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Comparison Marantz SR-6013 vs Denon AVR-X4500H

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Marantz SR-6013
Denon AVR-X4500H
Marantz SR-6013Denon AVR-X4500H
from £580.00 
Outdated Product
from £649.00 
Expecting restock
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Device typeAV ReceiverAV Receiver
CPU
DAC frequency320 kHz320 kHz
Audio DAC32 bit32 bit
Auto sound calibration
 /Audyssey MultEQ XT32 (PRO)/
Auto level
 /Audyssey Dynamic Volume/
Surround sound in headphones
eARC
Ultra HD4K4K
UpscalingUltra HD (4K)Ultra HD (4K)
3D
Multi Zone
Tech specs
Number of channels9.29.2
Power per channel
110 W /8 Ohm/
125 W /8 Ohm/
Signal to noise ratio
100 dB /in direct mode/
102 dB
Acceptable acoustic impedance4 Ohm4 Ohm
Frequency range
10 – 100000 Hz /+ 1, - 3 дБ/
10 – 100000 Hz /+ 1, - 3 дБ/
Bi/Tri-amping
Media player and tuner
Tuner and playback
AM/FM radio
USB drive
network streaming audio
internet radio
AM/FM radio
USB drive
network streaming audio
internet radio
Playable formatsALAC, FLAC, LFE, MP3, MPEG, WMA,WMA, MP3, WAV, FLAC, MPEG-4 AAC, ALAC, DSD, AIFF
Communications (interface)
Interfaces
AirPlay 2
Wi-Fi
Bluetooth
LAN
RS-232
DLNA
Remote control negotiation
Amazon Alexa
AirPlay 2
Wi-Fi
Bluetooth
LAN
RS-232
DLNA
Remote control negotiation /via HDMI port/
Amazon Alexa
Decoder support
Decoders
Dolby Atmos
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
DTS
DTS Express
DTS 96/24
DTS-HD High Resolution Audio
DTS-HD Master Audio
DTS ES Matrix 6.1
DTS ES Discrete 6.1
DTS Neural:X
DTS X
IMAX Enhanced
Dolby Atmos
Dolby Digital
Dolby Digital Plus
Dolby TrueHD
DTS
DTS Express
DTS 96/24
DTS-HD High Resolution Audio
DTS-HD Master Audio
DTS ES Matrix 6.1
DTS ES Discrete 6.1
DTS Neural:X
DTS X
 
Inputs
RCA6 pairs5 pairs
Coaxial S/P-DIF2 шт2 шт
Optical2 шт2 шт
HDMI8 шт8 шт
HDMI versionv 2.1v 2.1
Composite4 шт3 шт
Component2 шт2 шт
Phono
Multichannel
 /7.1/
Control input (IR)
More featuresDenon Link HD
Outputs
RCA1 pairs2 pairs
HDMI3 шт3 шт
Composite1 шт2 шт
Component1 шт1 шт
On headphones6.35 mm (Jack)6.35 mm (Jack)
Preamplifier (Pre-Amp)
 /11.2/
 /11.2/
Control output (IR)
Trigger output1 шт2 шт
Front panel
Headphone output
USB port
HDMI input
Linear
 /pair RCA/
Composite
General
Power consumption680 W710 W
Standby consumption0.2 W0.1 W
Learning remote control
Smartphone control
Dimensions (WxDxH)439x399x160 mm
434x389x167 mm /434x389x236 with antenna/
Weight12.8 kg13.9 kg
Color
Added to E-Catalogdecember 2018december 2018

eARC

The audio receiver supports eARC, an enhanced version of the Audio Return Channel (ARC) used with an HDMI connection (see below).

By itself, the audio return channel allows you to "swap" the HDMI output of the AV receiver and the HDMI input of the TV or other external device — thus, this device turns into an audio signal source, and the receiver starts to work as a receiver. Such functionality is designed mainly for those cases when the TV receives a signal not from the receiver, but from another source (built-in tuner, media player, flash drive, etc.), however, the soundtrack must be output to external speakers through the receiver. Without ARC, you would have to use an additional connection (for example, via an optical interface), while the audio return channel eliminates the need for extra wires: the same HDMI cable is used both for transmitting video / audio from the receiver to the TV and for transmitting audio from TV to receiver. Also, the advantages of ARC over traditional audio interfaces are higher bandwidth, as well as the ability to use the CEC function (control of connected devices from one remote control).

Specifically, eARC was introduced simultaneously with the HDMI 2.1 standard and received a number of improvements compared to conventional ARC. Here are the main ones:

— Up to 40x more bandwidth, allowing uncompressed 5.1 and 7.1 surround sound, HD audio and Dolby Atmos and DTS:X "object-orie...nted" multi-channel codecs (see Decoders).
— Technology Lip Sync Correct, eliminating desynchronization between video and sound.
— Proprietary protocol to automatically detect audio formats supported by both connected devices and select the best option.

Of course, in order to use eARC, both the receiver and the TV it is connected to must support it.

Power per channel

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (see..."Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

Signal to noise ratio

This indicator determines the amount of extraneous noise that accompanies the sound output by the receiver's amplifier. It is convenient because it takes into account almost all possible significant noise — both created by the device itself and due to external causes. The higher the signal-to-noise ratio, the lower the noise volume compared to the main signal, the cleaner the amplifier will sound. A reading of 70-80 dB is considered normal for most consumer electronics, but in AV receivers, which are usually premium devices, this can only be called satisfactory. In the most advanced models, this figure can significantly exceed 100 dB.

Playable formats

Audio and video file formats that the receiver is capable of playing on its own. Models with player features generally support most popular media file types (particularly AVI, MPEG and MKV for video, MP3, WAV and WMA for audio), but the file set may have its own peculiarities. This item allows you to find out.

Decoders

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders. And the intermediate ones were Dolby TrueHD, Dolby Pro Logic II, DTS-HD, DTS ES, DTS Neural: X, DTS Neo (6, X).

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X . An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, but through audio objects. The...digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audio channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

RCA

The number of analogue stereo RCA inputs provided in the design of the AV receiver. The more such inputs there are, the more transmitting devices can be simultaneously connected to the receiver. Thanks to this, when choosing between them, you do not have to reconnect cables — just set the signal source in the receiver settings.

By itself, the RCA connector (colloquially — "tulip") can be used in different interfaces. However, in this particular case, we are talking about a linear audio input responsible for an analogue audio signal. RCA is the most popular connector used in modern audio equipment for such inputs; it allows you to connect the receiver to an external audio source such as a CD player.

Note that connectors of this type are usually counted in pairs; in other words, one input consists of two RCA connectors. This is due to the fact that in this case only one channel of analogue audio can be transmitted over one wire; accordingly, two RCA jacks are required for stereo transmission.

Composite

The number of composite inputs provided in the design of the receiver.

Note that in this case, we do not mean a full-size composite interface that uses three sockets (video and two stereo sound channels), but only one connector — video. This is due to the fact that the sound can be output through standard RCA audio connectors. The video output also uses an RCA type connector, usually a characteristic yellow colour.

Due to the fact that all image data is transmitted over a single cable, the composite interface is somewhat inferior to the component (see above) in terms of video quality, and the bandwidth allows you to work only with a standard definition signal (not HD); and there is no talk of volumetric sound. On the other hand, this connection method has long been used in video technology and can be useful for connecting outdated devices (such as VHS VCRs).

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.

Multichannel

The presence of a multi-channel input in the design of the AV receiver.

This interface uses the same connectors and the same audio transmission format as analogue RCA (see "RCA"). However, the connectors themselves in this case are much larger: their number corresponds to the maximum number of audio channels that the receiver supports (see above). For example, in a 7.1 model, the multi-channel input will consist of 8 jacks. This feature provides additional convenience in connecting and setting up multi-channel audio.

More features

Additional inputs provided in the design of the AV receiver, in addition to those described above. These can be, in particular, such interfaces:

— Balanced digital (AES/EBU). A professional interface designed, as the name suggests, for transmitting digital audio using a balanced connection to reduce interference. For balanced connection, see "XLR (balanced)" above; here we note that AES / EBU is not compatible with the "regular" XLR, although it most often uses the same type of connector. This input is found mainly in the most advanced AV receivers.

— Connector for the docking station. Input for connecting to a docking station — a special device used mainly for connecting smartphones and portable players. The most popular docks for Apple devices — iPhone and iPod — but there may be accessories for other brands. A docking station is often more convenient than a regular cable as it She also plays the role of a stand. In addition, connecting a portable gadget in this way often provides additional control options — for example, switching tracks on the player from the receiver's control panel.

— Trigger input. This input allows the AV receiver to turn on automatically when another audio component equipped with a trigger output, such as a CD player, is turned on. When the control component connected to the trigger input is turned on, this input receives a signal that “wakes up” the receiver as well. This is more convenient than turning on the...equipment separately.

— PC IN. Input for outputting video signal from a computer graphics card to the AV receiver. Typically, the designation PC IN is used for the analogue VGA connector (15 pin D-Sub); it is considered obsolete, but it is still quite common in video cards, especially low-cost ones. On the other hand, the same video cards use the more popular, advanced, and most importantly universal HDMI standard (see above). Therefore, among AV receivers, the PC IN input is still not widely used, only some top-class models are equipped with it, designed for the maximum variety of interfaces.

— USB A. Standard USB connector — the same as in PCs and laptops. It can be used in different formats, but most often it is intended for connecting flash drives or other drives and using the receiver as a media player.
Marantz SR-6013 often compared
Denon AVR-X4500H often compared