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Comparison Sony HDR-AS300 vs Sony HDR-AZ1

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Sony HDR-AS300
Sony HDR-AZ1
Sony HDR-AS300Sony HDR-AZ1
from $439.96 up to $619.96
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Main
Optical image stabilization. High quality optics with variable viewing angle. Triple zoom. Jack for connecting an external microphone. Waterproof case withstands diving to a depth of 60 m.
Product typeaction cameraaction camera
Body typeoblongoblong
Thread 1/4" (for tripod)
Dust-, moisture-proof cameraIPX4
Dust-, moisture-proof of case
IP68 /dive up to 60 m/
IP68 /immersion up to 5 m/
Filming
HD (720p)1280x720 px 60 fps1280x720 px 120 fps
Full HD (1080p)1920x1080 px 60 fps1920x1080 px 60 fps
Quad HDno supportno support
Ultra HD (4K)no supportno support
Slow motion
120 fps /720p/
Field of view170 °
170 ° /120° with image stabilizer on/
Digital stabilization
 /SteadyShot/
Optical stabilization
 /Balanced Optical SteadyShot/
Sound recording
Microphones22
Megapixels12
11.9 /effective, 16.9 total/
Photo resolution4608x2592 px4608x2592 px
Capabilities
serial photo shoot
time lapse
serial photo shoot
time lapse
Features
Connection
Wi-Fi
Bluetooth
NFC
HDMI output
microphone connection
Wi-Fi
 
NFC
HDMI output
 
Speaker
Max. memory card capacity256 GB
Battery
Typeremovableremovable
Battery modelNP-BX1NP-BY1
Capacity1240 mAh640 mAh
General
In box
protective case /MPK-UWH1/
 
 
protective case /SPK-AZ1/
helmet mount
flat mount
Dimensions83x29x47 mm74x24x36 mm
Weight
109 g /with battery/
48 g
Color
Added to E-Catalogseptember 2016december 2014

Thread 1/4" (for tripod)

The presence of a 1/4" threaded socket on the camera body. It is this size that is standard for modern tripods and is used in most of these devices. So this feature allows you to mount the camera on a tripod without using adapters and other additional equipment.

Dust-, moisture-proof camera

The level of dust and water protection provided by the body of the camera itself. Most action cameras are designed for recording in extreme conditions, but the level of protection of each model can vary significantly — from the ability to shoot in the rain, to full tightness, allowing for a long immersion under water.

To characterize the security level of the camera, the international IP classification is used. Each device is assigned a code of the form IPXX, where instead of the first X — the level of protection against the ingress of foreign objects (including dust), and instead of the second X — the level of protection against the ingress of water.

Levels of protection against dust and foreign objects in modern action cameras are never lower than 5 — lower protection classes would provide unacceptably large gaps in the body. Specifically, level 5 provides that dust can get inside in small quantities, but does not affect the performance of the device. A higher level — 6 — provides full dustproof.

To characterize the level of protection from water, the following classification is used:

0 — no protection;
1 — drops of water falling at a right angle relative to the operating position of the device cannot cause dangerous consequences;
2 — protection against drops falling on the equipment at an angle of up to 15°;
3 — at an angle up to 60° (splash protection, minimum rain protection);
4 — protection from rai...n with strong wind;
5 — protection against water jets falling at any angle (water jets, for example, from a hose or heavy rain cannot harm the device);
6 — from temporary flooding;
7 — from temporary immersion under water to a depth of not more than 1 metre;
8 — from prolonged diving to depth (maximum time and depth are specified by the manufacturer separately).

In some cases, a model may only be IP-certified for one type of protection (only against sand or water). In this case, instead of the second parameter, simply X is put. So, for example, IPX6 security means that the camera is protected from temporary flooding and heavy rain, but the level of protection from dust is not defined and, accordingly, is not certified.

It is important to note that this parameter characterizes the protection of the camera itself, but does not take into account the capabilities of protective cases. Do not confuse it with the protection of the outer case, which sometimes comes with the device (see "Dust-, moisture-proof of case").

HD (720p)

The ability of the camera to record HD video (720p).

The official HD specification provides a resolution of 1280x720. However, in action cameras, there may be resolutions slightly different from this parameter, for example, 1080x720 or 1440x960. Anyway, HD is the most modest of today's high-definition standards, which, nevertheless, provides a fairly clear and detailed image.

Another important parameter given in this paragraph is the frame rate. The higher it is, the smoother the movement in the frame will be, and the details in dynamic scenes will be visible clearly. Technically, 30 fps or even less is enough for video, but 60 fps is considered the perfect value — at this frame rate, motion blur becomes almost imperceptible and at the same time the size of the captured files remains within reasonable limits. However, there are cameras on the market with higher frame rates at HD resolutions — 100 fps, 120 fps, 200 fps and even 240 fps. This speed is usually used for recording slow-motion video, but such a possibility needs to be specified separately.

Slow motion

Frame rate supported by the camera when shooting in slow motion.

In general, such shooting is called “high-speed” because it is carried out at an increased frame rate (more than 60 fps). As a result, when played back at normal speed (60 fps and below), the video looks slow hence the name. This kind of slow-motion can be used just for fun, as an artistic technique, and even for scientific purposes — to capture movement that is too fast for the human eye. In any case, the higher the slow-mo frame rate, the more you can slow down the video and the more advanced the camera is in this regard. On the other hand, the higher the frame rate, the more performant the graphics part should be; and this, in turn, affects the price of the device, sometimes quite noticeably.

We also note that slow-mo shooting may be available only at certain resolutions, not always at maximum. These points can be directly specified in the specs of the action camera.

Digital stabilization

The presence of a digital (electronic) stabilization system in the camera design.

Any stabilization is intended to compensate for small juddering of the image that occurs due to the instability of the hold in the hands, vibrations from the motor or road roughness (when used in transport), etc. Digital stabilization is carried out as follows: a reserve area is allocated along the edges of the sensor, which under normal conditions does not participate in the formation of the final image. If the device is being shaken, the camera electronics select certain parts of the image from the reserve and build the image in such a way that in the end, it remains stable.

Compared to other methods of stabilization, digital systems are extremely simple and reliable. Moreover, they are inexpensive and have almost no effect on the weight, dimensions, and price of the camera. At the same time, with this method of stabilization, the effective area of the image sensor is reduced, which can adversely affect the image quality and the amount of noise on it.

Optical stabilization

The presence of an optical stabilization system in the design of the camera.

Any stabilization is intended to compensate for small juddering of the image that occurs due to the instability of the hold in the hands, vibrations from the motor or road roughness (when used in transport), etc. Optical stabilization is carried out by a system of movable lenses and gyroscopes in the camera lens; such a system monitors the vibrations of the device and adjusts the optics in such a way that the image falling on the sensor remains motionless.

The optical method is considered more advanced than the electronic method described above: it allows you to use the entire area of the image sensor, which contributes to good image quality. At the same time, the stabilization mechanism turns out to be quite complex and expensive, and often quite fragile. In addition, it increases the weight and dimensions of the entire device — not by much, but sometimes this may be important. And the miniaturization of such systems further affects the price. As a result, the presence of an optical stabilizer is most often a sign of a fairly advanced camera.

Megapixels

The number of megapixels in the action camera sensor, in other words, the resolution of this sensor(1 megapixel is 1 million photosensitive points).

There is an opinion that the higher the resolution, the better the image quality. It is true from the point of view that manufacturers are trying to install high-resolution sensors in advanced cameras. At the same time, there are no strict dependencies here, and from the technical point of view, the number of megapixels determines only the maximum image resolution that can be captured using this sensor. The quality of this picture will depend both on several features of the sensor itself (size, type, special design solutions), and the specs of the camera. So when choosing, you should focus not so much on the resolution of the image sensor, but on the general class of the camera and reviews with examples of footage.

Connection

GPS module. Built-in satellite navigation module that allows you to determine the current coordinates of the device. Options for using data from GPS can be different: geotagging footage, recording travelled routes, determining the speed of movement, or even full-fledged navigation on the map.

Wi-Fi module. The Wi-Fi wireless module in action cameras can be used in different formats: in some models, it is responsible for connecting to the Internet, in others it is for communicating with a smartphone or other gadget, in others both options are available at once. Anyway, the main use of this connection is to transfer footage to an external device or to the Internet (including broadcasting in the online streaming format, see “Filming capabilities”). In addition, more specific functions can be provided, for example, using a smartphone as an external viewfinder and remote control. Specific features of the use of Wi-Fi in each case should be clarified separately.

Bluetooth. Direct wireless communication technology for exchanging information between two electronic devices. In action cameras, it is most often used to connect remote controls, selfie sticks and smartphones, which can also act as a remote control. Unlike the Wi-Fi module, it consumes battery power more economically, but at the same time, the range of wireless communication is reduced to 10 m...etres.

NFC chip. NFC is a wireless communication technology over short distances (up to 10 cm). In action cameras, this technology is mainly used as an auxiliary one, to facilitate connection with a smartphone or other gadget via Wi-Fi or Bluetooth. If such a gadget is also equipped with NFC, just bring the camera to it and confirm the connection — it's easier than fiddling with the settings.

USB-C. A relatively new type of USB interface that uses a miniature double-sided connector, slightly larger than microUSB. Most often used for similar purposes — as a universal connector through which you can charge the battery and connect the camera to a computer (for copying photos and videos, updating software, etc.). P.). At the same time, USB-C provides a higher data transfer rate than microUSB, supports more power supply, and also has a more convenient plug. Occasionally, there are more specific ways to use this interface — for example, direct connection to a smartphone or tablet that has a USB-C port.

HDMI output. HDMI is a digital interface specially designed for high-definition video and multi-channel audio. With this output, you can connect the camera to a TV, monitor or other device as an external player and play the footage directly. The convenience of HDMI is that almost all modern video equipment with support for HD standards is equipped with such inputs.

Note that the cameras can be equipped with a smaller version of the connector — miniHDMI or microHDMI; however, finding an adapter cable is usually not a problem, it can even be supplied in the kit.

Microphone connection. Almost any modern action camera has a built-in microphone that allows you to record sound. However, the quality of its sound is often quite low. Thus, many models can connect an external microphone — you can fix it, for example, on the helmet strap and record the comments of the athlete in the process of movement. Note that different types of connectors can be used for such a connection. As a result, the specific connector type and supported accessories depend on the action camera model, and some devices are only compatible with branded microphones.

Max. memory card capacity

The largest memory card capacity supported by the camera model.

This limitation is due to two points. First, the larger the drive, the more computing power is required to use it. Secondly, each type of memory card has its maximum capacity. For example, the capacity of an SD HC card cannot exceed 32 GB, larger drives already belong to the SD XC standard, and if it is not supported, the maximum card capacity cannot exceed 32 GB.

It is strongly not recommended to exceed the maximum allowable capacity: even if the card is recognized by the device, its normal operation is not guaranteed.
Sony HDR-AS300 often compared
Sony HDR-AZ1 often compared