Comparison Acer Nitro RG240Ybmiix 24 " black vs Acer Nitro VG240YU 24 " black

Modern monitors can use displays with both glossy and matte screen surfaces. A matte surface is in some cases more preferable due to the fact that on a glossy screen, when exposed to bright light, noticeable glare appears, sometimes interfering with viewing. On the other hand, glossy screens offer better picture quality, higher brightness, and richer colours.
Due to the development of technology, monitors with a special anti-glare coating have appeared on the market, which, while maintaining all the advantages of a glossy screen, creates significantly less visible glare in bright ambient light.

The native resolution of the monitor. Ideally, the resolution of the video signal should be the same, then the quality of the image on the screen will be maximum.

In general, the higher the resolution, the higher the detail and the more advanced the screen is, but the more expensive it will cost (ceteris paribus) and the more power the graphics card will need to work properly at that resolution. As for specific values, they are quite diverse in modern monitors, but all resolutions can be divided into several general categories:

— HD (720). Screens suitable for HD video with a resolution of 1280x720. Note that this category also includes models with a resolution of 1024x768 — this figure is somewhat less than necessary to display HD in its original size, but the quality of the HD picture on such a screen still turns out to be quite high. The most popular option among HD monitors is 1366x768, there are also models 1280x768, 1280x800 and non-widescreen (5:3) 1280x1024.

— Full HD (1080). Full HD monitors. The classic, most popular version of this resolution is 1920x1080 ( 16:9 format), however, there are other options among monitors, including such specific ones as ultra-widescreen (32:9) 3840x1080, as well as 1600x1200 (a 1920x1080 frame “does not fit into it”) ” in width, but this resolution is still commonly r...eferred to as Full HD). To date, Full HD is a good compromise between image quality, screen cost and graphics card requirements. As a result, it is this format that is most popular among modern monitors.

— Quad HD. A kind of intermediate option between the popular Full HD and advanced demanding Ultra HD 4K. It covers resolutions from 1920x1440 to 3200x2400, although most modern Quad HD monitors fit into a narrower range — from 2560x1440 to 3840x1600. Such a screen can be a good option for those who “Full HD is not enough, but 4K is a lot.”

— Ultra HD (4K). This standard assumes a horizontal frame size of approximately 4000 pixels, but specific resolutions may vary. Popular options found in monitors include 3840x2160, 4096x2160, and 4096x2304. Overall, UHD 4K gives you 4 times more pixels on screen than Full HD; such resolutions are typical for high-end monitors and are most often combined with a large diagonal — from 27 "(although there are exceptions).

— Ultra HD (5K). An even more advanced standard than UHD 4K, which assumes a horizontal frame size of about 5000 pixels — for example, 5120x2160. It is used extremely rarely, mainly in top professional screens.

— 8K. Further, after 5K, the development of HD standards, which provides for a frame with a horizontal size of about 8000 — for example, one of the 8K resolution options in monitors is 7680x4320. Allows you to get extremely clear and detailed images, but such high-resolution monitors are very expensive, and it is not so easy to find a signal source in such a resolution. Therefore, only single models of 8K monitors are currently on the market.

The size of one dot (pixel) on a monitor screen. This parameter is related to the maximum resolution of the monitor and its diagonal size — the higher the resolution, the smaller the pixel size (with the same diagonal) and vice versa, the larger the diagonal, the larger the size of one pixel (with the same resolution). The smaller the size of one pixel, the clearer the image will be displayed by the monitor, the less grainy it will be noticeable, which is especially important on large monitors. On the other hand, a small pixel size creates discomfort when working with fine details and text — this mainly applies to monitors with a small diagonal.

The time each individual pixel on the monitor takes to switch from one state to another. The lower the response time, the faster the matrix responds to the control signal, resulting in less delay and better image quality in dynamic scenes.

Note that in this case, the gray-to-gray method is used (the time it takes to switch from 10% gray to 90% gray). Pay attention to this parameter if the monitor is specifically purchased for fast-paced games, movie watching, or other applications involving quick screen movements. However, there’s no need to chase the fastest models. It’s not often possible to discern the difference between 1 ms and 5 ms. For most scenarios, monitors with a 4 ms response time will suffice. In any case, it’s best to rely on live impressions for a true comparison.

The maximum brightness provided by the monitor screen.

Choosing a monitor with high brightness is especially important if the device is going to be used in bright ambient light — for example, if the workplace is exposed to sunlight. A dim image can be "dampened" by such lighting, making work uncomfortable. In other conditions, the high brightness of the screen is very tiring for the eyes.

Most modern monitors give out about 200 – 400 cd / m2 — this is usually quite enough even in the sun. However, there are also higher values: for example, in LCD panels (see "Type") the brightness can reach several thousand cd/m2. This is necessary taking into account the specifics of such devices — the image must be clearly visible from a long distance.

Static contrast provided by the monitor screen.

This value describes the difference between the brightest whites and darkest blacks that the screen is capable of producing. In this case, unlike dynamic contrast (see below), the difference is indicated on the condition that the brightness of the screen backlight remains unchanged. In other words, this is the contrast that is guaranteed to be achievable within one frame. Static contrast is inevitably lower than dynamic. However, it is she who describes the basic capabilities of the screen.

The minimum static contrast ratio for tolerable image quality is considered to be 250:1, but even the most modest modern monitors give out about 400:1 (and a value of 1000:1 is not the highest class), and in high-end models this figure can reach 2000:1 and even more. .

Dynamic contrast provided by the monitor screen.

Dynamic contrast refers to the difference between the brightest white at maximum backlight intensity and the deepest black at minimum backlight. In this way, this indicator differs from static contrast, which is indicated with a constant backlight level (see above). Dynamic contrast ratio can be expressed in very impressive numbers (in some models — more than 100,000,000: 1). However, in fact, these figures are poorly correlated with what the viewer sees: it is almost impossible to achieve such a difference within one frame. Therefore, dynamic contrast is most often more of an advertising than a practically significant indicator, it is often indicated precisely in order to impress an inexperienced buyer. At the same time, we note that there are "smart" backlight technologies that allow you to change its brightness in certain areas of the screen and achieve a higher contrast in one frame than the claimed static one; these technologies are found mostly in premium monitors.

The colour gamut of the monitor is based on the NTSC colour model.

Any colour gamut is indicated as a percentage, however, not relative to the entire variety of visible colours, but relative to the conditional colour space (colour model). This is due to the fact that no modern screen is able to display all the colours visible to humans. However, the larger the colour gamut, the wider the monitor's capabilities, the better its colour reproduction.

Specifically, NTSC is one of the first colour models created back in 1953 with the advent of colour television. It is not used in the production of modern monitors, but is often used to describe and compare them. NTSC covers a wider range of colours than sRGB, which is standard in computer technology: for example, coverage of only 85% in NTSC gives about 110% in sRGB. So the colour gamut for this model is usually given for advertising purposes — as a confirmation of the high class of the monitor; a very good indicator in such cases is considered to be 75% or more.

Monitor colour gamut Rec. 709 or sRGB.

Any colour gamut is indicated as a percentage, however, not relative to the entire variety of visible colours, but relative to the conditional colour space (colour model). This is due to the fact that no modern screen is able to display all the colours visible to humans. However, the larger the colour gamut, the wider the monitor's capabilities, the better its colour reproduction.

Nowadays, sRGB is actually the standard color model adopted for computer technology; This is what is used in the development and production of most video cards. For television, the Rec. standard, similar in parameters, is used. 709. In terms of the range of colors, these models are identical, and the percentage of coverage for them is the same. In the most advanced monitors it can reach or even exceed 100%; These are the values that are considered necessary for high-end screens, incl. professional.