturer in such a way that the device can normally cope with the tasks that are claimed for it. On the other hand, all else being equal, more RAM usually means faster performance. This parameter is especially important if the media player runs under the Android OS (see above): such firmware allows the installation of additional applications that may have rather high requirements for RAM.

As for specific values, by modern standards, a device with more than 2 GB of RAM is considered a fast media player.

HDR support

HDR standard supported by the media player.

For more details about HDR in general, see above, while the standard defines some features of the implementation of this feature. Today, the following HDR formats are relevant:

— HDR10. Historically the first of the consumer HDR formats, less advanced than the options described below, but extremely widespread. In particular, HDR10 is supported by almost all streaming services that provide HDR content at all, and it is also common for Blu-ray discs. Allows to work with a colour depth of 10 bits (hence the name). At the same time, devices of this format are also compatible with content in HDR10 +, although its quality will be limited by the capabilities of the original HDR10.

— HDR10+. An improved version of HDR10. With the same colour depth (10 bits), it uses the so-called dynamic metadata, which allows transmitting information about the colour depth not only for groups of several frames, but also for individual frames. This results in an additional improvement in colour reproduction.

Dolby Vision. An advanced standard used particularly in professional cinematography. Allows to achieve a colour depth of 12 bits, uses the dynamic metadata described above, and also makes it possible to transmit two image options at once in one video stream — HDR and standard (SDR). At the same time, Dolby Vision is based on the same tec...hnology as HDR10, so in modern video technology this format is usually combined with HDR10 or HDR10 +.

Video decoders

Codec — from the phrase "Encoder-DECoder" — in this case is the format used for encoding digital video during storage/transmission and decoding during playback (without encoding, video data would take up an unjustifiably large amount of space). Do not confuse this parameter with the format of video files: different files of the same format can be encoded with different codecs, and if the corresponding codec is not supported by the player, video playback will be impossible, even if the file format itself corresponds to the capabilities of the device. And in models with online TV support (see "Features") this nuance also determines compatibility with a specific broadcast: the general format of the broadcast is indicated by the codec used for this.

In general, modern devices usually have quite extensive sets of codecs (one of the most advanced is H.265, AV1 codecis also popular), and there are usually no problems with video playback; in extreme cases, you can use special programs for transcoding files. As for specific codecs, detailed data on them can be found in special sources, but with standard use of media players, such details are not needed.

Audio decoders

The set of audio codecs supported by the device

Codec — from the phrase "Encoder-DEcoder" — in this case, the format used for encoding and compressing sound in digital form during storage/transmission and decoding — during playback (digital sound is basically impossible without encoding, and compression allows to reduce the amount of data). Information about supported codecs is relevant primarily for assessing whether the player will be able to work with sound in a particular video file. The fact is that even in video files of the same format (see below), sound can be compressed by different codecs; and if the player supports the file format, but does not support the codec, sound playback will become impossible.

Theoretically, these rules are also relevant for audio files and online broadcasts (all formats — TV, video, audio). However, in fact, when working with such content, you can ignore codec data. So, for each audio file format, usually, its own standard codec is used, and file type support automatically means codec support. Broadcasts usually use generally accepted audio decoders like MPEG-1 or MPEG-2, which are practically guaranteed to be supported by any modern player designed for such broadcasts.

As for specific codecs, detailed information on them can be found in special sources, however, with the standard use of devices, such details are usually not needed.
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