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Comparison Marshall Woburn II vs Sony SRS-X99

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Marshall Woburn II
Sony SRS-X99
Marshall Woburn IISony SRS-X99
from £349.99 
Expecting restock
from £499.99 
Outdated Product
TOP sellers
Main
Large margin of volume. High sound quality. Support for the aptX audio codec, which provides high-quality wireless audio playback. It differs from the previous model with support for Bluetooth 5.0, as well as the absence of an optical input.
Featuresminisystemminisystem
Number of channels2.02.1
Playback
Media
 
USB port /type A/
Tech specs
Hi-Res Audio
System power130 W154 W
Number of bands23
Sensitivity110 dB
Frequency range30 – 20000 Hz45 – 40000 Hz
Phase inverter
Equalizer
 /bass/treble adjustment/
Interfaces and features
Interfaces
 
 
 
 
Bluetooth v 5.0
aptX
 
 
 
AirPlay
DLNA
LAN
Wi-Fi
Bluetooth
 
AAC
LDAC
NFC
More features
 
mobile app
Connectors
Inputs
RCA
mini-Jack (3.5 mm)
 
mini-Jack (3.5 mm)
General
Remote control
USB for charging gadgets
Dimensions (HxWxD)310x400x200 mm133x430x125 mm
Weight8.55 kg4.7 kg
Color
Added to E-Catalogjanuary 2020september 2015

Number of channels

The maximum number of audio channels that the audio system can reproduce through its own acoustics.

1.0. One channel of audio allows only monophonic sound — enough to hear the sound, but not providing a surround effect. The advantage of this option is compactness, because For normal operation, it is enough to equip the device with one speaker. The single-channel format is found mainly in inexpensive models, as well as in the most compact audio systems, where small size is more important than "fancy" sound.

2.0. Two channels is the minimum required to play stereo sound. This format already allows you to achieve a sense of spaciousness without requiring too many speakers and complicating the entire system. Therefore, he is very popular.

2.1. Modification of the 2.0 format described above, supplemented by a subwoofer — a specialized speaker for low frequencies. The use of a subwoofer improves sound quality by delivering rich bass sound.

2.2. A further extension of the 2.1 format described above, providing for the presence of two subwoofers — this improves the reliability of the transmission of low frequencies.

— 3.1. An extended version of the 2.1 standard, in which two classic stereo speakers are complemented not only by a subwoofer, but also by a thi...rd, centre speaker. This allows you to improve the sound quality — in particular, due to a richer surround sound.

Note that 2.0 models that do not have their own subwoofer may be equipped with a subwoofer output (see below).

Media

Built-in memory. Own memory allows you to store and play music and other content directly using the audio system, without the use of external media (which can become damaged or lost). Such memory can be based on hard drives or SSD modules; the first option provides good capacity at a low cost, the second is faster and more reliable.

USB port. A classic USB port, which in this case is usually used for flash drives, external hard drives or other devices with a storage function - for example, miniature audio players. USB functionality includes, at a minimum, direct playback, but may provide other capabilities, such as file sharing with the built-in memory (see above). In addition, if necessary, a connected device (for example, a pocket player) can be charged through this port.

- Card reader. A device for reading information from memory cards; Such media are very popular in modern electronics. Most often, card readers are designed for various versions of SD or microSD cards, but other options may also occur; This point should be clarified separately in each case. The purpose of this function is much the same as the USB port described above: it is primarily used for direct playback, but other functions may also occur.

- CD. Having a CD drive means at least the ability to work with d...iscs recorded in the CD Audio format (up to 74 minutes of high-quality audio, divided into tracks). In addition, modern audio systems often provide support for discs with MP3 files; In this format, one disc can accommodate an entire collection of albums, but the sound quality is lower. And sometimes it is possible to work with optical discs in DVD format.

- Vinyl records. Built-in player for playing music from vinyl records. Technically, such media are completely obsolete, but they still have many loyal fans. In addition, many audio systems with this function support recording to USB (see “Advanced”); this may be useful for vinyl owners who want to transfer their music libraries to more modern media.

In addition to those described above, modern audio systems may include other types of media. For example, some models are equipped with USB type B inputs, so they can connect to a computer via a USB connector and work as computer speakers with advanced capabilities (such as copying music from a PC to an external drive or vice versa).

Hi-Res Audio

The speaker supports high-resolution audio Hi-Res Audio. The corresponding format is designed to provide sound close to that recorded in the studio. Hi-Res Audio refers to a digital signal with parameters starting from 96 kHz/24 bits, and for analogue equipment there is a requirement for an extended frequency response - from 40 kHz. Audio tracks in this format sound as close as possible to the original ideas of the authors of the compositions. The Hi-Res license marks premium solutions for avid audiophiles.

System power

The total sound power provided by the audio system at maximum volume, in other words, the total power of all the speakers provided by the device (including the subwoofer).

The higher the power, the louder the system will sound and the larger the area it can cover. On the other hand, high power significantly affects the price, dimensions, weight and power consumption of the device. In addition, when evaluating and comparing according to this indicator, it is worth considering some nuances. Firstly, some manufacturers go to the trick and give in the characteristics not the average, but the peak sound power; such numbers can be quite impressive, but they have very little to do with real loudness. So if it seems to you that the claimed power is too high, it's ok to clarify what exactly is meant in this case. Secondly, when comparing, it is worth considering the presence of a subwoofer — it plays an auxiliary role, but it can account for more than half of the total system power. Because of this, for equal total power, a device with a subwoofer may be quieter than a model without a subwoofer: for example, a 2.0 40W system will have 20W per main channel, while a 2.1 40W model may have 20W per subwoofer, and only 10 watts for the main speakers.

Number of bands

The number of distinct frequency ranges (bands) into which sound is divided when played through the acoustics of an audio system. For each such band, a separate speaker is provided, and sometimes several.

The simplest option provides 1 lane; it is very popular in modern audio systems, because. requires a minimum number of speakers, and the sound quality can be quite good. More advanced options provide 2-3 bands (low and high frequencies, or bass, treble and medium), and in high-end models, the number of bands can be up to five. Note that, in addition to integers, models are also produced with a fractional number of stripes — for example, 2.5 or 3.5. This marking indicates the presence in the design of a speaker responsible for two bands at once: for example, model 2.5 has separate speakers for bass and treble plus a combined bass + midrange (similar in design to bass, but also loaded with mid frequencies).

Anyway, the abundance of bands, usually, indicates a high class of acoustics: the more separate frequency ranges, the narrower the specialization of each speaker, the more accurately it is able to reproduce its part of the signal, and the more complex the system is.

Sensitivity

Sensitivity determines the intensity of the acoustics response to a signal of a certain level; Simply put, the higher this figure, the higher the volume of the speaker system will be at the same signal level. Note that in the case of audio systems, this parameter plays a secondary role: it is important for selecting acoustics for an amplifier, and here both of these components are in most cases optimally matched by the manufacturer to each other.

Frequency range

The total frequency range reproduced by the acoustics of an audio system. Measured from the lower threshold of the lowest frequency speaker to the upper threshold of the highest frequency: for example, in a 2.1 system with main speakers at 100 – 22000 Hz and a subwoofer at 20 – 150 Hz, the total value will be 20 – 22000 Hz.

In general, the wider the frequency range, the fuller the reproduced sound will be, the less low and high frequencies will be lost due to insufficient acoustic capabilities. On the other hand, do not forget that the actual sound quality also depends on a number of other parameters — primarily the frequency response. In addition, human audible frequencies range from 16 Hz to 22 kHz; deviations from these values are very small, and the upper limit also decreases with age. Therefore, from a practical point of view, it does not make sense to provide too large a frequency range; and impressive performances like 10 – 50000 Hz, found in top-class models, are usually more of a kind of "side effect" of high-quality speakers (and at the same time — a marketing ploy) than a really significant moment.

Phase inverter

The phase inverter is a tube installed in the column housing and having an outlet to the surrounding space. The length of the tube is chosen so that a signal comes out of the outlet, inverted in phase relative to the signal from the front of the diffuser. This enhances the sound pressure and improves the sound of the speakers, including at low frequencies. Note that such audio systems should be placed at a certain distance from walls, furniture, etc. — otherwise, a hum may occur due to the movement of air through the phase inverter tube.

A similar function in some models is performed by a passive radiator (see below).

Equalizer

The presence of an equalizer function in the audio system.

Equalizer allows you to change the timbre of the sound by adjusting the volume for individual frequency bands. The simplest version of this adjustment provides 2 bands (high and low frequencies), but most often there are more bands. Anyway, the equalizer can be useful both for fine-tuning the sound to your own preferences, and for compensating for the shortcomings of external or standard acoustics, connected headphones, etc. - for example, if the speakers "fail" certain frequency bands. In addition, many audio systems have a set of equalizer presets (presets), usually designed for different styles of music - "Classic", "Rock", "Pop", etc. You may also be able to create and edit your own presets.
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