Comparison Pioneer VSX-330-K vs Pioneer VSX-424-K

In this case, the function of automatic adjustment of each individual sound channel in terms of level and delay is implied so that all of them together provide surround sound that best matches the intention of the creators of the film or musical composition. The need for such a setting is due to the fact that practically no room (neither residential, nor even specialized) is acoustically perfect: the sound propagation is affected by the wall material, floor covering, furniture (sofas, wardrobes, etc.) and other factors. Therefore, the technically correct arrangement of the speakers alone does not guarantee a full-fledged surround sound.

Typically, automatic tuning uses a microphone placed at the intended listening position. During the calibration process, the device outputs test sound signals through the acoustics and “listens” to the features of the sound through the microphone, if necessary, independently changing the audio parameters.

Such a function can greatly simplify the preparation for work — after all, the device will carry out the main part of the setup on its own. However, keep in mind that even in the most advanced receiver models, automatic calibration algorithms are not perfect. As a result, it is highly likely that the automatically set parameters will not meet the tastes of demanding audiophiles. In addition, the reliability of the calibration is also highly dependent on the characteristics of the microphone used — and options with high...sound quality can be quite expensive.

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (see..."Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

The range of sound frequencies that the receiver is capable of outputting (this parameter can also be specified for models without their own amplifier, see “Number of channels” for more details). The completeness of the transmitted sound depends on this parameter; of course, the sound quality in general is highly dependent on a number of other factors (for example, frequency response), but the wider the frequency range, the less risk that the amplifier will completely “cut off” some part of the sound. On the other hand, it should be taken into account here that the normal hearing range of the human ear is approximately 16 – 20,000 Hz, and deviations from these limits are rather small. And although many modern receivers provide a much wider frequency range, however, this is more of a marketing ploy than a really significant indicator (or some kind of "side defect" in the design of a high-quality amplifier).

It is also worth considering that in order to reproduce the full frequency of the amplifier, you will need speakers with the appropriate characteristics.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders. And the intermediate ones were Dolby TrueHD, Dolby Pro Logic II, DTS-HD, DTS ES, DTS Neural: X, DTS Neo (6, X).

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X . An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The...digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audio channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

— IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

HDMI interface version supported by the receiver. Usually, all HDMI connectors available in the device correspond to this version — both inputs (see above) and outputs (see below). Here are the current options:

— v 1.4. The oldest of the current versions, released in 2009. However, it supports 3D video capable of working with resolutions up to 4096x2160 at 24 fps, and in Full HD resolution, the frame rate can reach 120 fps. In addition to the original v.1.4, there are also improved modifications — v.1.4a and v.1.4b; they are similar in terms of basic features, in both cases the improvements affected mainly work with 3D content.

-v 2.0. Significant update to HDMI introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and the audio bandwidth has increased to 32 channels and 4 separate streams simultaneously. Also from the innovations, we can mention support for the ultra-wide format 21:9. In the v.2.0a update, HDR support was added to the interface capabilities, in v.2.0b this feature was improved and expanded.

— v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10K at speeds up to 120 fps, as well as further expanded the possibilities for working with HDR. Under this version, its own cable was released — HDMI Ultra High Speed, all v.2.1 features are available only when using cables of this standard,...although basic functions can be used with simpler cords.

Additional inputs provided in the design of the AV receiver, in addition to those described above. These can be, in particular, such interfaces:

— Balanced digital (AES/EBU). A professional interface designed, as the name suggests, for transmitting digital audio using a balanced connection to reduce interference. For balanced connection, see "XLR (balanced)" above; here we note that AES / EBU is not compatible with the "regular" XLR, although it most often uses the same type of connector. This input is found mainly in the most advanced AV receivers.

— Connector for the docking station. Input for connecting to a docking station — a special device used mainly for connecting smartphones and portable players. The most popular docks for Apple devices — iPhone and iPod — but there may be accessories for other brands. A docking station is often more convenient than a regular cable as it She also plays the role of a stand. In addition, connecting a portable gadget in this way often provides additional control options — for example, switching tracks on the player from the receiver's control panel.

— Trigger input. This input allows the AV receiver to turn on automatically when another audio component equipped with a trigger output, such as a CD player, is turned on. When the control component connected to the trigger input is turned on, this input receives a signal that “wakes up” the receiver as well. This is more convenient than turning on the...equipment separately.

— PC IN. Input for outputting video signal from a computer graphics card to the AV receiver. Typically, the designation PC IN is used for the analogue VGA connector (15 pin D-Sub); it is considered obsolete, but it is still quite common in video cards, especially low-cost ones. On the other hand, the same video cards use the more popular, advanced, and most importantly universal HDMI standard (see above). Therefore, among AV receivers, the PC IN input is still not widely used, only some top-class models are equipped with it, designed for the maximum variety of interfaces.

— USB A. Standard USB connector — the same as in PCs and laptops. It can be used in different formats, but most often it is intended for connecting flash drives or other drives and using the receiver as a media player.

The power consumed by the receiver in standby mode. Most modern premium electronics, when “shut down” (from the remote control or control panel), do not turn off completely, but are put into standby mode — for a number of reasons this option is considered better than a complete shutdown. It requires electricity consumption, but it is usually very low. At the same time, if you plan to be away from home for a long time, for example, it is likely that from the point of view of economy it will be justified to turn off the power to the audio system completely.